early-20th-century avant-garde art movement pioneered by Georges Braque and Pablo Picasso‚ and later joined by Juan Gris‚ Jean Metzinger‚ Albert Gleizes‚ Robert Delaunay‚ Henri Le Fauconnier‚ and Fernand Léger‚[1] that revolutionized European painting and sculpture‚ and inspired related movements in music‚ literature and architecture. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre
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Spirituality in Art “Spirituality is such a vibrant and integral part of our lives that even our changing times and all the apparent obstacles have not stifled the powerful partnership of spirituality and art in the modern era” Lynn M. Herbert. This essay will assess and discuss three contemporary artists that address the idea or concept of ‘spirituality’ in their work. Spirituality is a term that lacks certain defiance or a definitive definition‚ although social scientists have defined spirituality
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tishTOPIC 14: BRITISH ARTS Outline: I. Introduction II. Content 1. Overview of the arts in Britain 1.1. What are “the arts”? 1.2. The arts in society 1.3. The characteristics of British arts and letters 1. Types of arts 2.4. Theatre and cinema 2.5. Music 2.6. Literature 2.7. The fine arts III. Conclusion 1. Overview of the arts in Britain 2.1. What are “The arts”? The art is the term which is used
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cultures as a positive mark of identity‚ while in many modern Western cultures permanently marking the body has been considered degrading or deviant. While discussing the role that body art plays in today’s Western society‚ it is imperative to realize the influence it has in every other culture. The history of body art is rich in older civilizations‚ as illustrated by the Burmese women who traditionally wear brass rings to elongate their necks (see picture above). The longer the neck‚ the wiser and
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Islamic Art Islamic art is perhaps the most accessible manifestation of a complex civilization that often seems enigmatic to outsiders. Through its brilliant use of color and its superb balance between design and form‚ Islamic art creates an immediate visual impact. Its strong aesthetic appeal transcends distances in time and space‚ as well as differences in language‚ culture‚ and creed. Islamic art not only invites a closer look but also beckons the viewer to learn more. "The term Islamic
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ThE ArT mArkET in 2012 A dialogue between East and West SOMMAIRE Editorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 5 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 6
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Traditional art VS Digital art Fri‚ May 15‚ 2009 News Because we live in a century dominated by technology innovation‚ art itself has been offered new creative horizons. But these new advantages have not been considered so beneficial for the art by some conservative art lovers‚ who believe that if the art is not created using traditional tools (pen‚ oils‚ watercolor‚ etc.) that art cannot be considered true art (true in the meaning of recognizing it’s real values). Even if the painting‚ the
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The Art of Loving is a slim volume of only a little over a hundred pages yet it packs one hell of a punch. Written some fifty years ago‚ here is a more damning indictment of modern society than anything the existential crowd of Bertrand Russell‚ Albert Camus or Jean Paul Sartre could cook up. The Art of Loving is a very concise and pithy read‚ it is written in the terse lucid style of gospel‚ each word in each line serving a critical function. This is not a writer’s style nor is a critic’s but that
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New York University SCPS – Arts and Humanities X03.9740 – Arts Administration Summer Intensive 2013 – Managing the Arts Instructor: Amy Fiore Student Name: Yasmin Martins Silva TAKE-HOME EXAMINATION ------------------------------------------------- ANSWERS ------------------------------------------------- #1: The organization chosen is the Guggenheim Museum in NYC. The Mission Statement is very clear and concise: “The mission of the Solomon R. Guggenheim Foundation is to promote
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Art History 3.6: Examine the different values placed on art works Values in art: Making a judgement on whether art has value is entirely subjective and can only be determined on whether someone holds value to that piece‚ or acknowledging that someone holds certain values to that piece. Art is valuable in itself‚ and independent of what people enjoy‚ want‚ or what is good for them. This is important as there are a number of values that an art work can hold and that these values can appeal to a
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