especially in literature. In “Bartleby the Scrivener‚” a clerk suffers from his previous work at a dead letter office and disconnects himself from the world as he descends into insanity‚ while in “Soldier’s Home‚” a young soldier returns war to find himself unable to re-enter normal society and exhibiting symptoms of PTSD. Both Melville’s “Bartleby the Scrivener” and Hemingway’s “Soldier’s Home” explore the theme of isolation and the inability to act in their characters. “Bartleby the Scrivener‚” set in
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Characters A. The Hero – Lord Raglan in The Hero: A Study in Tradition‚ Myth‚ and Drama contends that this archetype is so well defined that the life of the protagonist can be clearly divided into a series of well-marked adventures‚ which strongly suggest a ritualistic pattern. Raglan finds that traditionally the hero’s mother is a virgin‚ the circumstances of his conception are unusual‚ and at birth some attempt is made to kill him. He is‚ however‚ spirited away and reared by foster parents
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character’s past? All of these characteristics fall into the category of the archetype‚ and in Hamlet‚ the archetypes of the hero‚ the villain‚ the outcast‚ and the father figure are all met. Simply put‚ an archetype is a stereotypical idea of a person or thing in literature or film‚ or something that is universally recognizable as a symbol. In Hamlet‚ a central archetype is the “hero‚” and Prince Hamlet is able to fit this archetype by fulfilling the criteria of having experienced a traumatic event in
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to as an archetype. An archetype is a complex literary term that can be found and understood by examining literature. The first place that archetype can be examined is in Cinderella stories. The Traditional Cinderella story that we have all heard sets our standard for archetype in different cultural stories having Jewish‚ Indian‚ Chinese‚ and modern-day settings. In the Indian Cinderella story‚ "The Rough Faced Girl‚" there are many archetypes that are seen but the Cinderella archetype stands out
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Soler Professor Sloan HUM 2310 29 January 2017 Archetypes Archetypes‚ described as “mental forms whose presence cannot be explained by anything in the individual’s own life and which seem to be aboriginal‚ innate‚ and inherited shapes of the human mind” by Carl Jung‚ are “primitive models‚” per its Greek form‚ “arkhetupon.” What this means is that archetypes are part of our unconsciousness that we inherited‚ that exists in everybody. Archetypes relate to our everyday lives as well as in mythology
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Archetype Changes Archetypes help define who a person is‚ whether they are loving and caring‚ powerful like a sovereign‚ tricky like a wizard or jester‚ or hostile like a warrior or fighter. No one’s archetype stays the same throughout their entire life. At some point in everyone’s lives‚ their archetype changes due to the unpredictable changes in life. A piece of literature that establishes how characters can change from one archetype to another is the story “Sweat”‚ by Zara Neale Hurston. In the
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Alchemist Archetypes In the alchemist by Paul Coelho‚ he writes about a shepherd named Santiago. Santiago’s journey is written mainly through situation archetypes. Archetypes are used to categorize people and a situation in stories‚ poems‚ plays ect. The predominant archetypes are situational. The most distinguished archetypes in the alchemist are the initiation‚ the quest‚ death and rebirth‚ the journey‚ and supernatural intervention. The first archetype in the entire book is the initiation;
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In Bartleby the Scrivener‚ a lawyer on Wall Street who is in need of additional copyists hires a man named Bartleby‚ who is quiet‚ reserved‚ and mysterious. After a few days of doing an extraordinary job of copying‚ Bartleby is asked to compare a copy sheet‚ to which he replies‚ "I would prefer not to." The lawyer is surprised at the employee ’s response but does nothing in retaliation. Several days later when asked to do something "perfectly reasonable" Bartleby again replies‚ "I would prefer
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polite rejection drives many too madness in Melville’s work Bartleby‚ the Scrivener (1853). The story can be described as a rather strange comedy and the tale involves the relationship between the main characters: the extraordinary Bartleby and his employer. The reader is riding along this path with the lawyer narrator and his thought process as he deals with his newest employee Bartleby. At first sight‚ when the lawyer-narrator introduces Bartleby he seems to be a great employee who is according to him
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What is the Boss up against in relation to Bartleby? Since the Lawyer never really contemplates Bartleby’s refusal to be a working member of society. He is simply amazed by Bartleby’s refusal to do anything‚ even eat‚ it seems‚ or find a place to live. Throughout the story‚ Bartleby simply exists; he does do some writing‚ but eventually he even gives that up in favor of staring at the wall. There are many more interpretations of Bartleby and the story‚ which will be discussed in the next section
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