Elizabeth Bishop addresses the subject of loss. She focuses on two major subjects in her four-stanza poem entitled “One Art”. Between those two topics‚ Elizabeth Bishop categorizes them with language‚ attitude‚ and form. Elizabeth Bishop talks about losing miscellaneous items in the first three stanzas: “of lost door keys.” She also talks about losing real estate property: “of three loved houses went.” The fourth stanza refers to losing a personal relationship with someone: “---Even losing you.”
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Another activity that takes place in the mornings would be an art activity. The children have had four birthday celebrations since I have been interning at the Rose Kindergarten. Before every birthday celebration the children create drawings for the birthday boy or girl with crayons that are in the shape of squares and very think cylinder shapes. What I love about the paper is how the edges are rounded. Theses drawings are all put together to create a book. The book is fastened together with the
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interest in what the modern world can offer‚ many artists were drawn to these cities to depict and explore the marvels that they contained. However‚ some artists remained in the rural areas of Europe and some lived in more suburban areas. The Milwaukee Art Museum has a specific gallery that deals with this issue of the dichotomy of increasing modernism and continuing ruralism through the eyes of German Expressionist artists. All of the artists in this gallery were associated with a German Expressionist
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This piece from the Metropolitan Museum of Art‚ titled‚ Gypsum Alabaster‚ is a relief panel from roughly around c. 883-859 BCE. The panel was made in Ancient Mesopotamia during the reign of the Assyrians and was originally on the walls of the Plance of Nimrod almond side of many other relief carvings. The work was carved out from a light-colored stone so the figure protrudes from the work. However‚ the carving is shallow so the figure only sticks out of the rock slightly. There are several lines
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The Mérode Altarpiece While the Mérode Altarpiece is definitely not the most aesthetically beautiful piece of art I have been introduced to this summer‚ it is my favorite for many reasons. After looking deeper into the painting and learning of the symbolism and background of it‚ I began to find myself really interested in it. I became interested enough in this painting to do some research on it outside of the class. While there are many common characteristics held by the painting‚ they are not my
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Any form of suffering should become a well made an effort for anyone to help relieve others suffering. In “Is Art a Waste of Time?” Rhys Southan describes the Effective Altruism movement and states how altruists live by the philosophy of improving the world by relieving human and animal suffering (Southan). I agree with the intentions of the EA movement. The pain felt by others is not acceptable when many people have the resources to help those who suffer. As an individual who wishes for every being
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Georges Braque was born on May 13‚ 1882 in Argenteuil Val-d’Oise‚ France. He trained to be a house painter and decorator like his father and grandfather‚ and studied artistic painting during evenings at the École des Beaux-Arts‚ in Le Havre from 1897 to 1899. In Paris‚ he apprenticed with a decorator and was awarded his certificate in 1902. Braque then attended the Académie Humbert until 1904. His early works were landscapes and impressionism‚ but around 1905‚ he adopted a Fauvist style. In
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1984 Analysis (#2) In 1984‚ George Orwell writes about a hypothetical society ruled by a totalitarian government that seeks out to ensure a uniformly mind-setted population. Winton Smith‚ the protagonist of the story‚ happens to be a member of the outer-party‚ the party in which is victimized by the government’s control. Restricted and monitored with every distinct action throughout an ordinary day‚ Winston is mentally as well as physically conditioned to meet the standardized conditions set by
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Richards Ruben’s Claremont I Richards Ruben is an abstract expressionist artist known for his heavy worked‚ vivid surfaces which don’t fall into the label of neither geometric nor gestural. His work‚ Claremont I‚ made in 1995‚ is a vivid example of his art style. His brusque movements‚ vibrant yet relaxing colors and their flow on the canvas‚ create a unique kind of harmony. Claremont I is a pretty impressive piece. The materials and the sized of the canvas do help to bring the beauty of the piece.
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In the Proto Renaissance era‚ also known as the era before the renaissance‚ the most usual form of art was a style was one which closely resembled Byzantine Christian artwork. Through research‚ I found a definition for this style of artwork. A website called Britannica described Byzantine Christian art in way that was easy for me to understand‚ it was defined as “Based on the dynamic of lines and flat areas of color rather than form‚” (Britannica‚ Byzantine Christian par.5). This style of work is
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