beginning in 1919‚ which was a rejection of the idea of autonomous art. The movement was in favour of art as a practice for social purposes. Constructivism had a great effect on modern art movements of the 20th century‚ influencing major trends such as Bauhaus and De Stijl movement. Its influence was pervasive‚ with major impacts upon architecture‚ graphic and industrial design‚ theatre‚ film‚ dance‚ fashion and to some extent music. As much as involving itself in designs for industry‚ the Constructivists
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Cubist painting as well as by the mysticism and the ideas about “ideal” geometric forms in the neoplatonic philosophy of mathematician M.H.J. Schoenmaekers. This movement also influenced the Bauhaus style and the international style of architecture as well as clothing and interior design. However‚ different from Bauhaus‚ De Stijl didn’t follow the general guidelines of an “ism” (Cubism‚ Futurism‚ Surrealism)‚ nor did it held the
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1960s here‚ there were earlier precedents for Performance Art. The live performances of the Dadaists‚ in particular‚ meshed poetry and the visual arts. The German Bauhaus‚ founded in 1919‚ included a theater workshop to explore relationships between space‚ sound and light. The Black Mountain College (founded [in the United States] by Bauhaus instructors exiled by the Nazi Party)‚ continued incorporating theatrical studies with the visual arts - a good 20 years before the 1960s Happenings happened. You
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Hundreds of miles away from the center of Europe stretching into the Arctic‚ great civilization is still growing. For thousands of years‚ Scandinavian people found out their very own way to not only survive with the endless blizzard‚ but also to live a life full of happiness. The secret is probably all hidden in their brilliant minds. Design has become something that flows with their blood inside of them. They changed not only their lives‚ but also the understanding of design of the entire world
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DECO1400 Web Design: Assignment 1 | April 12 2013 | Student Number: 4321386 | | Executive Summary: I have been given the task to design a web based personal portfolio of myself aimed at potential employers. The website functions as an online resume for employers to view at their leisure. It will have number of pages containing data that would be sought after by employers. The webpage must be designed in a way that would appeal to employers in the field I wish to be hired in. I have
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the Esquire magazine. In addition to his long hours spent at the Esquire office he took on some more creative freelance work‚ designing ‘Directions’‚ a cultural magazine. His covers were a homage to the Bauhaus-ideas. “When I was doing the covers of Direction I was trying to compete with the Bauhaus‚ Van Doesburg‚ Leger and Picasso. Compete is not the right word‚ I was trying to do it in the
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Quotes: 1. What a piece of work is a man! How noble in reason! How infinite in faculties... – hamlet 2. Man is born free‚ yet everywhere he is in chains. Rousseau 3. Modern society is rotten even at its roots. Rouseeau 4. Get back to Nature … Noble Savage .. SOCIAL CONTRACT - rouseeau 5. Reason is supreme . Human reason can solve every problem facing humankind. - descartes 6. A work of art is a public dream – frued – Oedipus complex 7. We live in an ordered‚ rational‚ understandable
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criticized its carelessness. From type‚ to layout‚ to ornament‚ to binding – Morris preaches a return to detail and craftsmanship– a microcosmic critique of the changing art scene as a whole (Morris). In Walter Gropius’s “Program of the Staatliche Bauhaus” he explains the way the arts exist in isolation‚ and can be rescued only through conscious cooperative efforts of the craftsman. He
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amalgamation of new technologies and processes and drew from many worldwide influences. However‚ the greatest influence of the movement was the new visual language‚ color and iconography of the avant-garde art world: Cubism‚ Fauvism‚ Futurism‚ De Stijl‚ Bauhaus and Constructivism to name a few. As Helen Appleton Red described the Exposition Internationale des Arts Decoratifs et Industriels Modernes‚ "The Exposition marks the coming of age of a new decor...as inevitable
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Futura Book In typography‚ Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. It is based on geometric shapes that became representative visual elements of the Bauhaus design style of 1919–1933.[1] Commissioned by the Bauer Type Foundry‚ in reaction to Ludwig & Mayer’s seminal Erbar of 1922‚ Futura was commercially released in 1927. The family was originally cast in Light‚ Medium‚ Bold‚ and Bold Oblique fonts in 1928. Light Oblique‚ Medium Oblique‚ Demibold‚ and Demibold
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