Terry Eagleton states the "Jane ’s relationship with Rochester is marked by ambiguities of equality‚ servitude‚ and independence". By examining pertinent incidents in the text‚ the validity of this statement will be shown‚ and moreover‚ these ambiguities will be shown to be of Jane ’s own doing. It will be shown that she is the one who constantly thinks herself to be inferior‚ and even when she is said to be Rochester ’s equal‚ she thinks of some way in which she is inadequate‚ in order to sabotage
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Wide Sargasso Sea by Jean Rhys and Jane Eyre by Charlotte Bronte‚ the theme of loss can be viewed as an umbrella that encompasses the absence of independence‚ society or community‚ love‚ and order in the lives of the two protagonists. They deal with their hardships in diverse ways. However‚ they both find ways to triumph over their losses and regain their independence. The women in both novels endure a loss of personal freedom‚ both mental‚ and physical. Jane Eyre‚ in her blind infatuation with Mr
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Nineteenth century women were no strangers to strictly defined gender roles and lack of basic rights men of that same time period enjoyed. In Charlotte Bronte’s “Jane Eyre”‚ the outlook on the restraints women faced was transformed through the development of her main character‚ Jane‚ as the author focused on the different aspects of imprisonment experienced in her life through the character interactions at different stages in the protagonist’s life‚ expression of views on societal norms‚ and comparison
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Jane Eyre is a novel that presents many views on religion through its various characters. Charlotte Bronte successfully employs several characters throughout the novel‚ who each have a distinct view on religion‚ specifically Christianity. These characters include Mr. Brocklehurst‚ Eliza Reed‚ Helen Burns‚ St. John Rivers‚ Jane‚ and Mr. Rochester. Some of these characters practice the strictness aspect of Christianity‚ while others believe in duty and works‚ and the remaining few are actual true Christians
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Explore the role of social class in ‘Jane Eyre’. Social class plays an important role throughout the novel for Jane’s ambiguous class status becomes evident from the opening chapter. Bronte refers to Jane as a poor orphan living with her cruel relatives‚ she feels alienated from the rest of the Reed family. Jane’s callous cousin John Reed tells Jane she has "no business to take our books; you are a dependent . . . you ought to beg‚ and not to live here with gentleman’s children like us." In this
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Charlotte Bronte’s‚ Jane Eyre‚ a story of an unfortunate you who’s morals and self-respect continue to fluctuate as she matures. Jane Eyre begins her life in the wrong place at the wrong time. During the novel‚ Jane endures love‚ hate and friendship‚ though maturity allows her to forgive. Settings surrounding Jane’s life alter her own ideas of self-acceptance‚ her actions taken to release herself from certain settings have effect on her. In the first few chapters‚ Bronte establishes Jane’s
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Explain the ways in which Jane Eyre and The Yellow Wallpaper are linked in relation to the ways in which women were treated in the 16th century. This essay discusses the containment‚ confinement and oppression of women in 16th century Britain; specifically the roles of Jane Eyre and Bertha‚ and the protagonist in ‘The Yellow Wallpaper’. At this time men held more power over women‚ partly because of women’s financial and social dependence on them. It was customary for women to submit to their
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Set in the nineteenth century‚ Jane Eyre describes a woman’s continuous journey through life in search of acceptance and inner peace. Each of the physical journeys made by the main character‚ Jane Eyre‚ have a significant effect on her emotions and cause her to grow and change into the woman she ultimately becomes. Her experiences at Lowood School‚ Thornfield Hall‚ Moor house‚ and Ferndean ingeniously correspond with each stage of Jane’s inner quest and development from an immature child to an intelligent
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The movie Pretty Woman and the book Jane Eyre contain lower class girls who have higher-class lovers. They both have a scene in which their rich lovers take them out to get rich‚ high class’ clothes and accessories. Both men like to pamper their women‚ even though Jane and Vivian do not like it that much. But eventually Vivian does get to fancy being weighted on. Vivian’s lover is very much like Mr. Rochester. He is rich and loves Vivian so much that he wishes to make her happy’ by spending money
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Ingram‚ who tyrannize over men whenever possible‚ indulge in dreams of Corsair lovers‚ and can communicate only in the Byronic language of outdated romantic fiction. Only equals like Jane and Rochester dare to speak truth couched in language of unadorned directness. [pp. 93-94] Even in Martin ’s terms‚ can you take Jane Eyre as a feminist work? How does he define feminism‚ and which works in this course would meet his definition? References Martin‚ Robert B. Charlotte Brontë ’s Novels: The Accents
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