Bibliography: Charlotte Brontë. "Jane Eyre". 1994. Puffin Classics Edition, Penguin Books Ltd, London, England.
Bibliography: Charlotte Brontë. "Jane Eyre". 1994. Puffin Classics Edition, Penguin Books Ltd, London, England.
In the novel our heroine rebels and shows that she has a will of her own. Jane´s capacity to stand up for her beliefs make her a model of independent and powerful woman.…
She doesn’t want to condemn Rochester to further misery, and a voice within her asks, “Who in the world cares for you?” Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves…
Jane’s plain and normal features – of which do her no good to distinguish her from the typical woman – prevent her from receiving fair and equal treatment to women born with blessed genetics. For example, in chapter 3 in which Jane’s cousin John bullies her, and gets her into trouble for defending herself, the house servant Abbot makes a comment to the other servant, noting that “if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that”, to which the other servant, Bessie, replies with a remark in which she notes that she can easier sympathize with Jane’s cousin Georgiana due to her beauty and grace. Even the older women in this book don’t give Jane the benefit of the doubt because of her appearance. Because Jane does not have any exceptional genetic features, somehow her worth as a person devaluates to a standard in which she cannot even receive sympathy. Furthermore, Jane shows the result of a lifetime of belittlement because of her appearance in chapter 26 when Mr. Rochester – the master of the…
At Thornfield, Jane has finally found someone who loves and cherishes her fervently. Jane discovered that Mr. Rochester covered up his marital status and she felt betrayed and hurt by his deceit. After deciding unbendingly to leave Thornfield and Mr. Rochester behind, in this passage, Jane bids farewell to her master though Rochester continuously pleads for her to stay. From Rochester’s speech, he finally realizes that Jane is not going to yield to his wishes from her indomitable manner, but he still yearned for her to be by his side. Rochester passionately uses anaphora to emphasize that no matter how he implored Jane to stay, he vested no power over her. Besides Jane’s thirst for approval from others, another motif in the book is that she submits to no one and sacrifices her principles for nothing, such as her rejecting St. John’s proposal of marriage. Rochester juxtaposes the Jane that loved and treasured him to the Jane that repulsed and broke free of his love with an image of a “resolute, wild, free” and triumphant creature that refuses being controlled and held captive in its cage any longer. He also confessed that although he is the master of the house, he is not able to posses Jane’s self-willed soul. Jane’s character shines as she develops into a mature woman who dictates her own destiny. She would rather break free of Rochester’s…
Charlotte Bronte’s Jane Eyre tells the story of Jane’s growth and development as she searches for a meaningful existence in society. Author Faith McKay said, “No matter what your family happens to be like…it affects who you are. It matters.” Jane is an orphan, forced to battle a cruel guardian, a patriarchal society, and a rigid social order. (Anderson, “Identity and Independence in Jane Eyre”) Jane has concrete beliefs in what women deserve, as well as obtainable goals for how she imagines her place in society as a woman (Lewkowicz, “The Experience of Womanhood in Jane Eyre”) and with self-growth, Jane Eyre was able to define herself as well as equip herself with wisdom and…
She additionally shows a brilliant amount of awareness of her financial and social situations, knowing that in order to fulfill her pursuit for freedom she must also have financial support through a job. Jane will soon after experience a great number of events after becoming a governess, eventually leaving Thornfield, the mansion in which she found her job. Soon after starting a new one, St. John, a local minister who had allowed her to live in his home for a while, visits Jane to tell her of the death of her uncle John Eyre. He explains about the vast fortune that she has inherited from him, along with her kinship with him and his sisters. Jane is appalled, yet without even much recollection, is determined to divide her inheritance with her cousins. In doing so, she undeniably establishes a large amount of maturity and selflessness in herself, showing how she is able to use her kindness even in situations with a magnitude of importance such as this. If she had not shared the money, it is possible that Jane could be considered to be taking a step back in her maturing process, as doing so would be selfish and heartless. In addition, Jane’s whole approach to her life changes a good deal, as she now knows that she has relations who will not reject her, but rather…
Jane expresses her desire to be with Rochester when she says, "I'll not leave you on my own accord" (Bronte 546). This is the first time in the novel that Jane expresses content with who she is with where she is living. Jane describes her marriage by saying, "I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am" (Bronte 554). It is evident that Jane feels a close connection with Rochester, and this is one of the first times in her life that she does not feel isolated from everyone she is with.…
Jane does not allow her goals to rest solely upon marrying. Although Rochester's betrayal sends her into depression, she tells St. John that she could be perfectly happy as a simple teacher with her own school and a few students. Jane’s attitude toward Mr. Rochester, when he attempts to impress her with jewels and expensive clothes for her wedding starts to prove her role as a feminist. In fact, she says that "the more he bought me, the more my cheek burned with a sense of annoyance and degradation" (Brontë 236). Her unwillingness to be objectified is the best indication that she does not define herself by two of the "marriageability" components; economic status and beauty.…
Through the journey of Jane, she approaches many new places, as well as obstacle. Every event, she is asked the same question--to submit and she gives the same answer--no. For example, in the beginning of the novel when she was still at Gateshead, Mrs. Reed tries to get her to change and be a good child, and instead, Jane is rebellious. Jane refuses the order of Mrs. Reed and continued her actions because that is who she is. Another example of Jane never going through moral reconciliation is when Rochester asked her to marry her even after she discover that Rochester already has a wife--Bertha. Though Jane loved him, she respected herself and her beliefs too much and therefore, left Thornfield. As well as these two, another example is also when is at Moorehouse and she does the same thing. St. John constantly asks Jane to marry him, but every time , she refuses. She doesn't want to give up her independence.…
Jane Eyre comes into a position to marry Edward Rochester when she receives her inheritance. Prior to the inheritance, Rochester saw her as a "dependent," who always did "her duty" (Bronte 282). Jane even refers to Rochester as "master" and makes note of the separation of "wealth, caste, custom" between them (Bronte 282). She refers to her love for him as unavoidable and beyond the bounds of class. Rochester proposes marriage to Jane and becomes intent on transforming her into his view of ideal beauty. She resists and tells him, "you…
Mr Rochester is not the man for Jane because he is nearly twice Jane’s age. ‘ Oh yes. But you see there is a considerable difference in age. Mr Rochester is nearly forty; she is but twenty-five.’ In Jane’s monologue she states ‘ You, a favourite with Mr Rochester? You gifted with the power of pleasing him? You of importance to him in any way? Go! Your folly sicken me.’ Why would Jane be doubting herself so much if she really loved him. She has never come across such a man and doesn’t not know how to feel around him. Jane is a Governess and Mr Rochester is her boss a figure of authority and there is a clear line in the working environment that should never be crossed. They should not be together. Jane saves him twice once when he slid on some ice when they first met, and then she put out a fire that was in his room. Usually it’s would be the man saving and sweeping the…
Jane included. He needs to be in control of every aspect of his life, and he…
Jane is hesitant and lonesome in the beginning of the novel and has difficulty feeling comfortable and indifferent around people. For example, while Jane spends time in the Reed household, she remarks, “To speak truth, I had not least wish to go into company, for in company I was rarely noticed” (Bronte 24). Jane’s parents died when she was young and as a result she became an orphan. As an orphan, she feels disrespected and unfairly treated by the Reed family. Furthermore, she does not feel like she belongs with the family, often feeling that she is unnoticed by them. As a result, she dislikes the family and avoids spending time with them at all costs. In addition, when Mr. Brocklehurst asks his family, teachers, and the children to look at Jane, Jane claims that she "felt their eyes directed like burning-glasses against my scorched skin” (60). In company of Jane’s teachers and classmates she is ridiculed and embarrassed. As a result, while her peers stare at her judgmentally, feelings of…
There 's a passage from Bronte 's Jane Eyre that brings light to the patriarchal relationship between Jane and Rochester. Although Rochester has shown on multiple occasions that he has minimal control over his emotions and has the capacity to lash out, Jane admits her love for him and her feelings of safety around him. The scene depicts Rochester 's dominance over Jane as he holds her, and without a word, she falls completely useless under his perceived power. This ties in with the themes of the class surrounding the patriarchal dominance of the Victorian period, as Jane struggles and fails to fight back against her superior, yet still tries to maintain her sense of self and intuition. Bronte 's use of masculine imagery and the usage of the soul as the internalized truth highlights the traditional masculine and feminine roles of the Victorian era.…
Rochester explains to Jane that he felt uncomfortable with his attachment to her partially due to her social inferiority, as marrying below one’s status was very uncommon and looked down upon in the Victorian…