Chinese Cinderella I. Introduction: A.) Title of the book: * Chinese Cinderella (The true story of an unwanted daughter) B.) Author: * Adeline Yen Mah C.) Summary of the book: * When Adeline was born‚ her siblings called her a bad luck‚ because of their mother’s death. One year later‚ her father married a half French and half Chinese woman‚ who hated Adeline‚ as a replacement for her dead wife. Every time Adeline receives a reward from school‚ she would tell
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The dominating feature od Chinese life is a conservatism that has followed certain habits and traditions for 40 centuries. Altthough there was some culture in China five thousand years ago‚ we shall begin our study with the Chou Dynasty (1125-255 B.C.)‚ during which time China reached its zenith of intellectual and artistic achievement. Confucius (552-479 B.C.) was almost a comtemporary of the Golden Age of Athens. The Han Dynasty (206 B.C.-A.D. 221) marked a great development in
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Last term our class studied Chinese Cinderella by Adeline Yen Mah. It is Adeline’s story‚ about her tough and horrible childhood as a neglected and unloved daughter of a rich and arrogant man‚ and a cruel‚ and abusive Stepmother. Right from the moment her mother died‚ Adeline was labelled as ‘bad luck’. Her family was very superstitious and believed she caused her mothers death so was therefore despised‚ no one wanted her around at all. Unfortunately for Adeline she didn’t really have any parents
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Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial
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Adeline’s character: In Chinese Cinderella‚ there are many instances whereby we can observe positive characteristic of Adeline. Firstly‚ Adeline is accepting of her situation and is very forgiving. On the first day of school‚ there was no one taking her to school and after school‚ “nobody was coming to pick her up”. However‚ she does not blame her father for failing to pick her up from school. Not only she is accepting to her situation‚ she is also very independent. She did not ask for help but
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From Chinese Cinderella Growing up in a wealthy family in 1950s Hong Kong‚ Adeline Yen Mah should have had an enviable childhood‚ but she was rejected by her dominating stepmother and despised by her brothers and sisters. She was sent to a boarding school and left there. In this extract from her autobiography she relates one of the few occasions when she went home. Time went by relentlessly and it was Saturday again. Eight weeks more and it would be the end of term … in my case perhaps the end of
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Chinese Cinderella is Adeline Yen Mah’s remarkable autobiography of her childhood. She was a rejected daughter growing up in World War II China. She longed for her father’s acceptance after her mother died in childbirth and her father remarried a young and cruel Eurasian woman. She finally receives his attention and brings honor to her family by winning a creative writing competition. In Adeline’s story the idea’s of rejection‚ abandonment and overcoming adversity is cleverly conveyed through the
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Since the issue of Chinese currency exchange rate against U.S dollar has been capturing widespread attention‚ the purpose of the study proposed herein is to profit from empirically analyzing the income elasticity and elasticity of exchange rate of gross Sino-US trade and commodities from ten main categories1 by employing quarterly data from 1996 to 2009‚ aiming to judge whether Chinese currency needs an appreciation or not. Ever since the 1980s‚ due to its upgrade in industrial structure‚ the United
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FROM CHINESE CINDERELLA Adeline Yen Mah’s ‘Chinese Cinderella’ is the story of pain‚ rejection and triumph. Mental pain‚ contempt and cruelty were the harsh realities of her life. But the will to succeed and win recognition proved to be powerful motivating factors. The subtext is based in the years 1940-1950 and on memoirs of Adeline’s childhood. This extract is based on one of the few occasions when she went home. The title has a dreamy fairy tale like tone. It is used in an ironic manner and appropriately
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Kai-shek’s coup marks the desertion of the national bourgeoisie from the revolution‚ which is the clash (emergence) of a Centre a national counter-revolution‚ and the conclusion of a deal between the Kuomintang Rights and the imperialists against the Chinese revolution.. - Chiang Kai-shek’s coup signifies that in South China there will now be two camps‚ two governments‚ two armies‚ two Centre -- the revolutionary Centre in Wuhan and the counter-revolutionary Centre in Nanking. - Chiang Kai-shek’s
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