The Hours Mellissa Krause 02/08/13 Production: Paramount Pictures/ Miramax Films‚ January 2003 Producer: Robert Fox; Scott Rudin; Mark Huffman Director: Stephen Daldry Screenplay: David Hare (screenplay); Michael Cunningham (novel) Cinematography: Seamus McGarvey Editing: Peter Boyle Music: Philip Glass Principal Characters: Clarissa Vaughan Meryl Streep Laura Brown Julianne Moore Virginia Woolf Nicole Kidman Richard Brown Ed Harris Kitty Toni Collette Julia Vaughan
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In Elf music is used to enhance the mood by slowing down the tempo or speeding up the tempo of the music. When the elves are making toys the music is at a moderate speed because they are functioning at a moderate speed. When Will Ferrell is traveling from the North Pole to New York to find his father‚ Walter‚ the music is actually fast and slow at some points because he slows down and speeds up. The faster the character functions the faster the music and sound effects will be. The slower
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and director Liz W Garcia‚ premiered at Sundance Film Festival 2013 where it competed for Best Dramatic Film and had limited release. Garcia was “inspired” by Andrea Arnold’s film ‘Fish Tank’ “where the performances are so naturalistic…she’s able to be gritty and lyrical” (Garcia‚ 2013). ‘Cinema screen is interested in representation’ (McClements‚ 2016)‚ and the drama genre adheres to this idea as Jule Selbo (a professor in the Radio Television and Film)‚ says is a ‘very real world and emotional development
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Film music is used to add emotion to films. It brings character motifs to particular characters‚ which symbolise the current mood of the film. If the composer of the film music wants the viewer to feel empathy or sadness for a character or event‚ they will use minor music. Alternatively‚ If a composer wants to make the viewer feel happy and enlightened‚ they will use major music. It is an essential aspect of all films to have music and without it‚ the viewer is unable to engage in the film.
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Film noir "Film Noir" is a term that was applied to a style of American cinema that was popular in the 1930’s and 40’s. The term translates to "Black Film‚" which refers to both the characteristic lighting and the dark subject matter. Noir films often depict different aspects of the criminal underworld‚ and are most commonly set in the ’mean streets’ of the city. Many of the most recognizable early noir films were mysteries involving a hard-boiled detective like Sam Spade (played by Humphrey Bogart)
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In Fritz Lang’s Metropolis (1927)‚ many cinematography techniques differ from The Wachowski Brothers’ The Matrix (1999). One of the first major differences between the films is the amount of close-ups that are involved in The Matrix and Metropolis. Metropolis consists of very few close-ups and an abundance of wide shots. The wide shots linger‚ giving the audience the ability to see everything happening within that frame composition instead of cutting away to a new angle. One scene in particular
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future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939‚ the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography‚ John Ford displays his views of society. The film consists of many cliché western characters. There
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watching the films Titus (1998) and Elizabeth (1998)‚ it has come to my attention that both of these films consist of two things. These two things that stuck out to me are violence and history. I will also be touching very briefly on the religious mechanics that drive these two films. Now many great movies contain these important aspects‚ but it’s the way that Julie Taymor (Titus) and Shekhar Kapur (Elizabeth) have used them to portray the times and above all else‚ provide us with great films to have
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continuously hunting him for vengeance. I could say that Ms. Moriguchi achieved her retribution as a mother‚ and also taught the children a lesson about Life and how it is important to them. I can say that film was a frightful masterpiece and yet a bloody murder. CINEMATOGRAPHY & VISUAL DESIGN The film was a puzzle to solve. If you missed a scene it will be hard for you to cope up‚ and understand what is happening. Every scene was taken from different perspectives and angles; hence making the people
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We all watch films‚ and documentaries. Generally‚ we learn some things from them‚ but can we be sure what we learned is true‚ and objective? If the films compare and analyze the context (religion‚ language‚ etc.) well‚ we call these kinds of films as ‘ethnographic’ films. A simple question can be appeared in our minds: which films are the ethnographic films? We will try to find an answer to this question with discussing the intentions‚ the wholeness and the ethics of ethnographic film-making.
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