“Art is not what you see‚ but what you make others see” - Edgar Degas The Persistence of Memory By: Salvadore Dali The Persistence of Memory By: Salvadore Dali This article may be about learning from art history but it also deals with the intangibles creating art. I think it’s important to recognise that first and foremost art should evoke emotion in the viewer. As artists‚ we can create the perfectly composed image but without emotion‚ the work is nothing more than pretty. You will never evoke
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Michelangelo ____ A. Morning Haze b. Leonardo Da Vinci ____ B. The Sleeping Gypsy c. Salvador Dali ____ C. Persistence of Memory d. Pablo Picasso ____ D.The Swing e. Henri Rousseau ____ E. The Last Supper f. Henri Matisse ____ F. Gueraica g. Claude Monet ____ G. The Starry Night h. Pierre Auguste Renoir ____ H. Creation Of Adam i. Vincent Van Gogh ____ I. Campbell ’s Soup Can j. Andy Warhol ____ J. La Fougere Noire 1.) Draw a Still Life Drawing with following in their relative proportions
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Claude Debussy (1862-1918) was one of the most important composers of his time and is considered the founder of the impressionist movement‚ essentially a one-person revolution. Born in Saint-Germain-en-Laye‚ Debussy was the eldest of five children of a crockery shop owner and a seamstress. Despite early dreams of becoming a virtuoso pianist‚ Debussy found greater success working as a composer‚ producing his first works as a teenager. His first piano work was written at age 18‚ and within a few years
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Technique: Almost photographic and always portraying the dignity of ordinary people. • Artists: Courbet‚ Bonheur‚ Eakins‚ Tanner‚ Daumier Impressionism and Expressionism Impressionism: [pic] Claud Monet. “Impression: Sunrise” Oil on Canvas • Concern themselves with visual issues. They paint what the eye sees rather than what the mind knows. The effects of light on a subject is emphasized. • Era: Development of camera • Tech: Small dabs of color
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farm workers (genre) and so on. This association will emphasize how artists make art about life. Pose questions such as: Why do artists usually work in one theme? What theme would you choose to represent? 2. Realism and Reality: Representing the Mind Claude Monet’s The Regatta at Argenteuil (fig. 39) is a classic example of the Impressionist style. Discuss the art movement of Impressionism as both psychological and physical states of interpretation. Emphasize to
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Toward the Modern Consciousness: Intellectual and Cultural Developments values and ideals that had been generated by the Scientific Revolution and the Enlightenment‚ Reason‚ Science‚ and progress were still important words modern technology as electric lights‚ phonographs‚ and automobiles new view of the physical universe ‚ an appeal to the irrational‚ alternative views of human nature‚ and radically innovative forms of literacy and artistic expression shattered old beliefs Developments in
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Renoir’s Controversial Second Act Late in life‚ the French impressionist’s career took an unexpected turn. A new exhibition showcases his radical move toward tradition Read more: http://www.smithsonianmag.com/arts-culture/Renoirs-Controversial-Second-Act.html?c=y&page=2#ixzz0fgzIUShl In October 1881‚ not long after he finished his joyous Luncheon of the Boating Party‚ probably his best-known work and certainly one of the most admired paintings of the past 150 years‚ Pierre-Auguste Renoir
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received training under Henri Lehmann‚ but because of the school’s strict academic methods he left and continued to study on his own. In April 1879‚ he visited the Fourth Impressionist Exhibition and saw radical new works by Impressionist painters Claude Monet and Camille Pissarro. The Impressionists’ ways of conveying light and atmosphere influenced Seurat’s own thinking about painting. Seurat was also interested in the science behind the art‚ and he did a good deal of reading on perception‚ color theory
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many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism‚ the art movement that began in the 1870s in France‚ was the first real development of this new concept of painting. Impressionists‚ such as Claude Monet‚ sought to put on canvas how they saw light and nature. Unlike the artists from centuries before‚ the Impressionists were not interested in painting images of nobility or religion; instead they focused more on painting ordinary people and nature
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New Movements in the Visual Arts Something of the feverish activity in the visual arts during this period can be gauged by the sheer number of movements and styles that followed one another in rapid succession: Impressionism‚ post-Impressionism‚ Fauvism‚ and Expressionism‚ culminating in the birth of Cubism around the time of World War I. all of the movements form important stages in the transition from traditional artistic styles to present-day art‚ much of which rejects any attempt at Realism
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