The films‚ ‘The Butler’ and ‘The Intouchables’ are representations of the ordeals that African American’s were forced to go through in the past years and the implications of such experiences to the current production of films. It is without any doubt that because of the inferior status that was given to African Americans‚ most films that are produced today exhibit African Americans to be of a lesser status (Toledano and Olivier 5; Ager and Aubyn 1). For example‚ in both of the aforementioned films
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10 Foreign films for people who don’t watch foreign films Fancy something a little bit different from cliché ridden blockbusters‚ predictable rom coms and endless comic book adaptations? When the current selection at your cinema doesn’t float your boat‚ it might be a good idea to explore foreign film instead. It’s not just for pretentious people‚ you know. I understand that a lot of people seem to be put off by the fact you have to use subtitles and while this can be annoying‚ there is so much
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Introduction Superhero films as a popular culture are a phenomenon that has experienced fluctuating amounts of success and change throughout its long history‚ spanning over seventy years. With origins in comic book lore‚ the mythology of superheroes emerged in 1940s films and has ultimately become a multibillion dollar empire. Over the last century‚ the heroes and mythology within superhero films drawn from various comic book universes have established an unrivalled relationship with audiences‚ who
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This award-winning film titled The Mermaid is about Sara and her brother‚ Deji‚ with schizophrenia. It explores the beauty and difficulties of schizophrenia during an eventful evening with Deji’s goldfish that changed their lives. Off his medications and out of control‚ Deji interrupted Sara’s date with Jay and insisted to release his pet goldfish back into the ocean to turn back into her true self: a mermaid. Left with no choice‚ Sara and Jay followed him on a peculiar adventure‚ filled with plenty
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Cinema of Horror MEDA 13672 November 10‚ 2014 In 1978 John Carpenter changed the landscape of horror cinema with the release of his terrifying new film Halloween. The film follows a group of young females as they are stalked‚ tormented and inevitably killed by an escaped lunatic wearing a Halloween mask and wielding a knife. The film was revolutionary for the many themes and concepts it introduced‚ (including the concept of the final girl) things that have been so often repeated they have
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The Graduate‚ a film based on the novel by Charles Webb‚ is directed by Mike Nichols‚ whose famous works also include Working Girl and Catch-22. The Graduate was released in United States on December 22‚ 1967. The screenplay for the film is done by Calder Willingham and Buck Henry‚ and the cinematography by Robert Surtees. A few of the main cast members include Anne Bancroft (as Mrs. Robinson)‚ Dustin Hoffman (as Benjamin Braddock)‚ Katharine Ross (as Elaine Robinson)‚ William Daniels (as Mr. Braddock)
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country’s life completely as well as the lives of people generations from him. This paper will discuss and evaluate the 1982 film Gandhi. Through exploring both the film and the autobiography of Mohandas Gandhi‚ this paper will attempt to compare and contrast the depiction of our great hero. In addition‚ this paper will discuss how the information in the film represents Gandhi distinctive to how Gandhi portrays himself within his autobiography. Furthermore‚ this paper will subjectively illustrate
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future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939‚ the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography‚ John Ford displays his views of society. The film consists of many cliché western characters. There
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The meaningful changes the characters in Atonement go through are what make the film successful in engaging the audience as it helps the audience to relate to the characters‚ their experiences and their motives throughout the film. The director‚ Joe Wright‚ uses a variety of motifs and symbols to support this idea and to help the audience understand the significance of scenes such as the fountain scene‚ from the perspective of Robbie and Cecilia; Briony’s meeting with the French soldier; and the
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title may mislead some viewers‚ as this is not a film about a football code‚ anymore than Bend it with Beckham is about soccer. This powerful‚ brave and rather brutal feature is the debut of Paul Goldman‚ who co-wrote the screenplay with the novelist Phillip Gwynne. Both the storylines and characters from Gwynne’s awardwinning novel Deadly Unna? and its sequel Nukkin Ya‚ have been combined in the film‚ which was commissioned by South Australian Film Corporation for the Adelaide Festival of Arts 2002
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