Question 1: On the first pages‚ Clifford tells the story of a shipowner whose ship sank and drowned all aboard. Clifford things the shipowner is guilty of their deaths even though he sincerely and in all good conscience believed the ship was sea- worth. What do you think? Do you agree with Clifford? Why or why not? Answer: I think that Clifford is absolutely correct in the scenarios that he provided. Quickly‚ Clifford made it clear that the shipowner was fully aware that his ship had not been built
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Rui Gong Rob D ’Annibale English 002-008 May 4‚ 2015 In “Isolated by the Internet‚” believing only strong social ties buffer us from stress and lead to better social interactions‚ Clifford Stoll points out that the internet affects our relationships in a negative way: superficial bonds‚ infrequent face-to-face communication and a narrow “focus.” On the contrary‚ frequent contact‚ deep feeling of involvement‚ and broad content which are the foundation of strong social ties are necessary for developing
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Does Clifford present a persuasive viewpoint of religious faith? In his article “The Ethics of Belief (Clifford‚ 1877) W.K. Clifford sought to claim that it is inappropriate always‚ in all places‚ and for anyone‚ to believe anything upon unsatisfactory evidence. The goal of this paper is to determine whether indeed this opinion offered by Clifford‚ when considering religious faith‚ is persuasive. To successfully do this‚ I will weigh up the arguments that Clifford put forward‚ including that of disbelieving
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Romaine Brooks The story of Romaine Brooks‚ female artist from the early twentieth century‚ holds a story unique and challenging. This artist contains many struggles and experiences yet continued to make history as an upcoming female artist who would not let the spoils of her early childhood keep her from living the life of a pioneer in the world of art. Romaine Brooks was born in Rome‚ Italy‚ and lived from 1874-1970. Brooks grandfather was a multimillionaire‚ but Brooks seemingly privileged
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Former Associate Director of Princeton Biomedical Research and known psychologist in the medical field‚ Clifford N. Lazarus has written on different occasions about the power imagery has in our brains and in our everyday lives. Imagery can lead to a positive life as people concentrate in visualizing good things and thus leading to positive imagery. Many people have‚ at one time or another in their lives‚ heard about how positive thinking can be the start to a better life and about how powerful it
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1. So far‚ we have been discussing the manner in which Clifford argues that it is sometimes impermissible to believe something when one lacks adequate evidence. But remember: Clifford’s position is that it is never permissible to believe anything for which one lacks adequate evidence. How does Clifford extend the argument we’ve considered into one(s) whose conclusion(s) is/are that it is never permissible to believe anything for which one lacks adequate evidence? To what extent are his arguments
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Does Clifford offer a convincing view of religious faith? In his article “The Ethics of Belief (Clifford‚ 1877) W.K. Clifford sought to argue that “it is wrong always‚ everywhere‚ and for anyone‚ to believe anything upon insufficient evidence” (as cited on p190). The aim of this essay is to establish whether indeed this view offered by Clifford‚ when considering religious faith‚ is convincing. In order to do this I will consider the arguments that Clifford put forward‚ including that which to
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The French Revolution is a prominent subject for discussion in means of historical and multiple causation in Cultures of the West by Clifford Backman. Backman addresses the French Revolution as the “prime divider of European history” (Backman‚ p. 621)‚ and begins to go in depth about the causes of this great revolution. As a matter of fact‚ Backman’s structure follows what Conal Furay described as the onion of history‚ peeling back one layer at a time. The author poses a question to the reader before
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similarities. Clifford also highly objects to one museum’s‚ the Museum of Modern Art‚ use of the word ‘affinity’ in a gallery held in 1984 entitled‚ “Primitivism in 20th Century Art.” The driving force behind this essay is that the status of tribal artifacts has been forced to shift and deviate from their original classification as remnants of an ancient past with anthropological definitions‚ to those with more modern‚ aesthetic definitions. The Museum of Modern Art (MOMA) exasperated Clifford on numerous
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In this text‚ William K. Clifford is discussing the answer to the question of whether or not we are morally responsible for our beliefs. Clifford explains the immoral act of believing things based on insufficient evidence when he states‚ “Not only does it deceive ourselves by giving us a sense of power which we do not really possess‚ but it is sinful‚ because it is stolen in defiance of our duty to mankind” (4). In other words‚ Clifford suggests that we do have a moral duty or responsibility to mankind
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