Othello By: CMB 1. To analyze the structural development of Othello‚ consider Othello’s autobiographical speeches in act 1‚ scene 3. Explain how Othello’s portrait of himself and his cultural background might have contributed to his manipulation of Iago. Answer: Based on Othello’s autobiographical speeches in act 1‚ scene 3‚ it shows that Othello has no knowledge of his own to counter this insider’s generalizations about Venetian wives. He knows nothing of Venice apart from the few months’
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Othello William Shakespeare’s tragic play is based on the contrast of the different characters to develop the plot; each character has remarkable depth of passion as an individual‚ one in particular though- Othello. Othello is a noble and brave Moor who is initially viewed as a courageous military hero. He is also a confident‚ courageous and trustworthy man‚ and that is why he has the honourable position as the army general of Cyprus. He is loved and respected by all. Except one! Through a series
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Shakespeare’s “Othello” the character Iago is considered to be the most dangerous of villains. He is a genuine schemer and manipulator‚ as he is often referred to as “honest Iago”‚ showing his skills at deceiving other characters so that not only do they suspect him but rely on him for the help that he promised to give. Iago repeatedly betrays other characters while keeping up his reputation as being an honest and noble man. His true thoughts are only revealed through his soliloquies. Iagos soliloquies
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Iago: Evil Incarnate “I follow him to serve my turn upon him. We cannot all be masters‚ nor all masters Cannot be truly follow ’d” (1.1.42-44). Iago’s speech to Roderigo in the first scene gives the audience their first glimpse at his true nature. He shows here that he only serves Othello in order to serve himself; this statement hints at his overarching scheme to bring down Othello in the end. Iago is unquestionably the villain in Othello‚ but beyond that‚ he perfectly personifies evil in every
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pure evil. Iago reason with the audience saying he only doing this because Othello slept with his wife even though it is not confirmed‚ ‘I know not if’t be true’. This shows that he have little faith in his wife or using this as an excuse to hate Othello. He uses Desdemona kindness and innocent to create a trap for the other characters to fall into. Iago is using his jealousy and anger as an excuse to lash out evil. He is almost like searching for reasons in order to be able to hurt Othello‚ genuine
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affect our assessment of him? What is the effect of his final anecdote about the Turk? Certainly‚ Othello’s final speech is not all that one might wish for—his claim to be “one not easily jealous” is open to question‚ and his claim that he “loved not wisely but too well” seems both an understatement and an exaggeration (V.ii.354‚ 353). Further‚ Othello’s invocation of his own military triumphs might be seen as another example of Othello dangerously misordering his priorities. He seems to position his
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The play Othello is no exception. In this play‚ every character acquainted with the tragic hero appears to be unfortunate. While these misfortunes are oddly related to Othello‚ are they his fault or did each character attract them out of their own actions? To answer this daunting question‚ one must consider the three most unfortunate characters: Othello‚ Desdamona and Roderigo and analyse their downfall which eventually lead to their deaths. It is known from reading the play that Iago is the one
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Shakespeare’s Othello is a play that mostly revolves around jealousy‚ trust and revenge. Throughout most of Shakespeare’s plays‚ evil characters are not uncommon‚ but in my own opinion‚ Iago has to be one of if not the most - interesting. Even though Iago might be described by some as being just "pure evil" or even "intolerable"‚ the truth still remains that people will read deeper into the play just to see what Iago will do next. Through his words and actions‚ which are carefully thought out‚ Iago is able
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middle of a green field and a butterfly is chained next to it RACE and GENDER MANIPULATION: Iago manipulates Brabantio into believing Desdemona ran off with Othello in a negative way Iago manipulates Cassio in drinking and starting a fight Iago manipulates Othello into thinking Cassio and Desdemona are having an affair GENDER ROLE: Iago’s depiction of female- his treatment and rude comments about Emilia and Bianca Iago’s telling Roderigo women only wanted sex Focus on Emilia When the name
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the play Othello‚ Iago uses certain steps to help him in his plan to manipulate Othello to go against his wife Desdemona and his co-worker‚ Cassio. These steps help him greatly in his plan to deploy Othello against Cassio and Desdemona. Iago plays upon Othello ’s own fears and reinforces those fears with lies and hints to help him with his plan. First‚ Iago lies to Othello and makes him believe that Desdemona is cheating on Othello with Cassio. The next step Iago takes to manipulate Othello is when
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