of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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Douglass’s fifth of July. In J. A. Kuypers (Ed.)‚ Rhetorical criticism‚ perspectives in action (pp. 39-59). Lanham‚ MD: Lexington. F. I. Hill wrote the article The “Traditional” Perspective in 1972; later edited in 2009. This article was meant to inform readers about how to apply traditional criticism through the use of the theory of rhetoric. It was divided into two sections; the first being an overview of traditional criticism‚ and the second being the application of this in his critical essay
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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the great mind‚ then‚ we may use biographical criticism as to how we may criticize such literary piece. Biographical Criticism not only determines the effect of the writer’s life on his work but also offers to help us understand both writer and his own work. Through understanding the life and influences of the author in writing‚ readers would thoroughly understand the author’s intended meaning to his work. The assumption of the biographical criticism is that the interpretation of the literary piece
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Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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Mongol Invasions” as well as the pertinent humanitarian concerns best illustrated by renowned historian Ibn al-Athir‚ criticisms regarding the religious legitimacy and negative humanitarian impacts of the Mongol Invasions are valid assessments. The first controversy surrounding the impact of the Mongol invasions is whether or not their motives were legitimate. Much of historian criticism suggests that the religious and ideological beliefs of the Mongols that compelled them to action were both extremist
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1. Einleitung Unter den zahlreichen Werken des Philosophen und Politikers Edmund Burke befindet sich der „Sketch of the Negro Code“. Hierbei handelt es sich um einen detailliert ausgearbeiteten Plan zur Regulierung des Sklavenhandels und der Sklaverei. Verfasst im Jahr 1780‚ 27 Jahre bevor der Sklavenhandel auf britischen Schiffen ver-boten wurde‚ enthält sein Manuskript zahlreiche Punkte‚ deren Umsetzung den Sklavenhandel und letztendlich die Sklaverei beenden sollten. Angesichts des Umfangs
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What’s wrong with the cogito? 1) Is there a questionable hidden premise? Most criticism is of the cogito in its earlier format: “I think therefore I am”‚ in the Discourse on Method. 1) The hidden premise: (First raised by Lichtenberg) I think Thinking things exist Therefore I am 1 What’s wrong with the cogito? 1) Is there a questionable hidden premise? The hidden premise: I think Thinking things exist Therefore I exist This premise is questionable -Does the existence of thoughts necessarily
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significance because of the writer’s life? 3. What were the writer’s intentions (be very careful answering this question)? Who was the writer’s audience? 4. Is this work representative of this writer’s artistic development? Atypical? C. Social Criticism 1. What is the social situation the work describes? Does the work reveal anything about the culture in which it is set? (consider food/eating‚ clothing‚ religion‚ work/economy‚ class/social structure‚ housing/architecture‚ tools/utensils‚ arts/recreation
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