year the team celebrated its 20th by revisiting a choreography that was performed at the first Kinetics and were very purposeful of who they allowed to choreograph in this production. This will be a critique of some of the dances performed; it will go into detail about each dance‚ analyze the movements and reveal the message. The opening act to Kinetics this year was the choreography that was performed at the very first Kinetic Expressions. It is called “Birdland: Revisited” and it was choreographed
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We’d heard rumors about former wolf-girls who never adapted to their new culture. It was assumed that they were returned to our native country‚ the vanishing woods. We liked to speculate about this before bedtime‚ scaring ourselves with stories of catastrophic bliss. It was the disgrace‚ the failure that we all guiltily hoped for in our hard beds. Twitching with the shadow question: Whatever will become of me? *** At the insistence of Dr. Carney‚ I chose to start my semester by reading one
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Otoko Mai‚ excerpted from the Nō Atsumori Chamber play‚ is a type of Mai (dance) in Nō. Otoko Mai is literally translated as “man dance‚” which is an upbeat‚ fast‚ and strong routine performed by exclusively male characters living in the present hence wearing no masks. The dance not only shows movements of the body synchronizing with the rhythm of the percussion‚ it also expresses a celebratory sentiment and encapsulates the comprehensive nature of Nō. (reveals the beauty/ principle/ divine element
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Document Analysis: “Cross of Gold” In 1896‚ three years after the “Panic of 1893”‚ a man by the name of William Jennings Bryan delivered one of the most historical speeches to this day. In the late 1800’s a populist movement was happening and people were starting to take notice. Political corruption and big business practices hurt not only laborers‚ but also farmers. When farmers organized into alliances‚ and eventually into the Populist Party‚ they posed a challenge to the reigning two-party
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of modern dance. He makes use of pedestrian movements such as walking‚ standing‚ and posing as if talking to each other or observing something. Cunningham utilizes quick and seemingly random movements like a jump in the middle of a dancer turning. The most important aspect of his choreography is the use of improvisation‚ or what looks like random movement created at that moment. However‚ he created each dancer’s movement ahead of time. Improvisation completely changed the way modern dance developed
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Beaven 27 March 2013 Technicalities of Dance Dance is a universal language that involves exaggerated movements of the arms‚ legs‚ and body. With the sound of music‚ dance is more than just a form of expression. It is a moving portrait embraced by the curtain frame. It is a masterpiece assembled by artfully maneuvered strokes. The strokes don’t belong to that of the painter‚ but rather the educator who supervised the integration of music and dance. There it hangs on a stage like any other painting
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I. Author’s Background Amador T. Daguio was born on January 8‚ 1912 in Laog‚ Ilocos Norte‚ but grew up in Lubuagan‚ Kalinga‚ where his father‚ was assigned as police officer in the Philippine Constabulary. Amador Daguio graduated as a class valedictorian in 1924 at Lubuagan ElementarySchool. After his graduation Amador realized that there was no High School in his home area during that time. So Amador decided to go with his uncle at Fort William McKinley to study at Rizal High School in Pasig.
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The piece I selected for the first Art Appreciation assignment was The Dance‚ painted by Henri Matisse in 1910. From the outset‚ I was drawn to this abstract piece because of the contrasting simplicity of the content against the vibrant‚ but dark blue and green colors. The Dance depicts five nude red figures that are holding hands in a cyclical position and appear to be moving in a clockwise direction (ahead). Some of the figures are holding hands in a light and delicate manner‚ while the figure
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IN THE COURT OF THE PRINCIPAL SESSIONS JUDGE‚ RURAL DISTRICT‚ BANGALORE Sessions Case No. 48/95 State by Kadugodi Police --- Complainant -vs- Chinnaswamy & Others --- Accused Index of Authorities I. Presumption of Innocence and Standard of Proof 1. Padam Singh v. State of U.P.‚ 2000 (1) SCC 621‚ at page 625 It is the duty of an appellate court to look into the evidence adduced in the case and arrive at an independent conclusion as to whether the said evidence can be
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Dance has always been an integral part of social gatherings and it is likely that it evolved before or autonomously of music as we know it today‚ as the human body contains rhythms of its own in heartbeat and breathing‚ therefore it is somewhat a natural instinct of movement. The earliest social dances were circular and linear chain dances‚ dating to 1400-1200 BC‚ of these the ‘ring’ dances‚ which used a sacred tree or stone as central focus - are most likely the oldest. Couple dances arose in
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