The fact that the audience works in tandem with the actors on stage to dethrone Richard—or at least desire this dethronement—means they have some power‚ even if that is just the power of judgment. Phyllis Rackin argues that audience members play just as great a role in judging and misjudging characters within Richard II as any character within the stage. She acknowledges‚ “There is an extra role in the play not listed in the dramatis personae‚ a carefully calculated role complete with motivations…designed
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Shakespeare’s Richard III‚ Richard ingeniously portrays himself as a transparent man through creative wordplay and deceitful actions. As such he is able to effortlessly manipulate Hastings into initiating his own death. Throughout the passage‚ Hastings continuously misreads Richards’s true character and as a result‚ foolishly ignores the many warnings given to him. He was ignorant to the fact that he is but another stepping stone towards Richards’s journey to the crown. Hastings believes Richard to be an
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of all‚ as always‚ social conditions play the biggest role. By the 1700’s‚ the northern and southern colonies had already developed into two different societies. This is mainly because the northern and southern colonies had different distinct reasons for settlement. The northern colonies were established for mainly religious freedom‚ while on the other hand‚ the southern colonies were established for economic freedom. At the same time‚ the relationship between Native American and the settlement influence
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It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There’s none else by.” (5.5.133-136). Richard III is a remarkable‚ if not irregular‚ rendition of the renowned historical figure‚ Richard III. In it‚ Shakespeare poses Richard as a villain with no remorse towards others—without any fear. This is evident when Richard awakes and holds an internal dialogue in which he berates his conscience for giving him bad dreams. "What do I fear? Myself? There’s none
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“All the world’s a stage…” The role of acting‚ disguise‚ deceit in Richard III “I am determined to prove a villain” says Richard in the beginning lines in one of the history plays of Shakespeare‚ Richard III. He is trying to cheat us right in the beginning with this sentence‚ just as he cheats and deceives everybody later‚ to finally become the King of England in the end. On the other hand‚ he is absolutely right‚ despite being never able to realize this: he really is just a poor man in the hands
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For our interpretation of Richard III the overarching concept we came up with for our version of the play‚ was instead of two families feuding for the throne‚ the Lancasters‚ of Lancaster Inc.‚ and Yorks‚ of York Co.‚ are two rival corporations. Richard has been wanting to buy out Anne’s family’s company‚ for a long time‚ and after her father and her husband are tragically murdered‚ Richard sees his chance to prey on a grieving and vulnerable Anne. The scene takes place in a dimly light‚ run
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‘Shakespeare’s Richard III offers insights into the contextual concerns and values of Elizabethan England’ discuss the above statement with close reference to the play KR3 Context and values reside within any text‚ and are inevitable whether the text is composed reluctantly or purposely to communicate them. Richard III exerts an overwhelming insight into Elizabethan England context‚ and the values they upheld. A better understanding of context is evident through the values that derive and are
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break instituted by Henry VIII in 1534. In The Deposition of Richard II‚ it is obvious that the English king was disliked by all. A list of his grievances was drawn up‚ citing all of his poor choices as king and the reasons why he should be dethroned. The number one cause of the hatred of him was “his evil rule‚ that is‚ he has given the goods and possession
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Shakespeare the Historian: Richard II and the War of the Roses Who was Richard II? Born: 1367 Reign: 1377 – 1399 (deposed) Death: 1400 (murdered) Historical Context surrounding Richard II Richard II was born in 1367‚ in Bordeaux which was then part of the English principality of Aquitaine. He was the second son of Edward‚ the Black prince‚ and his wife Joan of Kent. Edward was in line to the throne‚ after his father Edward III. The Black Prince was a distinguished military leader like
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connection between your set texts shaped your understanding of context and values? The exploration of William Shakespeare’s play ‘King Richard III’ and Al Pacino’s 1996 doco-drama film ‘Looking for Richard’ reveals the explicit relationships between each text and their respective audience. The Elizabethan and twentieth century contexts in each of these texts are important as it demonstrates the value of each text and enables the understanding of how the film enriches the ideas presented in the play. Shakespeare’s
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