The style of the film can be debated and compared with the style of the original Planet of the Apes (1968)‚ directed by Franklin J. Schaffner. Matt Reeves decided to focus more on the apes being the central part of the story. “The organic scope of the digitized character creation is breathtaking‚ using the technology to tell the story from the point of view of the apes‚ who remain the primary focus of the narrative.”(Kermode‚ 2014) Mark Kermode even goes on to say‚ “From its origins… to this state-of-the
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vital when examining film. Different aspects and methods of cinema analysis provide critics and audiences with various approaches to establishing certain genres or films. This essay will examine the specific methodologies of the action genre‚ a consideration of the art cinema and an auteur study. These styles are recognized in Kathryn Bigelow ’s Point Break (1991) which provides strong examples of these techniques. An action film is commonly recognized by audiences. The action film portrays strong
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themes and ideas many film techniques are used to help the viewer interpret different scenes in a manner that the director wants. Some techniques include camera angles‚ music‚ colour‚ lighting and characterisation. Characterisation uses a variety of other film techniques‚ such as camera angles‚ music and lighting‚ to help the viewer empathise‚ sympathise and understand different characters. It is used widely throughout I Am Sam‚ mainly to characterise the main character of the film‚ Sam. Everyone has
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Frankenheimer. Brief Plot Summary The central concept of the film is that the son of a prominent‚ right-wing political family has been brainwashed as an unwitting assassin for an international Communist conspiracy Thesis Statement The Manchurian Candidate was noted for its breakthrough in cinematography‚ as the scenes were shot in a creative manner that was new and different in that era. It also made use of different editing techniques to seamlessly piece the story together‚ along with the use
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Atonement- Analysis of Scenes The scene starts with a long shot of the three characters walking on a path in the reeds towards the camera. The reason a long shot is used is to establish the setting of the characters. It cuts in to a close up of Robbie to show his emotion as he realises they have made it to the sea. It cuts to an medium high angle aerial long shot as the characters are running through the reeds to show the true desperation of the men. While they are running the music playing is
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angles‚ music and symbolism. The direction is tight and crisp‚ but never reveals itself. The music by Mark Knopfler was a little annoying at first‚ but quickly it took ahold of my attention and gave the film an added bonus. It’s really a catchy soundtrack. However‚ there are some minor flaws in the film. The cinematography occasionally draws attention to itself with strange camera movements‚ and the ending is a little depressing. I question whether or not the screenplay ended correctly‚ but it ends with
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Assignment 2 Film Form Analysis Meshes of the Afternoon: The first scene I chose to analyze is the scene where the woman‚ who is the only person in the film‚ is falling out of the bedroom window. We come to realize that she is‚ in fact‚ falling inside of the house rather than outside of the window‚ causing confusion for the viewer. The camera is out of focus for a moment and is used at a Dutch Angle or Dutch Tilt Shot‚ giving the impression that the world in frame is out of balance‚ which
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Hollywood films and cinema‚ which one vital value is the dichotomy of outlaw hero versus official hero. Official hero tends to be an idealogy of the law and society values‚ represented through characters such as police officers and lawyers‚ whereas outlaw hero tends to be more of an individual with own marks of traits‚ and own marks of actions. Ray discusses that in traditional films‚ how a single character can hold completely different traits ‚ giving examples such as Terry‚ in the film On the Waterfront
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The biographical drama film 127 hours‚ composed by Danny Boyle‚ is the true story of canyoneer Aaron Ralston’s remarkable journey to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next 127 hours‚ Ralston examines his life and explores both a physical and inner journey when deciding whether he will die or fight for survival. The exploration of Ralston’s physical journey and the obstacles and challenges he must overcome are effectively
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In television and radio the interview techniques are very different. Graham Norton does both‚ in both situations we do see Norton adapting himself. He interviews Jedward in the television interview and Benedict Cumberbatch in the radio interview. They are many differences the obvious one is that one is in a television studio and the other in a radio set; another difference is the audiences that would watch them. The television situation is broadcasted on a Friday night at 10.30pm so the audience
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