The Lights of Casablanca -An indepth look into the lighting techniques employed and the context in which they were used‚ caught between film noir and the classic Hollywood style. Casablanca (1942)‚ directed by Michael Curtiz‚ is a perennial favorite‚ depicting unique Humphrey Bogart and Ingrid Bergman characters caught in situations out of their control. While the film’s story is engaging on many levels‚ Curtiz’s use of lighting is an integral tool he uses to help tell of the story. Previously
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FORMAL WRITING A relevant idea in the film Gallipoli‚ produced by Peter Weir‚ is that war is a tragic waste of life. Weir made this idea seem relevant in the world today by using film techniques including music‚ dialogue and symbolism. Gallipoli is the story of a young man who went off to World War One. This particular film narrates the story of an eighteen-year-old from Western Australia who boarded a troop ship bound for Gallipoli. These soldiers fought the Turks in a campaign to capture
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cinematography techniques differ from The Wachowski Brothers’ The Matrix (1999). One of the first major differences between the films is the amount of close-ups that are involved in The Matrix and Metropolis. Metropolis consists of very few close-ups and an abundance of wide shots. The wide shots linger‚ giving the audience the ability to see everything happening within that frame composition instead of cutting away to a new angle. One scene in particular stands out with close-ups from this film. While
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guaranteed to leave the viewer thinking long after the film ends. Released in 2001‚ the movie stars many famous actors‚ including: Guy Pearce‚ Carrie-Anne Moss‚ Joe Pantoliano‚ and Stephen Tobolowsky. Considered "one of the best movies of the 2000’s‚" Memento is a complicated‚ head-spinning adventure of revenge‚ heartbreak‚ and manipulation. In this movie review‚ I will analyze the thematic significance regarding Nolan’s choice of filming techniques‚ music‚ and symbols. The plot develops around two
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Al Gore "An Inconvenient Truth" a documentary film premier at the 2006 Sundance film festival. In this film Al Gore aims to campaign to educate citizens about global warming via a comprehensive slide show. Personal anecdotes (interesting account)‚ contrast‚ comparison and rhetorical appeals (like pathos‚ ethos and logos) are techniques Gore skillful uses to create a strong‚ convincing documentary film. As a saying goes "A stitch in time saves nine" Gore’s main focus is to highlight the downsides
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Jaws Media Essay “Jaws” is a thriller film directed by Steven Spielberg. The film is about a great white shark that cause havoc to the small township of Amity‚ New England. The film is set around the 4th of July with the shark’s first victim dying only a few days prior to one of the busiest days of the year‚ t. This is significant because in the USA the 4th of July is one of the biggest national holidays of the year‚ nearly all Americans will not be working and as it is in the middle of summer
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Filmmakers use many different tools to help their audience understand the message in their films‚ and to better understand the psychological nuances of their characters. Some of these tools include acting‚ framing‚ cinematography‚ and editing. These tools can be used to show any range of emotion‚ in many different ways; extreme close ups on characters to show uneasiness‚ tears on an actors face to show sadness‚ fast cutting to make the audience feel rushed‚ or cool or warm colors to convey emotion
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In the 2007 film Atonement‚ director Joe Wright uses characterisation and explicit symbolism to explore the themes of truism and misconception. He uses this to comment on how the abuse of power is carried out by people who are seemingly civilised. Wright used both non-diegetic and diegetic sounds to draw comparisons between the seeming civility and the actions of Briony and Paul Marshall. Various mis-en-scène elements‚ such as the characters’ appearances and speaking style‚ are effectively used to
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deconstruction of the medium‚ enabling audiences to take a step back and reconsider the technicality‚ methods and pure tangibility of the medium that is used. This essay deals with the work of William Greaves‚ one of the pioneers of African-american documentary filmmaking. The moving image has long been considered to be “a series of visual shocks” impressed upon the spectator.1 This essay will identify the reasons behind these “visual shocks” and the ways in which these reactions could be produced
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To make a film have reflexivity‚ we first need to know what that means. A film that is reflexive is when the viewers know of how the film is made. It can simply be understood as making a movie about another movie. Stories We Tell‚ made by Sarah Polley‚ is an example of reflexivity; her documentary explores her families’ life. Her story is in a way an adventure through telling her mother’s life and how she was conceived. I think Sarah makes the movie as a way to get to know her mom. Sarah’s mother
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