"Dramatic monologue on the curious incident of the dog in the night time" Essays and Research Papers

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    Hello‚ I am Robin Goodfellow. I also go by the name Puck. I am Oberon’s personal fairy and I’ve been with him for a very long time. I’m 250 years old‚ and have been serving him for over 75 years. I’m loyal to him‚ alway doing whatever he asks me to. In addition to serving Oberon‚ I am known to be a jokester. I tend to play pranks on the most unsuspecting people. I find it to be very entertaining. In this scene‚ I was walking in the woods when I came across a fairy. The fairy tells me that she

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    The Time Is Night Analysis

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    Petrushevskaya’s “The Time is Night” each contain several instances where this literary technique is used. Through analyzing the usage of parenthetical interjections within each piece it is possible to see why narrators choose to introduce comments using parentheses. The narrator of Lispector’s The Hour of the Star‚ Rodrigo S.M.‚ disturbs his tale with parenthetical

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    Death is not something I would wish upon anyone but myself. It’s not something to be longed for‚ and it’s not something I’d force someone into. At least‚ not who I am now. Death is a cold hand gripping my neck‚ my arms‚ my torso‚ pinning me down. Death is punching me in the face repeatedly. Death is keeping me from opening my eyes. Death won’t let me see life again unless it’s when my mind wanders. I’m trying to fight against this but Death won’t let me. I stop struggling for a second‚ trying to

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    Act 1: Dog-Face Monologue

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    ACT ONE : DOG-FACE I woke up this morning to streets flooded around my city—thousands of protests and banners begging the rich to stop sending their sons and daughters away: a man in his fifties holding up a photo of his daughter to the general public asking where she had gone‚ a woman holding up a sign that read ’RICH MAN’S WAR‚ POOR MAN’S BLOOD’‚ and finally; another thing that caught my eye was an older man‚ his daughter barely mature than a toddler holding up a sign that read ’ knew we weren’t

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    use of the poetic speaker in dramatic monologues allows him to objectively create a dramatic situation while removing himself as a personality from the poem. This is accompished through a process called double masking‚ in addition to the primary creation of the character or speaker‚ there exists a secondary creation‚ a mask which the speaker uses in dealing with the dramatic situation at hand (Garratt 116). The nature of the poetic speaker in Browning’s dramatic monologue demonstrates an authentic replication

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    Interior monologue (Ms. Schacter) Where are my sons and husband? Why am I here? Why is it so hot? Who’s that keep stroking my hand? How did all of these people get inside our house? Hey where are my sons? Hey what’s that? It’s shinny. It yellow. Wait it’s red‚ is it a fire. It’s getting bigger. Oh my god! It’s huge! “Fire! I see a fire! I see a fire!” (24). “Look! Look at this fire! This terrible fire! Have mercy on me!” What are they doing! Can’t they see the fire? It’s enormous! Maybe

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    The Incident

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    The Incident This happened to me last weekend . I am bored at that day . I was sitting outside my house alone because all of my friends were out of town . I was getting bored so I decided to ride my bike out to nearby garden . When I got there ‚ I saw nobody over there and I started feel curious at this moment . I sit on a meadow .I try to make myself more relax and take a nap . Suddenly ‚ I heard roar of thunder and the sky started become bad weather ahead . Dark ‚ smoky clouds threatened

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    Disguise is the source of theatrical appeal in Shakespeare’s Twelfth Night. Discuss the validity of this statement. Michael Pennington describes Twelfth Night as a typical Romantic Comedy with a sublime sense of inconcsequentiality amidst the lyrical nature that plagues its environment. Therefore it is none other than that of a romantic comedy‚ and by definition‚ seeks the usage of a most humourous yet vital factor that shapes the events that are to occur; Disguise. Disguise indeed gives rise

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    Under The Settee is a dramatic monologue written by Alan Bennett in 1987 for television‚ as part of his Talking Heads series for the BBC. In A Cream Cracker Under the Settee Alan Bennett has addressed the issue of elderly people in our society and how they are treated by others. It revolves 75-year old Doris on an ordinary day in her house. The play begins after her fall from the buffet and her reflecting on the events that led up to it. The reason the writer uses a monologue is to emphasis to the

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    The Curious

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    1“And when I was asleep I had one of my favorite dreams… And in the dream nearly everyone on the earth is dead…” In Chapter 229‚ having made the difficult trip to London and found his mother‚ Christopher has what he calls one of his “favorite” dreams. Since the dream is Christopher’s fantasy‚ the fact that he identifies this dream as a favorite implies that it fulfills some of his deepest wishes. First‚ without anyone else around‚ Christopher would not have to have any social interactions‚ which

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