"Euripides" Essays and Research Papers

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    Elaphebolion 1 Noumenia‚ 426 Tomorrow is the Dionysia festival. This will be my third one since moving here to Athens four years ago. I plan on attending the newest tragedies being performed at the theater of Dionysus. I heard that Sophokles is introducing one this year. It is called Oedipus Rex. Tomorrow should be an interesting day. Elaphebolion 2‚ 426 Today was a wonderful day. The day began with an early start. I woke up and adorned myself with my finest peplos. I left my home for the festival

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    thousands of plays written for the Greek theatre‚ only forty-six survived completely. Most of those plays come from the Athens during the fifth century BCE and from authors: Aeschylus (seven)‚ Sophocles (seven)‚ Euripides (eighteen)‚ and Aristophanes (eleven) (Pearson pg.19). One of Euripides famous writings was a play called Bacchae. Bacchae is about Dionysus wanting to get revenge on his dead mother’s family‚ the family of Cadmus. Dionysus was born of Zeus and a mortal woman by the name of Semele

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    The Analysis of Symbol in Tess of the D’Urbervilles Tomas Hardy is an controversial writer in the era of Victorian,his life span stretches  over two centuries. In view of the influence of family life and the background of education, Hardy is aware of many ancient Greek fair tales and biblical stories. In his representative fiction‚ Tess of The D’Urbervilles‚ Hardy used different types of symbols to expose the tragic destiny of Tess‚ just as the famous word which Hamlet says “Frailty‚ thy name

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    Thomas Hardy wrote this novel in the end of the last decade of the nineteenth century. This novel is remarkable like all the other Hardy’s novels for the tragic vision it indicates; there is a story which ends in a tragic manner. In so far as Hardy is concerned‚ he writes tragedy of fate which has a major role to play. This novel is almost like the Greek tragedy in the classical Greek tragedy in the sense that they wrote play in a way where Aristotle wrote Greek tragedy and other things. He was dealing

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    Oedipus' Tragic Life

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    Irony Oedipus the King Oedipus is self-confident‚ intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout "Oedipus the King". He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character

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    Oedipus as a Tragedy by Aristotle’s Definition A tragedy by definition is “a drama which recounts an important and casually related series of events in the life of a person of significance‚ such events culminating in an unhappy catastrophe‚ the whole treated with great dignity and seriousness”. The Greek tragedies are plays based on myths which were well known and enjoyed by audiences. Most of the plays encompassed certain elements that Aristotle identified in his Poetics

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    MEDEA

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    MEDEA is a Greek tragedy about betrayal‚ revenge‚ and pride. In the play MEDEA is betrayed by her husband Jason‚ he decided to marry another woman to gain more power. Through the play MDEA get revenge on everyone that has done her wrong. I don’t think MEDEA is a traditional tragedy I feel it has feature that separate it from the traditional tragedy‚ but it does have many characteristics of a traditional tragedy. One of the similar characteristics MEDEA and traditional tragedy have in common is the

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    Medea Analysis

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    Medea Response Paper Alex Barba 3/26/13 The character Medea can easily be seen as the villain of her own play having brutally murdered her own children as well as King Creon and his daughter. It is difficult to understand why someone would go to such lengths of revenge for someone divorcing them but Medea is a complex character whose unyielding motivation is what drives the play. It is also tempting to dismiss her actions as crazy‚ however using the word crazy implies that there are no

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    Aristotle saw tragedy as centering around a tragic hero‚ a basically noble person (well‚ he said "man") with a tragic flaw--hamartia. This flaw ususally took the form of hubris--excessive pride‚ so excessive that the person with it considered himself equal to the gods and thus‚ with no sense of his own ability to make mistakes‚ made some really terrible ones. Aristotle’s tragedy involved a change (reversal) of fortune‚ which could go from bad to good just as well as from good to bad. He did‚ however

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    Greek History

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    The Greeks’ history began around 700 B.C. with festivals honoring their many gods. One god‚ Dionysus‚ was honored with an unusual festival called the City Dionysia. The revelry-filled festival was led by drunken men dressed up in rough goat skins (because goats were thought sexually potent) who would sing and play in choruses to welcome Dionysus. Tribes competed against one another in performances‚ and the best show would have the honor of winning the contest. Of the four festivals in Athens (each

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