The Film Experience 2e‚ Chapter Quizzes Ch 05 completed Total score: 20 out of 20‚ 100% [pic] 1. The brief superimposition of one image over another where the first image fades out and the second image fades in is called [pic]a. an iris out. [pic]b. a dissolve. [pic]c. a cutaway. [pic]d. a zoom. 2. A primary purpose of a cutaway shot is to [pic]a. break the 30 degree rule. [pic]b. break the fourth wall. [pic]c. expand time. [pic]d. condense time. 3. An initial long shot that
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would invoke peace in the adults of the future. To do so‚ they came up with Man: A Course of Study or MACOS‚ a film based‚ year-long social sciences course for 5th grade students. Despite the program being created in good faith and containing revolutionary concepts‚ it was eventually evicted from the curriculum by enraged parents and conservative politicos. The core of the program was a film series which followed an Inuit family living in remote Canada. The footage showed the life and culture of the
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is given the greenlight by 20th century Fox and the budget of 11 million dollars to film his creation. The film was released on Memorial Day weekend of that year‚ and we all know the rest is history. Now‚ flash forward to modern day. The United States is overseas battling foreign powers‚ the nation’s first African American is in the Whitehouse‚ and Justin Bieber is dominating our air
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Module 7 Film/television genres Objectives: In completing this module‚ you will be able to: - understand and apply different approaches for analyzing genre: formalist‚ audience analysis‚ and ideological. - understand the history and evolution of advertising and the forces shaping that history - devise different genre analysis activities for use in the classroom - understand and analysis characteristics of different types of genres for the genres described in this module - present specific
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The filming and production of 9 to 5 also generated media attention when rumors surfaced that the female leads were fighting on set. Tabloids often accused Fonda and Tomlin‚ who were friends prior to the film‚ of teaming up against Parton. This is significant for several reasons. Firstly‚ this characterized Dolly was once again as being the victim in the eyes of the media. The image of Dolly as a charming‚ kindhearted southern gal was so prevalent in the minds of certain journalists‚ or their audiences
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Matrix (1999). One of the first major differences between the films is the amount of close-ups that are involved in The Matrix and Metropolis. Metropolis consists of very few close-ups and an abundance of wide shots. The wide shots linger‚ giving the audience the ability to see everything happening within that frame composition instead of cutting away to a new angle. One scene in particular stands out with close-ups from this film. While Rotwang is in his lab working on the Machine Man‚ various
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investors (Arundel group) is looking into the idea of purchasing the sequel rights associated with films produced by one or more major movie studios. Movie rights are to be purchased prior to films being made. Arundel wants to come up with a decision to either purchase all the sequel rights for a studio’s entire production during a specified period of time or purchase a specified number of major films. Arundel’s profitability is dependent upon the price it pays for a portfolio of sequel rights. Our
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Value of Film Statistics can be used to show that Britain’s film industry is now the third biggest in the world and a prime destination for inward investment. This success story was heralded by James Purnell‚ new Minister for the Creative Industries‚ in a speech to the Institute of Public Policy Research in June this year.[1] But what is the relation of this economic success to the vibrancy and breadth of our film culture? A further look at the statistics provided by the UK Film Council for
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thrillingly intelligent films to be released last year. The follow-up to his low-budget debut Following (1999)‚ Memento is a technical and imaginative tour-de-force that wrenches you from your normal popcorn slouch and demands attention; this is a film that makes you work and makes you think‚ and one which‚ unlike Lenny‚ you won’t forget in a hurry. The opening image - a Polaroid developing in reverse‚ the image slowly fading into obscurity - is a perfect metaphor for a film which thrives on the
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Shakespeare’s Macbeth chronicles the ambitions of the title character through a text rich with power‚ murder‚ and revenge. Geoffrey Wright contorted these elements to fit the crime thriller sub-genre of film which uses action and psychological aspects to build tension and suspense (TSL). This sub-genre personally motivated Wright‚ for he wanted to convey the text from a psychological and materialistic view as was relevant to his home in Melbourne‚ Australia. According to Gary Braver‚ bestselling
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