demolished nations. With the dawning of the imperialistic era‚ fundamental English axiomatic imposition ran rampant and unbridled. Gayatri Spivaks essay “Three Women’s texts and a Critique of Imperialism” and Jean Rhys’ Wide Sargasso Sea analyze the aftermath of unchecked imperialism through the review and perspective narration of Charlotte Bronte’s classic‚ Jane Eyre. Spivak
Premium Imperialism United States Colonialism
REFLECTION OF POST-COLONIALISM DISCRIMINATION IN OODGERU NOONUCCAL’S DREAMTIME AUTHOR’S BACKGROUND This poem is written by Oodgeru Noonuccal‚ an Australian Aboriginal descendant who became the first of Aboriginal Australian that published a book of verse. She also became well-known for writing several poems. One of her famous poem is Dreamtime that is going to be discussed here. Oodgeru Noonuccal was born on November 3rd‚ 1920 in Minjerribah‚ Queensland‚ Australia. She was an important figure
Premium Indigenous Australians
Urmimala Bhattacharjee The mention of ‘home’ and ‘outside’ is not a specification of India at all‚ but rather the disappearance of India if defined as the habitation of Indians – Gayatri Chakravorty Spivak South Asian literature is literature that encompasses a vast and varied field; it talks about the political scenario‚ cultural and social norms‚ issues of identity and identity crisis that the
Premium South Asia India
political representation‚ the methods by which individuals have a voice in their general public. In Post-colonial hypothesis‚ the term Sublaltern depicts the lower classes and the social groups who are at the margins of a general society. But Gayatri Spivak advised against
Premium Postcolonialism Racial segregation Nelson Mandela
The Politics of Natural Gas in Bangladesh: An Attempt to Explicate the Kleptomaniac Nexus between Western Imperialism and Local Comprador Bourgeoisie COURSE NAME & NO.: Understanding Social Change in Bangladesh‚ 481 TO SUBMITTED BY Dr. A I Mahbub Uddin Ahmed MD. Nazmul Arefin Professor‚ SUBMITTED
Premium Natural gas Imperialism Energy development
G. Amazons and War Women are seen as victims and helpless in literature which discusses conflict. But they are more than victims. These narratives do not mention the women who fight alongside the men in battle. They do not mention the reasons why these women chose to fight. (Mendez‚ 2012) The Filipina has been described in many ways. At times‚ she has been referred to as shy‚ submissive and pretty‚ much like the traditional Maria Clara. At other times‚ she has been portrayed as independent‚
Premium World War II Gender
Achebe indicates the silence of Ibo people are greatly display “the subaltern cannot speak” (Gayatri Spivak)‚ the colonist were unable to speak their own language but to borrow the language of the colonizers. The way of life that Achebe speaks to is lost until the end of time. From being subjects of their own folks but then altered to the objects of
Premium Africa Chinua Achebe Things Fall Apart
LEE 1 Silent Trauma: Representing Indian Partition in Subaltern Studies‚ Bapsi Sidhwa’s Cracking India I. Subaltern Studies: Silence of History of Partition and Subaltern In 1947‚ India gained its independence following 350 years of British colonization. At the same time‚ due to the serious communal conflicts that had long existed among the three main communities in India—Hindus‚ Muslims‚ and Sikhs‚ the Independence brought the Partition of India to create two newly independent
Premium History of India Partition of India India
http://www.translationdirectory.com/article301.htm Literary Translation: Recent Theoretical Developments By Sachin Ketkar Lecturer in English SB Garda College‚ Navsari www.geocities.com/sachinketkar sachinketkar@yahoo.com Literary studies have always‚ explicitly or implicitly‚ presupposed a certain notion of `literariness ’ with which it has been able to delimit its domain‚ specify‚ and sanction its methodologies and approaches to its subject. This notion of `literariness ’ is crucial
Premium Translation
Representation of the ‘Other’ in Charlotte Bronte’s Jane Eyre Abstract This study aims at examining the representation of the’ other’ as portrayed in Charlotte Bronte’s Jane Eyre (1847). It attempts to inspect how the ‘Other’ is viewed in Nineteenth century England and the cultural ideology behind such specific representation. It poses crucial questions as to why the ‘Other’ is always represented negatively in main-stream western narrative as in the case of Bertha Mason who is portrayed as
Premium Jane Eyre Edward Said Postcolonialism