Germany. Northern Renaissance. 21-1 Albrecht Dürer. Self-Portrait. 1500. Germany. Northern Renaissance. 21-A. Pieter Bruegel the Elder. The Return of the Hunters. 1565. Flanders. Northern Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque
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Baroque is associated with strange‚ bizarre‚ and spectacle. The biggest contributions to Baroque art were made by its greatest sculptor‚ Gianlorenzo Bernini (1598-1680). Born the son of an Italian sculptor‚ Pietro‚ he worked with his father and produced a bust at the age of ten. He was a child prodigy much like Dali and Michelangelo. Bernini enjoyed immense popularity and networked with the powerful elite of Europe‚ contributing important works of architecture and sculpture‚ especially for the
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OLD SAINT PETER’S BASILICA‚ ROME‚ C. 330 FORM In terms of form and meaning‚ we can say that the path is much more dramatically concretized than S. Sabina. By not using bulky Roman construction methods‚ the striving for dematerialization and spiritualization becomes evident‚ which is continued in S. Sabina. It emphasized the new orientation towards a spiritual rather than physical world. By emphasizing the richly decorated and glowing aspects of the interior space and neglecting the exterior‚ Old
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The Harvesters – at the Met) Hans Holbein the Younger Baroque (four questions) Rubens (excluding the “Allegory of Sight”) (see Smarthistory and Met essay on Rubens and Van Dyke) Caravaggio. (see Met essay on Caravaggio) Bernini (see Met essays on Bernini and on Baroque Rome) Borromini Velazquez (Las Meninas – see Smarthistory – and Juan de Pareja‚ at the Met) See also Met essay on Velazquez. Nicholas Poussin and Claude Lorrain (both French‚ working in Italy) Dutch painting:
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David. The statue forces the observer to look past the actual subject and focus more on the surroundings. He seems to have very muscular legs‚ and appears to be ready to turn and throw a stone from his sling. This is the most dramatic pose that Bernini could have picked and was chosen because it shows a sudden burst of energy and a moment of suspense as well. Bernini’s David is different from that of other artists because there is an expression of concentration that makes the statue a more imposing
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characterized by dramatic movement and heavenly inspiration. David was depicted bent over in mid-action preparing to sling a stone giving the sense of climax. The implied diagonal lines of this marble sculpture further induce the feeling of movement; Bernini juxtaposes the concrete media of stone with the visual of an arching‚ flexing figure. The realism portrayed persuades the viewer that this is an average sized man that shouldn’t weigh more than one either‚ but we know different—mass is an illusion
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that “baroque is neither a rise nor a decline from classic‚ but a totally different art.” Baroque art encompasses vast regional distinctions. It may seem confusing‚ for example‚ to label two such different artists as Rembrandt and Gianlorenzo Bernini as baroque; yet despite differences‚ they shared certain baroque elements‚ such as a preoccupation with the dramatic potential of light. A Historical Background
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Date 15.01.2011 To‚ 1. Sh.Ramandeep singh Anand‚ Director‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 2. Sh. Kamaldeep Singh Anand‚ Director‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 3. Smt. Gurleen Kaur Anand‚ Director‚ W/O Sh. Kamaldeep Singh Anand‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 4. Smt. Avneet Kaur Anand W/O Sh. Ramandeep Singh Anand A-50‚ Sector 31 Noida
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In the renaissance the biblical character‚ David‚ was very popular especially between the three sculptors such as Michelangelo‚ Bernini‚ and Donatello. The three statues that are presented are statues of David before‚ during‚ and after the battle with the giant Goliath. The story of David is presented in the book of Samuel in the bible. In the book of Samuel it states that the Philistine army had gathered for war against Israel. Goliath was a Philistine giant measuring over nine feet tall. Goliath
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Periods and their Artists * Chapter 3 Egypt * Old Kingdom (2700-2190 BCE) * Imhotep – Stepped Pyramid of Djoser * Chapter 5 Ancient Greece * Archaic (600-480 BCE) * Andokides Painter –Achilles and Ajax * Ergotimos –[and Kleitius] Fracois Vase * Euphronios –Death of Sarpedon * Exekias –Achilles and Ajax; Suicide of Ajax; Dionysis in a Boat * Polykleitos –Doryphoros * Classical (480-320 BCE) * Kalikrates
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