Marlene Romo Professor Williams English 1B 4 December‚ 2011 Othello’s Tragic Fall According to Aristotle‚ a tragedy must include the downfall of the tragic hero brought upon by his hamartia‚ in other words his weakness or flaw. It must also be comprised of the hero’s peripetia‚ where when he once had it all‚ it is now all lost. After the peripetia‚ the anagnorises follows; this is where the hero attributes his downfall to his weakness or flaw. The hero must be noble both in birth as well as
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Oedipus Rex Revisited By: PATRICK LEE MILLER In his Poetics‚ Aristotle outlined the ingredients necessary for a good tragedy‚ and he based his formula on what he considered to be the perfect tragedy‚ Sophocles ’s Oedipus the King. According to Aristotle‚ a tragedy must be an imitation of life in the form of a serious story that is complete in itself; in other words‚ the story must be realistic and narrow in focus. A good tragedy will evoke pity and
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Coursework Unit 1: ‘Many critics have argued that Othello is not a true Shakespearean tragic hero. Explore the idea that Shakespeare intended to make Othello fit the criteria of his tragic hero with comparison to Macbeth.’ By Marina Georgallides A tragic hero‚ determined by Aristotle‚ must show a nobility and virtue of a certain magnitude however‚ their path to happiness should be ceased by their destructive vice (Harmartia- the flaw that eventually leads to their downfall). Peripeteia‚ the point
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or refute Aristotle’s definition of a tragic hero. Oedipus by Sophocles exemplifies Aristotle’s definition in four different aspects. The first aspect involves both Oedipus’ ignorance and knowledge of his life situations‚ the second involves his hamartia‚ the third involves the actual plot itself‚ and the fourth involves the characterization of
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are leading them to their downfall. The hamartias or tragic flaws of both Brutus and Caesar are created as a result of their love and power. In William Shakespeare’s Julius Caesar there are two hamartias that lead to the demise of Caesar and Brutus. Caesar’s flaw is his arrogance‚ and Brutus’ flaw is his ability to be manipulated by others because of his love for Rome. In William Shakespeare’s Julius Caesar‚ Caesar dies as a result of their hamartia. Brutus died because of his passion for
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Figurative language: Use of words in ways they are not normally used in order to create a distinct‚ imaginative effect or impression. For example‚ in the expression “He sang at the top of his lungs‚” the suggested meaning of the words is understood—not their literal meaning. Hyperbole: A figure of speech that deliberately exaggerates a description about something or somebody to create a desired effect. Irony: A circumstance in which there is a contra¬diction or difference between what is intended
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few rules‚ most notably: they should not be too good. Otherwise‚ an audience will feel that their downfalls are unjust. They should not be too bad. Otherwise‚ an audience will feel no sympathy for them. They must have an intrinsic character flaw ‘hamartia’‚ which causes them to do something horrific and instigates their fall from grace. A tragic hero is a person of noble birth with heroic or potentially heroic qualities. This person is fated by the Gods or by some supernatural force to doom
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English Essay Zita Chan 4G (7) How is Creon’s character introduced through his opening speech in the First Episode (lines 159-195) and how does this speech create tension? The bestowal of ruling legitimacy upon Creon sparks off the Greek tragedy. Polyneices and Eteocles‚ brothers of Antigone killed each other during their fateful battle for the Theban throne and Creon‚ as the closest surviving kinsman‚ rules as the Theban king. Creon then approaches the chorus of elders privately and
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Title: A Comparison of the Element of Hamartia in “Hamlet”‚ “The Love Song of J. Alfred Prufrock”‚ and “Agamemnon” Thesis: One of the elements that can be compared in the plays “Hamlet”‚ “The Love Song of J. Alfred Prufrock”‚ and “Agamemnon” is hamartia. Attempt has been made to analyse the main characters’ personality traits and provide the reader with specific examples that help to clarify how hamartia is present in each of the three plays. In order to analyse all the three characters’ personalities
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the story of Kino and his family as they are impacted by greed. In the story of The Pearl‚ characteristics of Aristotle’s System of Tragedy are evident through Kino’s demonstration of hamartia‚ catastrophe‚ and catharsis. Firstly‚ Aristotle’s System of Tragedy is conveyed through hamartia. Kino shows hamartia through greed. This is his mortal flaw and eventually leads to his downfall. For example‚ the author includes the statement‚ “humans are never satisfied‚ that you give them one thing and
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