construct of humor (spelled in both international journals as humour). I will examine humor in the first article as a construct. It is utilized as a tool‚ as a component of therapy but I will examine the very basic underlying nature of humor as a construct and as a phenomenon that can be appropriately and adequately utilized in a gestalt modality (particularly tied to existing gestalt therapy tools). In the second article I will examine the actual use of humor – the specific functioning of humor as a therapeutic
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Persepolis: A Significant Panel Among the most important panels in Persepolis‚ one stands out to most readers towards the end of the chapter‚ “The Key”. “The Key” refers to the story of the son of Marji’s maid and many other young boys who were promised a key to paradise if they fought in the war against Iraq. On page 102‚ Satrapi illustrates the shadows of young boys scattered in the air from the blast of exploding minefields below‚ each one with a plastic key around their necks. Marjane
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Humor in Leadership Discourse — A Mystery of the Abominable Snowman Introduction Bennis and Nanus (1985:19) describe leadership as “the abominable snowman‚ whose footprints are everywhere but who is nowhere to be seen”‚ which indicates its complexity but also its attraction for academics and practitioners. Although humor has been considered an crucial aspect of leadership discourse‚ only in recent years there appeared empirical investigations regarding this topic and the number of related
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refer it to the background of the person what they have been through in their life. The author of Persepolis” Marjane Satrapi was born during the Islamic revolution‚ where things were in an extreme condition compared to condition of our modern society. The environment was unpleasant. Violent acts‚ torturing‚ deaths‚ and forceful actions surrounded her. Later Marjane Satrapi’s establish her book “Persepolis”. The book is a narrative of her life from six years of age until fourteen years of age. She provides
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Transforming the moment: Humor and laughter in palliative care Publication info: The University of Manitoba (Canada)‚ ProQuest‚ UMI Dissertations Publishing‚ 2003. NQ90475. ProQuest document link Abstract: The purpose of the research was to develop an extensive description of when and how humor and laughter are present in palliative care; to determine what functions are served by humor and laughter; and to identify circumstances where humor and laughter may be observed or experienced by patients
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a deep rooted problem that is not fixed by any one solution. Many strategies have been used to try to bring the two races together. Humor is one of the most effective ways to make a group of people accept an idea or a different culture. Humor has helped bridge the gap between races. The movie blazing saddles is a perfect example of how satire and common based humor‚ brings people together. Blazing saddles is a movie made in 1975 that was directed by Mel Brooks. The movie is a western that portrays
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How does Shakespeare use humor in the play? Though Othello is categorize as a tragedy‚ but in fact it can be display as a black comedy as well. Shakespeare uses humor through various kind of irony‚ such as verbal‚ situational and dramatic. He also creates comical characters in the play which adds humor to the plot. Verbal irony is mostly use that portrays how other characters see Iago and who Iago really is. Iago describes Othello as “an old black ram” or call him the “Moor” when talking
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Humor can be trivial at times‚ however humor can change the world. The center of humor is a person or something that creates comments that produces entertainment to an audience. Alain de Botton‚ the author believes that the role a humorist plays in society is to subdue thoughts that everyone can relate to. Humor is expressed openly to relate to thoughts without the rampage of society. Humor gives people the reality of wrongs in the society making them easier to understand. De Botton believes the
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its toll on everyone. Shakespeare uses humor in this play as a device to temporarily distract the audience away from the almost relentless tragedy and dark plot turns that permeate the rest of the story. The humorous scenes in the play always come directly before or after a scene of great violence. The few comedic scenes tossed into an otherwise tragic play serve to keep the audience interested in what’s happening‚ and also lend a tone of dark‚ morbid humor to a serious story. Through the incompetent-leader/wise-follower
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affiliative and self-enhancing humor styles are included in the “harmonious” category‚ whereas aggressive and self-defeating humor styles are included the “inharmonious” category. Both the self-enhancing and affiliative humor styles generally tap the positive or adaptive aspects of sense of humor‚ whereas the self-defeating and aggressive humor styles generally tap the negative or maladaptive aspects of sense of humor. It is possible to employ any of these humor styles in combination and to varying
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