How to Read Literature Like a Professor Essay By: Naomi Brooks Introduction How’d He Do That? Professors use memorization when reading a new book because they are always looking for correspondences between new and old books. Everything is a symbol until proven wrong‚ since symbolism is used when they are reading‚ thinking‚ and asking questions such as: is this an analogy‚ metaphor‚ or what might it signify? With time professors remember significant events‚ and patterns in novels
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How To Read Literature Like a Professor Outline Chapter 1 – Every Trip Is a Quest (Except When It’s Not) Main Ideas: To have a quest‚ a novel must have A knight A dangerous path A holy grail An evil knight A dragon A princess The quest is always educational and provides knowledge of ones self Chapter 2 – Nice To Eat With You: Acts of Communion Main Ideas: It is a communion “Whenever people eat or drink together...” Breaking bread together is an act of sharing and peace
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Alexis Carino 7/31/10 Paragraph Reviews Chapter One: Every Trip is a Quest (Except When It’s Not) In the opening chapter of Thomas C. Foster’s book‚ he explains the importance of a Quest. It is quite hard to figure out a quest‚ Foster explains that in an example about a young boy who goes to the supermarket and encounters his “nemesis.” Quests are the core base of a story since it involves just about everything a story is trying to portray. For example it includes the quester‚ a place to go‚ a
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Blake Allen How to Read Literature like a Professor Foster Allen Introduction memory symbol pattern These basic examples of literary analysis can be found in most literature from Alice’s Adventures in Wonderland to Paper town. Every Trip is a Quest “a quester‚ a place to go‚ a stated reason‚ challenges and trials en route‚ and a real reason” real reason is always self-knowledge In Romeo and Juliet‚ Romeo goes to the Capulet party because his friends dragged him along but the real reason was so
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How to Read Literature Like a Professor (Thomas C. Foster) Notes Introduction Archetypes: Faustian deal with the devil (i.e. trade soul for something he/she wants) Spring (i.e. youth‚ promise‚ rebirth‚ renewal‚ fertility) Comedic traits: tragic downfall is threatened but avoided hero wrestles with his/her own demons and comes out victorious What do I look for in literature? - A set of patterns - Interpretive options (readers draw their own conclusions but must be able to support it) - Details ALL
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In the interlude and the eleventh chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster analyzes the different effects violence has in literature. Firstly‚ Foster distinguishes that there are two different types of violence in literature. The first form of violence is when a specific injury is brought upon a character by themselves or another character through “shootings‚ stabbings‚ garrotings‚ drownings‚ poisonings‚ bludgeonings‚ bombings” and other harmful means (96). Contrasting
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Does everything in “How to Read Literature Like a Professor” match “The Hobbit”? Breaking down “The Hobbit” will help to further conclude what concepts it does and does not follow in Thomas C. Foster’s book “How to Read Literature Like a Professor” The first step in telling if “The Hobbit” t is a quest‚ is finding out if “The Hobbit” had a quester. A quester as explained by Thomas C. Foster is just a person who goes on a quest‚ whether he knows it or not.The quester in the hobbit is Bilbo Baggins
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In Thomas C. Fosters How to Read Literature like a Professor‚ Foster expresses how every story has a journey that someone or sometimes multiple people go on specific journeys. In Mary Shelley’s Frankenstein or The Modern Prometheus‚ the novel is based on exactly that‚ a journey. One journey is Victor Frankenstein’s quest for knowledge. Foster says that “The real reason for a quest is always self knowledge.” Victor Frankenstein is the perfect example of this; Frankenstein sets out on a journey to
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In the first chapter of Thomas C. Foster’s How to Read Literature Like a Professor‚ Foster discusses the five aspects of a typical character’s quest and alerts all readers that “when a character hits the road‚ we should start to pay attention” (6). To start out the chapter a rather dull scene is set of a young boy commuting to a store to retrieve bread for his mother. Foster reveals that the seemingly unimportant commute is actually a quest. It is determined that “a quester” (3)‚ a destination‚ an
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Journal Entries; AP Eng Ch: 1 In the first chapter of his book‚ Foster lays out the conventions for a quest‚ stating that in most literature‚ modern and classic‚ "every trip is a quest." the novel "the Help" by Kathryn Stockett is not perhaps seen by the unaware reader to be a quest‚ however as it details a journey‚ it can in actuality be broken down into the conventions Foster cleverly recognized: every journey or trip a story embarks upon follows a pattern‚ and that pattern is a quest.
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