Preview

How to Read Literature as a Professor

Good Essays
Open Document
Open Document
6675 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
How to Read Literature as a Professor
How to Read Literature Like a Professor (Thomas C. Foster) Notes Introduction Archetypes: Faustian deal with the devil (i.e. trade soul for something he/she wants) Spring (i.e. youth, promise, rebirth, renewal, fertility) Comedic traits: tragic downfall is threatened but avoided hero wrestles with his/her own demons and comes out victorious What do I look for in literature? - A set of patterns - Interpretive options (readers draw their own conclusions but must be able to support it) - Details ALL feed the major theme - What causes specific events in the story? - Resemblance to earlier works - Characters’ resemblance to other works - Symbol - Pattern(s) Works: A Raisin in the Sun, Dr. Faustus, “The Devil and Daniel Webster”, Damn Yankees, Beowulf Chapter 1: The Quest The Quest: key details 1. a quester (i.e. the person on the quest) 2. a destination 3. a stated purpose 4. challenges that must be faced during on the path to the destination 5. a reason for the quester to go to the destination (cannot be wholly metaphorical) The motivation for the quest is implicit- the stated reason for going on the journey is never the real reason for going The real reason for ANY quest: self-knowledge Works: The Crying of Lot 49 Chapter 2: Acts of Communion Major rule: whenever characters eat or drink together, it’s communion!

Pomerantz

1

Communion: key details 1. sharing and peace 2. not always holy 3. personal activity/shared experience 4. indicates how characters are getting along 5. communion enables characters to overcome some kind of internal obstacle Communion scenes often force/enable reader to empathize with character(s) Meal/communion= life, mortality Universal truth: We all eat to live, we all die. We all live, we all die. Works: Tom Jones, “Cathedral,” Dinner at the Homesick Restaurant, “The Dead,” Chapter 3: Vampirism We are attracted to danger Vampirism: key details 1. older figure violates younger woman 2. “vampire” leaves his mark on the victim 3. vampire

You May Also Find These Documents Helpful

  • Good Essays

    This chapter from How to Read Literature Like a Professor starts off as if Thomas Foster, the author, is having a conversation with the reader like they are in the same room. When one looks at the title, he preconceives a notion that it will be a formal, more academic book when what he truly finds is a casual writing style that makes the reader feel more at ease. Foster begins to introduce a conditional situation about a fictional character named Kip who is described as run of the mill; The story continues to unfold as Kip goes on an errand for his mother which is almost a “quest,” as Foster puts it. This quest is then compared to the Hero’s Journey, which was interesting in and of itself, because Foster created this hypothetical, seemingly-normal…

    • 258 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the interlude and the eleventh chapter of Thomas C. Foster’s How to Read Literature Like a Professor, Foster analyzes the different effects violence has in literature. Firstly, Foster distinguishes that there are two different types of violence in literature. The first form of violence is when a specific injury is brought upon a character by themselves or another character through “shootings, stabbings, garrotings, drownings, poisonings, bludgeonings, bombings” and other harmful means (96). Contrasting with this, the second kind of violence is general harm brought forth by the all-powerful author. The author does this in order to advance the plot or thematically develop the story. The greatest distinction between the two violences is, “no…

    • 417 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Sst5 Unit 4 Communication

    • 2368 Words
    • 10 Pages

    |Reading task 2: Identify and include the main ideas of a literary text, with a summary of the text which will reflect your understanding of the text – within a |…

    • 2368 Words
    • 10 Pages
    Powerful Essays
  • Satisfactory Essays

    In Thomas C. Foster’s How to Read Literature Like a Professor, Chapter 12 is dedicated to symbols, and how they are not concrete. Symbolism is all about interpretation, which makes them difficult to understand. Foster says the most difficult thing about symbolism is that everyone wants to have one concrete answer. He argues that symbolism has multiple gray areas, and a majority of people confuses symbolism with allegories. Allegories are things that stand for one certain thing.…

    • 244 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    In the first chapter of Thomas C. Foster’s How to Read Literature Like a Professor, Foster discusses the five aspects of a typical character’s quest and alerts all readers that “when a character hits the road, we should start to pay attention” (6). To start out the chapter a rather dull scene is set of a young boy commuting to a store to retrieve bread for his mother. Foster reveals that the seemingly unimportant commute is actually a quest. It is determined that “a quester” (3), a destination, an obvious reason for the travel, trials and tribulations and a real reason are all necessities to a character’s quest. While differentiating the obvious reason and the real reason can be challenging, Foster explains that the obvious reason to a quest…

    • 409 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The fourth chapter of How to Read Literature is “Interpretation,” which happened to be the longest chapter of this book. Eagleton gave the reader a very well-known example of the poem, "Baa, baa, black sheep.” He presented his argument, in this case, his literary theory in a quite interesting way. Eagleton pointed out that you can’t write with any interpretation. His argument for the chapter was that the work you write much be true, depending on the context. It is understood that interpretations will happen now and then, but you must not allow the narrative to be so ignorant and biased to one meaning. Like the rest of the chapters in the book, Eagleton used a book to give an example. The chapter allowed the reader to realize that works being…

    • 150 Words
    • 1 Page
    Good Essays
  • Good Essays

    Does everything in “How to Read Literature Like a Professor” match “The Hobbit”? Breaking down “The Hobbit” will help to further conclude what concepts it does and does not follow in Thomas C. Foster's book “How to Read Literature Like a Professor”…

    • 613 Words
    • 3 Pages
    Good Essays
  • Good Essays

    techniques in How to Read Like a Professor ‘How to Read Like a Professor’ is a book that discusses several broad yet detailed techniques of reading. While I am positive everyone who reads this book knows how to read, they may not know how to read to fully comprehend all of a volume, even that which is not on the page. One such technique that really helps to reveal much about a story is symbolism, or the use of something to represent something else usually not in the story. Symbolism is important to know how to recognize because it can easily change a significant amount of a story. Some things are so closely associated with forces of nature that descriptions of the environment often infer undertones and meaning.…

    • 873 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Chapter Three: The symbol of vampirism is a very selfish one. The traits of vampirism include; selfishness, exploitation, refusal to respect the autonomy of other people, using people to get what we want, placing our desires, particularly ugly ones, above the needs of another. An example of vampirism in 1984 by George Orwell is the character Julia. She is selfish in the fact that she is very independent and concerned for herself. “He fear of the unknown and continued torture in The Ministry of Love building caused her to crack under pressure. She explains to Winston, after the ordeal, that she didn’t give a damn what he suffered because all she cared about was herself.” (Orwell 292) She is…

    • 1338 Words
    • 4 Pages
    Powerful Essays
  • Satisfactory Essays

    In How to Read Literature like a Professor by Thomas C. Foster, Foster uses literature to simplify his analysis of modernist novels. One piece of literature, he analyzes is the short story The Dead by James Joyce. In the short story, snow is a prominent element and symbolizes death and unity. It is used to highlight the death of Gabriel’s delicate ego. With impeccable wording, Joyce uses the snow to enlighten Gabriel about an important lesson--that he is an inadequate piece of the world and that he is only one of the thousands of people of the world united by snow. Joyce describes Gabriel's newfound humility as, “[h]is own identity was fading out into a grey impalpable world: the solid world itself, which these dead had one time reared and…

    • 180 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    n chapter 9 of How to read literature like a professor, Foster goes into the topic of myths. There are three kinds of myths that Foster mentioned beforehand :shakespearean biblical,and fairy tale myths. In this chapter however, he goes more deeply in myths from the Greeks and Romans. According to Foster, myths shape and sustain power of a story the and its symbols; show our ability to to explain ourselves; myths are so deeply ingrained our cultural memory that they both shape our culture and are shaped by it. For example on pg.72, he takes the Fall of Icarus as an example.…

    • 898 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Alliteration In Beowulf

    • 645 Words
    • 3 Pages

    Any acceptable novel has some type of significance enclosed in the structure of its story. So just what establishes this? These thoughts, expressions and meanings the author hopes to accomplish should always contain sophisticated literary merit. Well known epic poem, Beowulf, accomplishes its merit through masterfully infused figurative language, two of which are most common, alliteration and kennings.…

    • 645 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Chapters five of ' how to read literature like a professor' tells us that ; nothing is original, that everything is taken from something that has previously been told of a or wrote about. The road by Cormac McCarthy abides by this. When i was in the eight grade I read The Picture of Dorian Grey, When i was in the ninth grade i read The Twilight Saga, and last week i read Fifty Shades of Grey. All three of the listed books are derived from one another , in all three books reader is presented with an irresistibly sexy, mysterious man. All three books also contain some naive, sheltered girl who falls hopelessly in love with the man. The man in all of the books is corrupt in some way, rather it be a power hungry prince, a vampire or a "dominant".…

    • 299 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Communion is the liturgical act celebrated by Christians in honor of Jesus Christ’s death. Through bread and wine, members of the church reenact Jesus’ last supper, remember his sacrificial death, anticipate their reunion in Heaven, and reconfirm their unity with other members of the church. Communion is a central unit of worship in almost all Christian churches, but communion has been a source of conflict among Christians. The Eucharist can vary in tradition among the many denominations of Christianity. Because I attended the Catholic Church and Greek Orthodox Church, I will be focusing on one difference and two similarities between them. Both of these branches of Christianity do not agree on what the bread and wine actually represent or mean.…

    • 869 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Aspects of a Novel

    • 2305 Words
    • 10 Pages

    Today we are here to discuss to know and to analyse how to read a novel. Reading of a novel is an activity which as readers of literature which as readers of story. All of us who have some degree of education are quite familiar with and yet despite that familiarity despite having read quite a few novels for entertainment for knowledge purpose or simply for the sake of passing time despite being well versed with so many texts when we get acquainted with the novel as a literary text. As a text for purposes of academic analysis, for academic understanding and for attempting our examinations and understanding of the novel acquires an enigmatic tone. Why so despite being a story the novel because of its mass it makes an amorphous work where the paths are difficult to understand to assimilate to correlate etc. That is why a systematic exposure to how to read a novel for academic purposes acquires criticality. Till the 17th century it was poetry that was the chief form of literary expression, before that it had been grammar, much before that it had been epic but after the 17th century once the novel came into limelight it very quickly replaced all other forms of literature as the dominant form of literary expression. The 18 & the 19th century saw the popularity of the novel taking over the popularity of all other literary forms in a unprecedented way, this popularity has continued to grow through the 20 th and the 21st century. Naturally a novel is a prime reading close to our heart. And yet as I told you for academic purposes its understanding a student needs to have a clear understanding of how to deliveralongside enjoying a novel. A novel consist of several aspects amongst them a story, the characters, the plots, the educational side are some of the main features. As reader for the novel we have to have a clear understanding of these various…

    • 2305 Words
    • 10 Pages
    Good Essays