How to Read Literature as a Professor
How to Read Literature Like a Professor (Thomas C. Foster) Notes Introduction Archetypes: Faustian deal with the devil (i.e. trade soul for something he/she wants) Spring (i.e. youth, promise, rebirth, renewal, fertility) Comedic traits: tragic downfall is threatened but avoided hero wrestles with his/her own demons and comes out victorious What do I look for in literature? - A set of patterns - Interpretive options (readers draw their own conclusions but must be able to support it) - Details ALL feed the major theme - What causes specific events in the story? - Resemblance to earlier works - Characters’ resemblance to other works - Symbol - Pattern(s) Works: A Raisin in the Sun, Dr. Faustus, “The Devil and Daniel Webster”, Damn Yankees, Beowulf Chapter 1: The Quest The Quest: key details 1. a quester (i.e. the person on the quest) 2. a destination 3. a stated purpose 4. challenges that must be faced during on the path to the destination 5. a reason for the quester to go to the destination (cannot be wholly metaphorical) The motivation for the quest is implicit- the stated reason for going on the journey is never the real reason for going The real reason for ANY quest: self-knowledge Works: The Crying of Lot 49 Chapter 2: Acts of Communion Major rule: whenever characters eat or drink together, it’s communion!
Pomerantz
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Communion: key details 1. sharing and peace 2. not always holy 3. personal activity/shared experience 4. indicates how characters are getting along 5. communion enables characters to overcome some kind of internal obstacle Communion scenes often force/enable reader to empathize with character(s) Meal/communion= life, mortality Universal truth: We all eat to live, we all die. We all live, we all die. Works: Tom Jones, “Cathedral,” Dinner at the Homesick Restaurant, “The Dead,” Chapter 3: Vampirism We are attracted to danger Vampirism: key details 1. older figure violates younger woman 2. “vampire” leaves his mark on the victim 3. vampire