New criticism approaches - FOUZIA LAKHMOR - G3 - S4 - ON : 530 New Criticism A literary movement that started in the late 1920s and 1930s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text‚ e.g.‚
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Alan Watts FAMOUS AS: Philosopher‚ Writer & Speaker BORN ON: 06 January 1915 BORN IN: Chislehurst‚ Kent‚ England DIED ON: 16 November 1973 NATIONALITY: United Kingdom WORKS & ACHIEVEMENTS: Popular philosopher known for his Eastern philosophy and Zen teachings‚ Wrote famous books like The Way of Zen (1957)‚ Psychotherapy East and West (1961)‚ The New Alchemy (1958) and The Joyous Cosmology (1962). Alan Watts or Alan Wilson Watts was a British philosopher‚ writer‚ and speaker who
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Jean-Paul Sartre writes‚ in his essay‚ "Existentialism"‚ that an individual’s responsibility extends not only to him or herself‚ but also to all of humanity. He believes that we must take this into account for every decision we make. This extra accountability can cause distress for an individual because of the pressure that it brings. In Lorraine Hansberry’s play‚ Les Blancs‚ Tshembe is faced with an important decision that will not only affect his own life‚ but the lives of his whole nation.
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Heidegger ‚ Sartre and Nietzsche to use the term "existence" for a kind of being or life unique‚ in their view‚ to human beings. Only in the case of human beings is the conduct of their life an "issue" for them; only they can "stand out" - exstare‚ the Latin word from which "exist" comes - from their lives and reflect upon them; and only they have the capacity freely to shape their lives. Though Existentialism can appear in a number of different forms‚ the focal point as Jean Paul Sartre puts it is
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The symbolic significance of Inez‚ Estelle‚ and Cradeau in Jean-Paul Sartre’s No Exit In his book Being and Nothingness‚ the 20th century french philosopher Jean-Paul Sartre classifies the world into three modes of being: being-for-others‚ being-in-itself‚ and being-for-itself. The first‚ being-for-others‚ is when the self exists as an object for others. They avoid becoming their own subject to avoid self-criticism because they prefer the false reality that others give them. The second‚ being-in-itself
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Despite the fact that Fanon and Gandhi‚ in their pursuit of independence‚ have tried to rid the colonized people of feelings of inferiority and alienation‚ despair and inaction‚ Gandhi is drawn to the nonviolent resistance in South Africa and India‚ whereas Fanon shows his approbation of the resistance violence in Algeria and revolutionary violence in Iran. However‚ certain issues remain controversial in both realms: (1) whether violence is an innate feature in human nature‚ (2) the degree of the
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two existentialist in particular: Jean-Paul Sartre and Albert Camus. Camus sees the existential position as an acceptance of the “absurd” human condition whereas Sartre sees it as a freedom to define oneself – a radical freedom. These are two distinct models of existentialism‚ and the schism can be exemplified in comparing their views of freedom. In this paper I will argue that Camusian freedom is far less restrictive than the radical freedom found in Sartre. Initially‚ I will lay out Sartre’s position
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Existentialism in Literature Existentialism in literature is a movement or tendency that emphasizes individual existence‚ freedom‚ and choice. While Existentialism was never an organized literary movement‚ the tenets of this philosophy have influenced many diverse writers around the world and readers can detect existential elements in their fiction. Americans writers like William Faulkner‚ Ernest Hemingway and John Steinbeck reveal existential elements in their writing. Perhaps the most prominent
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there is no evil in the world. But‚ I believe that there is evil within all of us‚ but it only comes out if we allow it. When we speak of Authenticity‚ we must speak in terms of these four Existentialists and what each of their understandings was. Sartre stated that we are free to choose‚ but we are not free to refrain from choosing. Wouldn’t that then be choosing not to choose? Kirkegaard believed Authenticity was to choose and live by faith in God and nothing else. Heidegger said “stop being absorbed
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punishment forces them to constantly look for mirrors that mirror to the others their refusal to accept responsibility for their choices. No Exit stresses “bad faith” and how it develops Sartre’s fundamental argument that “Hell is other people.” Sartre evokes torture simply with three people in an empty room. Inez is uneasy because every time Garcin looks at her she automatically thinks that he is judging her and consequently blames Garcin for “stealing her face.” Also‚ Estelle and Garcin cannot
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