"To live for a universal end is not merely desirable‚ but necessary‚ and forms the basis of moral action." The drama of The Merchant of Venice is a legendary comedy‚ whose main action is so nearly tragical that the play barely escapes becoming a tragedy. It may be further classified as external‚ since its conflict lies in the realm of reality and is developed by natural rather than supernatural means. Its time relation falls in the palmy days of Venetian greatness‚ before the enterprise of Da Gama
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The Merchant of Venice: A Tragic Play In my opinion the play The Merchant of Venice is a tragic one which is discised as being comic. Many factors of this play are derived from the current voice of situation. The Merchant of Venice could be looked at as more tragic because of the negative intents from some of the characters in the play. Greed and deception are just a couple of the main features from where many of the decisions are derived. For example‚ revenge was an intent that Sylock had
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with the same treatment Christians submitted them to. In William Shakespeare’s play‚ "The Merchant of Venice‚" this opportunity arises for one particular Jew‚ Shylock. Shylock stirs up a range of emotions in the audience‚ when giving a speech to support his claim that he is entitled to regard the Christians with the same ill-treatment they have shown him. Shylock‚ the speaker‚ is a Jewish moneylender in Venice‚ who is depicted as greedy‚ self-centered‚ and aloof. He has been discriminated against
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Why the Merchant of Venice is more tragic than comic * “The tragic feeling is invoked in us when we are in the presence of a character who is ready to lay down his life‚ if need be‚ to secure one thing‚ his sense of personal dignity” – Arthur Miller * Leading up to Shylock’s trial he undergoes a lot of struggle with regards to his bond with Antonio where. Antonio deceives Shylock when he doesn’t pay him and escapes the clause of the bond (pound of flesh). * Shylock At the same time
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The Merchant of Venice by William Shakespeare Key Quotations Act One Scene One 1) Antonio- In sooth‚ I know not why I am so sad. 2) Salerio- Your mind is tossing on the ocean 3) Antonio- I hold the world but as the world‚ Grationo; a stage where every man must play his part and mine a sad one. 4) Bassanio- Grationo speaks an infinite deal of nothing. 5) Antonio- My purse‚ my person‚ my extremist means‚ lie all unlocked to your occasions. Scene Two 1) Portia- The brain may devise laws for
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I. INTRODUCTION: A. Is Shylock a man "more sinned against than sinning‚” or does he take his revenge too far in the pursuit of his pound of flesh? B. The wrongs against Shylock climax in the courtroom scene. He has lost his ducats‚ daughter‚ and now his religion. C. Thesis: The absolute epitome of selfishness can be described from within Shylock’s character; that selfishness is what prevents any would-be sympathizers from being able to fully commit themselves to Shylock’s case. II. BODY PARAGRAPH
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Humanities English II -4 21 February 2011 Dialectical Journals: The Merchant of Venice Source | Quotation | Analysis | Act 1. Sc.1 Pg.17Ln. 147-151‚ 153-159 | “In my school-days‚ when I had lost one shaft‚ I shot his fellow of the self-same flight. The self-same way with more advised watch‚ to find the other forth‚ and by adventuring both‚ I oft found both.” “I owe you much‚ and‚ like a willful youth‚ that which I owe is lost; but if you please to shoot another arrow that self-way which you
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this concept within The Merchant of Venice and Inherit the Wind. Bertram Cates and Shylock experience multiple forms of persecution in each of their towns. The fact that both characters undergo a tangible penalty highlights the similarities as well as the differences between the two plays. Analyzing the various forms of social discrimination faced by the characters enhances the reader’s understanding of the parallel beliefs of each town as well as the contrasting character personalities. There are
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In the Merchant of Venice‚ Shakespeare illustrates his feelings towards Jews in 17th century England through the use of a commonly known stereotype during the time‚ the racial tension between Jews and Christians. Shylock is the focal point of the play‚ and acts as the traditional stereotype of the Jew in Elizabethan times. The merchant of venice is often seen as an anti-semitic work due to the stereotypical portrayal of the jewish character shylock. Some would argue that the most inevitable interpretation
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The Merchant of Venice‚ one may think that Antonio or even Bassanio is the hero. While that may be true‚ there is a possibility that there is no hero. There is a heroine. Portia is not expected in the beginning to emerge as a heroine or even as a major character. She is merely a background character from the subplot. As the play begins to wind down‚ the reader will find many examples in which Portia saves major characters from their own dilemmas. The first (and most obvious) character who
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