Venetian‚ and Iago‚ a member of the Venetian military‚ argue. Roderigo complains that Iago is failing to help him in his courtship and is actually on the side of Othello‚ a man Roderigo despises. Iago frantically reassures him that he hates Othello and tells him that Othello failed to promote him. Instead‚ Othello promoted a man to lieutenant considered exceptionally unqualified for the position – Michael Cassio. Cassio was skilled in academics and strategy but had little experience in war. Iago is furious
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Othello‚ desire manifests itself in Iago‚ compelling readers to see him as if he were a leech; Iago drains Othello of all his moral qualities until he is sucked dry. Similarly‚ Shylock in Shakespeare’s The Merchant of Venice indulges in seeing Antonio sucked dry of money. Both Iago and Shylock are compelled to see their enemies suffer through means that once deprived them‚ such as Iago being deprived of his rank and Shylock being deprived of money and respect. Although Iago and Shylock both expose their
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Othello From beginning to end Iago moves the characters of Othello as if they were chessmen. He uses their individual aspirations and passions to motivate them to whatever devious plan he desires. His adroit manipulation of those characters range from convincing Roderigo to serve Cassio another glass of wine‚ to leading Othello to the conclusion that only by killing Desdemona could he save himself and mankind from her treacherous acts of infidelity. However‚ in each case Iago doesn’t have to push very
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Out of revenge‚ Iago successfully planted the seeds of jealousy into Othello’s mind when in the garden he insinuated that Cassio and Desdemona were having an affair. Iago implied that he would use Cassio to make Othello jealous because Othello chose Cassio over him to be a second command man because Cassio was more experience than he was. Desdemona and Cassio knew each other before she knew Othello because he worked for Othello before. Iago implied that he was going to make Othello look like a
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Dramatic irony plays a large role in Othello; it is most prominent in Iago’s lines. It is specifically seen when Iago outright lies to characters‚ when he misrepresents his personality to other people‚ and when other characters talk about Iago in a way he is not. Iago constantly tells other characters slight untruths or outright lies. His constant use of lying puts the audience on edge because they always know when he has lied. One of his major lies is when he tells Othello that his wife‚ Desdemona
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disobedience to her father‚ slurs of racism regarding Othello‚ and treachery in its purest form at the hands of Iago-who by some is said to be Shakespeare’s greatest villain. In a metaphorical sense‚ Iago can be compared to the sun and the other characters and elements of the play to planets- for the characters and their actions all orbit around Iago. Fueled by jealousy and vengeance‚ Iago takes on the world as if it were a game of chess‚ stepping on others and using them as pawns in order to obtain
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person‚ for whom this dream was never an option in the first place. The Banality of Evil When the murders are first discovered‚ Perry and Dick‚ as “persons unknown‚” are elevated to an inhuman‚ almost mythic stature‚ the essence of a pure and motiveless evil that has come to destroy the peaceful lifestyle of the Holcomb residents. Capote‚ however‚
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magnificent ability and experience in deceiving fellow characters causing an extra twist to the plot. Iago is the main manipulator of reality to change the appearance of a situation into something that benefits him. This is seen when Iago tricks Othello into believing Cassio and Othello’s wife‚ Desdemona are having an affair. Iago tricks Roderigo into killing Casio through his manipulation of reality. Also‚ Iago thickens the lie by planting a gift from Othello to Desdemona in Cassio’s house and also pretends
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article in “Iago‚ Heroic Tragedy‚ and Othello” by William Hazlitt. Hazlitt argues the wide margin in terms of character personalities between Othello and Iago and explores how their respective
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Shakespeare’s play‚ Othello‚ Iago the antagonist‚ Iago‚ applies the methods of persuasion including ethos‚ pathos‚ and logos to prove to the tragic hero‚ Othello‚ of his wife’s disloyalty. There are many ways that Iago Manipulates Othello with ethos‚ or image‚ a very important persuasive method. Iago says‚ "Or to be naked with her friend in bed" (4.1.3). Iago is trying to fill Othello’s mind with images of Desdemona naked with Cassio. This makes Othello’s jealousy grow. Iago says‚ "Men should be what
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