audience involvement. This use is especially prominent in Shakespeare’s well-known tragedy Othello. Iago‚ often referred to as “honest Iago‚” hardly lives up to his trustworthy reputation. Out of jealousy and spite‚ Iago hatches a scheme in order to reap revenge on those he feels have wronged him. This prominent use of dramatic irony creates a unique‚ especially one-sided‚ relationship between Iago and the viewers. Shakespeare engages his audience by establishing them as Iago’s sole confidants and
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of the rather enigmatic yet definitely Machiavellian‚ character of Iago. Shakespeare reveals him to be a cunning and conniving exploiter and manipulator of other characters who become caught in his web of lies‚ deceit and evil schemes. Iago is forever the cold‚ calculating pragmatist who is cynical about anything associated with goodness‚ such as love‚ virtue‚ reputation and honour. Iago constantly plays the role of ‘honest Iago’‚ which is shown by Shakespeare’s constant dramatically ironic use
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this play is Iago. Iago ’s repeated deception moves the play forward to the climax and ultimately to the tragic ending. Although deception is always meant to deceive‚ the degree of deception varies upon the context of the situation. Another character that exhibits deception is Desdemona. The deception shown by Desdemona has a different intention as compared to Iago ’s. Iago wants to get revenge on Othello. The intentions of Iago are hurtful and evil. An example of this is when Iago says to Othello
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honesty and trust‚ as seen in Iago’s character. During the first few scenes it would appear that Othello is close to Iago‚ but not vice versa. Othello is seen freely presenting Iago as honest. It is then revealed that Iago isn’t as honest as his name‚ but the complete opposite. The reason Othello calls him honest is beacause he trusts him. This trust comes from Othello viewing Iago as fair and righteous as well as knowing him for a while‚ as it seems the two are well acquainted. However‚ this is not
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Throughout his soliloquy at the end of Act 2‚ Scene 1‚ Iago makes various attempts to evade accountability for his malicious lies and actions towards the other characters in Othello in order to clear his conscience of his crimes. He begins his soliloquy by positing “that Cassio loves her‚ I do well believe it‚/That she loves him‚ ‘tis apt and of great credit” (Shakespeare 2.1.284-285). Obviously‚ Iago knows that Cassio and Desdemona are not actually having an affair because he is the one who invents
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dramatic demise. While Iago carried out his master plan‚ he caused Othello to become deranged. Since Iago was trying to ruin Othello’s life and take Othello’s position in the military hierarchy‚ Iago placed countless doubts and uncertainties in Othello’s mind. These include the idea that Desdemona is being unfaithful with Cassio‚ and that Cassio isn’t loyal. Othello’s most fatal flaw is his jealousy. There are many instances in the play where Othello is convinced by Iago that something is true‚
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very manipulative process. The character of Iago‚ in William Shakespeare’s Othello‚ is a very devious man that manipulates the character of Othello through temptation. Iago has a plan to distort Othello’s marriage and trick Othello into believing that his wife‚ Desdemona‚ is having an affair with his former lieutenant‚ Cassio. Act III of this play is the prevalent point of Iago’s plan where he is really able to suck Othello in to his devious ways. Iago uses drawing attention‚ allurement‚ and rationalization
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AS CAUSED BY IAGO Iago is one of Shakespeare s most intriguing and credible villains. Iago can be perceived as either evil or brilliant in his plans to be deemed lieutenant. As the villain in Othello ‚ Iago has two main actions: to plot and to deceive. Iago is mad that Cassio was chosen to be lieutenant instead of himself. From this anger comes the main conflict of the play. Iago plans to ruin Othello and Cassio by carrying out a plan based on lies and deceit. This plan will make Iago the only person
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the pathology of evil can be pondered upon specifically when looking at Iago. The pathology of evil highlights that evil is an unforeseen disease proving that once you are infected it is impossible to fully recover. Firstly evil is developed and started to fulfill a specific purpose‚ the disease starts out small and only effects the primary host. In the play Othello Iago first turns evil to get the position of lieutenant. Iago says‚ "In personal suit to make me his lieutenant‚/ [o]ff-capp’d to him;
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cruel and manipulative people such as Iago exist in today’s society. While those who consider Othello to be a tragedy might argue that Othello’s hamartia is being naïve‚ others may attribute Desdemona’s death to Iago’s manipulation of Othello. The fact that Iago was able to manipulate not only Othello but Roderigo‚ Cassio‚ Emilia and even Desdemona proves that he is extremely persuasive and thus Iago can be held accountable for Desdemona’s death. Since it is Iago who influences Othello into killing
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