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    good thing?’ There are many different theories‚ each theory has a different importance to society. Some of these theories have similarities which overlap or provide a different perspective on the theory. (Sport and Society Issues and Controversies‚ Jay Coakley and Elizabeth Pike‚ Second Edition‚ Page 31) Feminist theory is a series of frame works that look at everyday issues within society from giving women free speech‚ equal rights and gender equality. The theory looks at how women have been devalued

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    film fiction. My intention is to review exactly how women are represented and investigate whether fictional characters play a part in perpetuating harmful stereotypes. Laura Mulvey will be intermittently mentioned as a pioneering figure of feminist film theory‚ her discourse will be applied and challenged within the following pages. The variety of films mentioned aims to provide an extensive inquiry into both modern and traditional films. To substantiate this inquiry‚ an article by Paste Magazine

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    Bibliography on Gender‚ Class‚ and Race in the workplace Acker‚ J. (2006). Inequality Regimes: Gender‚ Class‚ and Race in Organizations. Gender & amp; Society 2006; 20; 441 doi: 10.1177/0891243206289499. The author writes from a feminist point of view about gender‚ class and race in organizations. She exposes the systematic inconsistencies among the participants in power of the work organization. In one’s opinion using the idea of inequality regimes will help on the final project

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    Theorizing the male gaze

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    Mosinyiemang Othusitse OTHMOS001 THE IDEALISED BODY SUMMARY: THEORIZING THE MALE GAZE BY EDWARD SNOW Feminist analysis has revealed that when feminism characterizes “The male Gaze” certain motifs are almost sure to appear; voyeurism‚ objectification‚ fetishism‚ scopophilia‚ woman as the object of male gaze and the bearer of the male lack. Masculine vision is almost characterized as patriarchal‚ ideological and phallocentric. Gaulyn Studlar has observed that‚ the female can function for the

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    Wander through the Louvre‚ leaf through the "Great Books"--you won’t find many works by women. Feminists have long sought to explain this absence‚ and to question the standards that guide "canon formation"--the aesthetic judgments deem some works excellent‚ and others minor or altogether unworthy of notice. In her 1928 A Room of One’s Own‚ Virginia Woolf explored the social constraints that limited women’s literary and artistic production. Talent‚ even genius‚ counted for little‚ Woolf mused‚ without

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    women’s roles and representations as they engage in music-making and image-shaping in lucrative and marginalized markets. An important goal for this issue is the expansion of critical lenses often used to study the complex category of women and music. Feminist musicologists who began to excavate the history of women composers and musicians in the early 1970s in the wake of the women’s movement were initially viewed with scorn in a discipline that had privileged male musical genius (McClary 1991). Moreover

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    in the dynamics and development; identify prerequisites of deployment of the feminist movement. Over the past 40 years in the United States‚ women have made progress towards equality‚ but they are far from full equality with men in matters relating to professional activities‚ salaries and policies. Undoubtedly‚ women in America made many efforts for the struggle to the equality. Work aims to research the way of feminists for equality and the results of the struggle nowadays. Sources: 1. Beauvoir‚

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    ‘What Feminist Critics Do’ raises “thoe question of weather men and women are essentially different because of biology‚ or are socially constructed as different‚” which is‚ arguably the premise for Margaret Atwood’s novel ‘The Handmaid’s Tale’ and Atwood applies this method of thought through her novel‚ and particularly to the ending. When ‘The Handmaid’s Tale’ was published in 1985 feminism was becoming more widespread and successful movement‚ with the ‘Married Women’s Property Acts’ being passed

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    liberation differ from the perspective of many white feminists? Angela Davies starts by pointing out the plight of the black people‚ and especially black women‚ at the hands of slavery in the 19th century. With the rise of black people movements and abolishment of slavery‚ the black women’s working conditions didn’t seem to improve. They were still subjected to bad working conditions if not worse at the hands of the whites. The rise of the white feminists’ movement didn’t improve the plight of African

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    In this aspect they have created new perspectives and highlighted new issues. Feminists have introduced the study of new areas in the family life such as housework and domestic violence into sociology. The Marxist Feminism is acknowledging that women are exploited in marriage and family life but emphasise the relationship between capitalism and the family‚ rather than the family’s effects on women. Marxist feminists use Marxist concepts but see the exploitation of women as a key feature of family

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