ANALYTICAL STUDY OF PAINT LAYER IN MURAL PAINTING OF KRABIA SCHOOL (19th c.)‚ CAIRO‚ EGYPT Nabil A. Bader1 & Waeel‚ B. Rashedy2 1 Conservation Department‚ Faculty of Archaeology‚ South Valley University‚ Qena‚ Egypt. 2 Islamic Department‚ Faculty of Archaeology‚ South Valley University‚ Qena‚ Egypt. Received: 21/07/2014 Accepted: 12/08/2014 Corresponding author: Nabil Bader (drnabil_bader@yahoo.com) ABSTRACT Krabia School was decorated with wall paintings which were applied at ceiling and walls of
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Institutionalization of the "fine arts” and the nature of academic instruction * The academy set the standard for what was art. * Very specific criteria * Only allowed to do History Painting: an event out of history‚ the bible‚ or mythology * Other than history – portrait‚ still lives‚ genre painting * Subject matter: history/mythology/politics * Studying in Rome was the high point of artistic development * Mengs‚ Parnassus‚ 1761 * Theme: the origin of poetry-
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versions done from artist Sandor Botticelli. The genre of the piece is of a religious essence. The Adoration of Magi is a scene were wise men come to see and bring gifts to Jesus. The pigment used in the painting was tempera‚ which is a water-soluble pigment. The piece was painted on wood. The painting is now housed in Uffizi Gallery‚ in Florence Italy. Development When I first look at Adoration of the Magi‚ my first impressions is that it is created using closed form. Even though it is a busy scene
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create images? And How we had developed that skill? The first pictures that had been found in Northern Spain which believed the first examples of cave paintings and the pictures had been found in South Africa which they have made it by the prehistoric nation have essential in commons. Henry Broye‚ the French priest and the former expert of cave painting claimed that prehistoric
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and dramatic theatrical effects contribute to the theme of desperation? Its beauty lies in its horror. It is a painting which the eye can easily divide into smaller and ever smaller units‚ each one of which requires – perhaps even seems to demand – feverish attention from the onlooker‚ quite as feverish as the terrible ocean‚ which is buffeting the doomed raft itself. • It is a painting of tumultuous bodies‚ reaching out‚ turning‚ twisting‚ and contorting‚ much seemingly in desperate conflict with
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scholars and artists began to investigate what they believed to be revival of classical learning‚ literature and art”. The first painting that caught my eyes while reading chapter twelve was the Deposition. This piece was painted by Rogier van der Weyden. The reason why I really liked this piece was because it was a very meaningful piece about Christ. The Deposition is a painting of the removal of Christ’s body from the cross. According to the book‚ this artwork was very popular in the fifteenth century
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Edvard Munch created one of the most well known paintings worldwide‚ titled The Scream‚ in 1983 (Edvard Munch). Munch was inspired by his emotions‚ and he created a series of about 22 paintings‚ called The Frieze Of Life‚ where his feelings were truly laying on canvas‚ some of those paintings are‚ The Sick Child‚ Jealousy‚ Anxiety‚ Melancholy‚ and Death In The Sickroom. Munch was inspired by his life experiences‚ and expressed himself through painting (Edvard Munch). Even after his death in 1944‚ Edvard
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pieces of art; the Toreador Fresco and the Egyptian Fowling Scene. The Toreador Fresco is a fresco depicting a bull-leaping ceremony. It is from the palace at Knossos(Crete)‚ Greece and from around 1450-1400 BCE. The Egyptian Fowling Scene is a mural painting from the tomb of Nebamun. It is from Thebes‚ Egypt and from the 18th Dynasty‚ ca. 1400-1350 BCE. The styles between these two periods are very different‚ but there are still a few similarities found between the two pieces of art. The Toreador
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and warmth. b. Rhythm: rhythm‚ a principle of design‚ is based on repetition‚ and the repetition of the bright colored brushstrokes in the bottom half of the painting create a sense of movement‚ as if the wind is blowing the grass. Also‚ these rhythmic strokes move your eye around the painting. 4. CONTENT: the content of this painting is a landscape of a town by the sea. It fits into the Fauvist style because of the time period; the very bright
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Art Assignment Year 11 Bodil Droga - John Wolseley Australian contemporary artist John Wolseley is renowned for his Australian bush landscape paintings and sketches. Wolseley uses the landscape as a metaphor in his works to ‘explore the way geology contributes to the spirit of the landscape and to discover how we dwell and exist within a landscape’ whilst also addressing various eco-logical issues including the conservation of endangered species as well as the constant changing process of the
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