Aesthetic and Thematic Definition of Independent Films "The Official cinema of the world has run out of breath. It is morally corrupt‚ aesthetically obsolete‚ thematically superficial‚ and temperamentally boring." (Lionel R et al‚ 1960) As a result of this and a great number of other reasons‚ independent cinema was born. For the most people who have a basic knowledge of American cinema‚ “independent filmmaking consists of low budget projects made by (mostly) young filmmakers with a strong personal
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and Qeysar by Masoud Kimiai. Nevertheless‚ it was following the Popular Revolution in 1979 that the Iranian New Wave movement (as it is known today) began to truly take shape. In parts two and three‚ I am going to ask how and why the post-revolution cinema‚ particularly works from auteur Abbas Kiarostami and Jafar Panahi‚ took on its genre defining conventions. Despite intense interior turmoil‚ the past thirty years have seen Abbas Kiarostami‚ Jafar Panahi and the Makhmalbaf family evolve into internationally
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In her essay Homo Pomo: The New Queer Cinema‚ B. Ruby Rich discusses homosexuality as it finds its own recognized foothold in the film industry with the introduction of queer film. Rich explores this new trend and presents us with the excitement of this new movement but also addresses the pitfalls that are present within it as well. She examines the response to the new movement of queer film at three of the most prestigious and influential film festivals of our time‚ Sundance‚ Amsterdam and Toronto
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i SAE Institute London Written Assignment WHY ARE CHILDREN USED AS PROTAGONISTS IN IRANIAN CINEMA : A LOOK INTO MAJID MAJIDI’S ‘THE CHILDREN OF HEAVEN ’ (1997)? Iman Yusufali 15346 FF1011 20 August 2012 Word count: 3300 approx. ii DECLARATION: I hereby declare that I wrote this written assignment on my own and without the use of any other than the cited sources and tools and all explanations that I copied directly or in their sense are marked
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Soviet Montage movement and the Classical Hollywood cinema. Both styles are simply ways to further alter films in a more creative manner. The Soviet Montage movement was one of the biggest contributions of the film industry in the Soviet Union to worldwide cinema‚ which relied heavily on editing. The Soviet Montage uses a series of images which connect together‚ making up the entirety of the film. In the American film industry‚ the Golden Age of cinema began in the late 1920s with the Classical Hollywood
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American Independent Cinema: Representational Analysis of Women Throughout the years women have had a very hard time making their presence known in the male-dominated film industry. Since the very beginning females have been overlooked in the film and television industries. In the competitive harsh world of cinema women have been represented in numerous ways. They have been traditionally viewed in an over-sexualized manner‚ as objects‚ or as secondary characters supporting a male
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Multiprocessors – Multicomputers Chapter 7: Matrix Multiplication ‚ Parallel Computing :Theory and Practice‚ Michael J. Quinn 2 Matrix Multiplication Algorithms for Multiprocessors p1 p2 p3 p4 p1 p2 Chapter 7: Matrix Multiplication ‚ Parallel Computing :Theory and Practice‚ Michael J. Quinn p3 p4 3 Matrix Multiplication Algorithm for a UMA Multiprocessor p1 p2 p3 p4 Chapter 7: Matrix Multiplication ‚ Parallel Computing :Theory and Practice‚ Michael J. Quinn 4
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“South Korean cinema both borrows from and rejects Hollywood.” How far is this true in Save the Green Planet? In order to discuss the extent to which Jang Joon-Hwan’s ‘Save The Green Planet!’ (2003) borrows from and Rejects Hollywood‚ it is important to identify exactly what type of film it is and what it is trying to do. Save the Green Planet (STGP) is a very typical South Korean New Wave film. ‘New Waves’ in cinema are basically film movements which involve a series of experimental (and often
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Hongkongism in Stephen Chiau Sing-chi’s cinema‚ Pastiche and Localism This article aims to show the Hongkongism in Stephen Chiau Sing-chi’s cinema by analyzing how he creates his own sense of humour and whether it has any type. Above all‚ I would like to correct the ’Reductionistic Reading’ which confuses Hongkongese identities with the political insecurities caused by restitution of Hongkong to China in 1997. Of course‚ nostalgic images in some of his movies may recall pre-1997 Hong Kong
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How did the cinema affect the lives of women and children in 1930’s? Labelled the ‘golden age of Hollywood’ the 1930’s was arguably a decade of turmoil. This led to many people attending the cinema to escape from reality. Among adults‚ women tended to go to the cinema more often than their husbands‚ and this finding was echoed by rowntree‚ who found that 75 per cent of cinema-goers in New York during the late 1930’s were women[1]. With large numbers of children attending these types of pictures
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