required them to provide their husbands with a clean home‚ food on the table and to raise their children. Women’s rights were extremely limited in this era‚ losing ownership of their wages‚ all of their physical property‚ excluding land property‚ and all other cash they generated once married.[1] When a Victorian man and woman married‚ the rights of the woman were legally given over to her spouse. Under the law the married couple became one entity where the husband would represent this entity‚ placing
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receive. In Kavitha and Mustafa by Shabha Rao‚ Rao uses observational descriptions of Kavitha’s use of vision and hearing to help portray her theme. Rao shows how observational Kathiva becomes due to her lifestyle as a submissive housewife to her husband. Also how her observational skills allow her to escape danger and allow her to start over. "She secretly wondered if perhaps that is what it would take to bring his gaze to life: violence" (Rao
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times showed smiling women with their arms loaded with cooked food‚ or a women cleaning house and looking happy and content to be doing that and nothing else. These were dedicated housewives whose only goal in life was to meet the pleasures of their husband and children. Society believed women fit this role and it should be the goal for women. On the contrary‚ few women assumed this role completely. New appliances that were being made allowed women to spend less time in their house. Women could then
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middle-class white women in the 19th century. The women discussed in these stories while alike‚ are very different. In “The Story of an Hour” Mrs. Mallard’s husband loved her and treated her right. Yet‚ she felt no happiness or freedom. Minnie Foster in “A Jury of her Peers” felt like she was silenced by her controlling and demanding husband. Authors such as Kate
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audience. Looking at the title first‚ it can be inferred there will be a grand celebration with happiness and cheers‚ but as you read along to the story there is no party. The wife is characterized with “shy pride” as she watches the surprise for her husband unfold right in front of them. The atmosphere in the restaurant starts to become awkward as the people there notice there is some help needed. The tense atmosphere leads on
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Chopin‚ describes how oppressed a woman‚ Louise Mallard‚ was in her marriage. In the 19th century‚ women did not have much say so. Back then they were required to do house work‚ cook‚ take care of the children‚ and provide a happy home for their husband. The author‚ who is a feminist‚ used the character Mrs. Mallard to demonstrate her reaction to her husband’s death‚ her selfish joy of freedom and the shocking death of her own. Mrs. Mallard was a young woman “afflicted with a heart trouble” (15)
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much of leaving the house. Women were also expected to present their husbands with everything they needed‚ and wanted‚ in a timely matter and without complaint. They had virtually no voice. Men were only expected to provide their wife with the necessities of life‚ and to protect her. This system or way of functioning was called “coverture”. Women were expected to provide a welcoming home and a carefree environment for their husbands‚ when they returned from a “long‚ hard day of laboring work.” Laws
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rose to fight patriarchy society‚ which gave roles to each of its members. Women were only briefly part of the social role and were mainly given the reproductive role that confined them to raising children and taking care of their households and husbands. Susan Glaspell‚ a writer in the early twentieth century‚ lived in that time. This is shown through her play “Trifles.” Glaspell adds distinct details to the play that allowed it to sympathize and speak up for women. A feminist analysis of Glaspell’s
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financial independence. They were often beaten‚ and it is clearly in the Wife’s nature to protect herself. She uses weapons like her sexuality and her youth to make her husbands suffer‚ so much so that they feel impotent. ’How pitously a-night I made hem swinke!’ This weapon was highly effective with first three husbands who she managed to dominate‚ ’I hadde hem hoolly in myn hond’ and they handed over ’lond and hir tresoor’ as she with held sex in order to get her own way with them.
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under section 498-A of the Indian Penal Code that relates to domestic violence is any act of cruelty by a husband (or his family) towards his wife. However‚ until recently‚ there was no separate civil law addressing the specific complexities associated with domestic violence‚ the need for protection and maintenance of abused women‚ and the fact that punishment and imprisonment for the husband may not be the best resolution in every case. Accordingly‚ after a decade-long process of consultations and
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