Final Examination FALL‚ 2014. Guidelines: You are required to write a total of three essays‚ one each from Sections A‚ B‚ and C. Each essay answer must be 500 words. You may write about the same film more than once ONLY if you are writing about different subject matter. You may not write about the same film more than twice. You may write only on films viewed in class. Films viewed outside of class are not eligible for analysis. Please indicate‚ by number‚ your answers. Eligible Films: Casablanca
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Dirty Realism “Dirty Realism” is described as a North American literary movement which can be traced in the 1970s-80s. According to this movement the narrative is stripped down to its fundamental features. It is actually a writing style which originated in the US and depicts in great detail the seamier or more mundane aspects of ordinary life. The term was coined by Bill Buford of Granta magazine. It formed the title of the Summer 1983 edition of Granta magazine for which Buford also gave an explanatory
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Photography had so much more of an influence on the Impressionist movement than just photography in its own right. Photography influenced artists in their paintings‚ in their pastel works‚ in their sculpture and in seeing the world around them in a different way. Modern artists were influenced by the invention of the camera because it gave them a cropped composition and showed the tonal effects of light and dark in much finer detail than they could interpret with the naked eye. This technology made
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history is that if you just keep standing at the same point and don’t think about moving ahead‚ you will be abandoned by the age. The best example for this is Kodak. Kodak used to be the biggest imaging and photographic equipment company in the global market. It made a great success in photographic film age‚ but when the digital age came‚ Kodak fell heavily down to the earth. Why? It is not because the lack of technology because it’s Kodak that invented the first digital camera. The reason in essence
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In every organisation there are stakeholders and these stakeholders are split up in groups; Internal‚ External and Linked. Internal stakeholders are individuals that are within an organisation such as workers‚ panel of administrators and professionals. Linked stakeholders are individuals that are associated with the organisation or use their products or services. These are clients‚ providers‚ share-holders and opponents. Finally‚ outside stakeholders are those individuals that are not engaged in
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What Causes Obesity In America There is a reason why so many people are obese. The main reason is food‚ the kinds of foods are not just fast food but food what we call junk food. Who is responsible for this‚ is it the people who consume it or is the companies that produce and promote their food. I think they are both to blame and there is always a good and bad in everything. If you are twenty percent over your normal weight you are considered obese. We have to make the right choices when it comes
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Drawing on the evidence provided by a sequence notation‚ show how editing functions narratively and expressively in one sequence from either Broken Blossoms (1919) or The Phantom Carriage (1921) and comment on the ways in which this differs from The Great Train Robbery (1903). The Great Train Robbery and The Phantom Carriage are both considered as one of the key creative movies ever made in history. The Phantom Carriage was very well known for showcasing it’s advanced narrative construction with
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The Qualitative Report Volume 11 Number 3 September 2006 538-549 http://www.nova.edu/ssss/QR/QR11-3/ponterotto.pdf Brief Note on the Origins‚ Evolution‚ and Meaning of the Qualitative Research Concept “Thick Description” Joseph G. Ponterotto Fordham University‚ New York‚ New York The origins‚ cross-disciplinary evolution‚ and definition of “thick description” are reviewed. Despite its frequent use in the qualitative literature‚ the concept of “thick description” is often confusing to researchers
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meanings. We ourselves construct meaning through historical and cultural contexts. The artist René Magritte contrasted mimesis and representation with his painting The Treachery of Images (“Ceci n’est pas une pipe”). The Myth of Photographic Truth The myth of photographic truth is that we perceive photographs to be an unmediated copy of the real world. This understanding comes from positivism‚ the theory that scientific knowledge‚ gained through empirical data‚ is the only authentic knowledge. Machines
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he took were of her. Callahan left almost no written records. There were no diaries‚ letters‚ scrapbooks or teaching notes. His technical photographic method was to go out almost every morning‚ walk the city he lived in and take numerous pictures. He then spent almost every afternoon making proof prints of that day’s best negatives. Yet‚ for all his photographic activity‚ Callahan‚ at his own estimation‚ produced no more than half a dozen
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