Dante’s Inferno Circles of Hell and Punishments Circle 1: Limbo Dante’s First Circle of Hell is resided by virtuous non-Christians and unbaptized pagans who are punished with eternity in an inferior form of Heaven. They live in a castle with seven gates which symbolize the seven virtues. Here‚ Dante sees many prominent people from classical antiquity such as Homer‚ Socrates‚ Aristotle‚ Cicero‚ Hippocrates and Julius Caesar. Circle 2: Lust In the Second Circle of Hell‚ Dante and his companion
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But after watching this documentary I found out that there are still some educated people in the western society. I was impressed by many things in this documentary; first‚ how the three artists were filmed in USA. Second‚ the feature film “Dante’s inferno” and how Sandow Birk‚ the American artist‚ used this film to show the actual meaning of Islam. Last thing was Kamran’s show and how he used on the show’s characters to explain the real meaning of jihad in Islam. (The Art of Jihad) The setting plays
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perception of fairness. Whereas revenge‚ is an act of vengeance‚ based on spite and vindictiveness. Justice brings forth closure; however‚ revenge is an ongoing cycle to seek justice for one self. By examining the characters; Odysseus‚ Achilles‚ Dante‚ and Aeneas‚ the nature of justice and revenge do not go hand in hand for the characters show the root of justice is good and the root of revenge is evil. In Homeric society‚ the feelings and actions of the characters show the diversity between justice
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creation of the mnemonic "SALIGIA" based on the first letters in Latin of the seven deadly sins: superbia‚ avaritia‚ luxuria‚ invidia‚ gula‚ ira‚ acedia. Listed in the same order used by both Pope Gregory the Great in the 6th Century AD‚ and later by Dante Alighieri in his epic poem The Divine Comedy‚ the Seven deadly sins are as follows: (7) Luxuria (extravagance‚ later lust); (6) Gula (gluttony); (5) Avaritia (greed); (4) Acedia (sloth); (3) Ira (wrath); (2) Invidia (envy); and (1) Superbia
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T. S. Eliot’ s poem The Love Song of J. Alfred Prufrock‚ there stands an epigraph from Dante’s Inferno‚ Canto 27. This epigraph unifies the text and brings‚ through its imagery and context‚ a deeper understanding of Eliot’s poem. Prufrock represents both of the characters in this section of the Inferno‚ corresponding to Dante in the first section and Guido da Montefeltro in the second and third. Dante represents the antithesis of Prufrock as well as the ideal that Prufrock strives for. The flame-bound
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Most Important Texts During my high school career I have endured many sleepless nights due to my insistence that I read all the books assigned to me. For my freshman and sophomore year this was no big deal. However‚ after junior year with McGee I have come to realize that trying to read all the texts assigned would be my demise. As much as it pained me‚ I had to‚ instead of reading then entire text‚ read a simple summary. This year I have managed to get by with this same method. Throughout my semester
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Johannes Oster 3/5/13 English 2 Assignment III Film Review: Donnie Darko Richard Kelly’s 2001 film‚ Donnie Darko‚ boasts an utterly complex plot that challenges the concept of free will and redefines the superhero genre. Though on the surface the film imparts social commentary on adolescent behavior and the treatment of mental illness in contemporary society‚ Donnie Darko’s real genius lies in its use of a mixture of science and spirituality to create a picture both thought provoking and unique
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http://smartcollection.uchicago.edu/view/objects/asitem/230/11/title- asc?t:state:flow=dae62d24-54c3-436f-a7c2-bbc7b7c417e1. 2013. Web. 12 Apr 2013. Princeton Dante Project. Biography of Dante Alighieri. http://etcweb.princeton.edu/dante/pdp/biography.html. 2000. Web. 21Apr2013 Rodin-Web Sparknotes. Inferno: Dante Alighieri. http://www.sparknotes.com/poetry/inferno/summary.html. 2013. Web. 21 Apr 2013. Statue.com. The Thinker. http://www.statue.com/site/the-thinker-statue.html. 2012. Web. 19 Apr 2013 Figures
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before Dishonor” means to rather die than to dishonor your country‚ a belief that Dante must have shared judging by his placement of Brutus and Casius in the fourth ring of the ninth circle Cocytus with Judas Iscariot in Satan’s mouths. Even though The Divine Comedy predates Shakespeare’s Julius Caesar‚ the tale of the betrayal of the Emperor of Rome was notorious enough for commoners to be knowledgeable of it‚ allowing Dante to reference it and remind the public to be good citizens and not to assassinate
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the following three topics. The entire assignment consists of three paragraphs and should fit in less than one page 1. Why is Capaneus (Inferno 14) so important in understanding the psychology of the sinners in hell? 2. Identify the political and religious issues Dante faces in Inferno 19. 3. Define the allegorical representation of Lucifer (inferno 34) Submit no later than Friday‚ October 17‚ 12-noon Make sure you do not go off topic. Be direct and concise‚ and follow the directions
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