55) “He knows she knows; he treasures her for saying nothing; she allows herself to be treasured.” p.56) This time she would make different choices. She would be less obedient; she would not ask for permission. She would not say “I do” but “I am.” (Portia) p.53) “He’d wanted so badly to believe in that kind of Indian‚ the kind in the book. He’d needed them to exist.”(Roland) 1. What similarities does George have to Dulcidio in our previous story “The Story of the Lizard Who had the Habit of Dining
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SPECIAL ESSAY FOR RANK STUDENTS (PROSE) BON VOYAGE INTRODUCTION: “Is there beyond the silent night an endless day? Is death a door that leads to light? We cannot say” -R.G.INGERSOLL Kalpana Chawla
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All that glitters is not gold; an idiom derived from Shakespeare’s The Merchant of Venice. In a note written by Portia‚ she writes‚ "all that glisters is not gold‚" and very well it appears so (2.7.65). For a better understanding of this quote‚ we must understand who the message was intended for. When Shakespeare wrote The Merchant of Venice‚ the year was 1558- right at the beginning of the Elizabethan Era. Queen Elizabeth rein succeeded from 1558 to 1603‚ a period often considered as the golden
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Humanities English II -4 21 February 2011 Dialectical Journals: The Merchant of Venice Source | Quotation | Analysis | Act 1. Sc.1 Pg.17Ln. 147-151‚ 153-159 | “In my school-days‚ when I had lost one shaft‚ I shot his fellow of the self-same flight. The self-same way with more advised watch‚ to find the other forth‚ and by adventuring both‚ I oft found both.” “I owe you much‚ and‚ like a willful youth‚ that which I owe is lost; but if you please to shoot another arrow that self-way which you
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A Feminist Analysis of Gender Identity in Hamlet and The Merchant of Venice William Shakespeare’s diverse female characters started to revolutionize views of gender in the Renaissance‚ though women were not treated as equals to men until modern times because of the patriarchal views that were instilled in society. The feminist approach in this presentation works to disprove Shakespeare’s traditional critics. I use a feminist approach to prove that Shakespeare’s representation of gender is more flexible
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Brutus and Portia and Oberon and Titania. Brutus and Portia Are from the tragedy play and Oberon and Titania Are from the comedy play. In the comedy play Oberon and Titania come on stage fighting. “Oberon: Ill met by moonlight‚ proud Titania! Titania: What‚ jealous Oberon? Fairies‚ skip hence. I have forsworn his bed and comany.”(2. 1. 60-63). Both spouses are accusing each other of being attracted to other people.This i sthe complete opposite of the tragedy. In the tragedy Brutus and Portia come on
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I. TEACHING CONTROVERSIAL TEXTS Works of literature‚ written hundreds of years ago‚ may contain viewpoints that seem stereotypical and that offend modern sensibilities. While it is natural to want to protect students from these harsh sentiments‚ it may be counterproductive to omit controversial texts from class rather than using them as a vehicle for raising awareness and sensitivity about issues of prejudice. When teaching The Merchant of Venice‚ then‚ it is important to raise the issue of
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Shakespeare portrays the characters Shylock and Antonio in the trial scene to be victims of the trial scene. In my opinion‚ Shylock is the main victim as he is discriminated for following a different religion to everyone else in the court. Being a Jew meant that the other people in the court were racist against Shylock meaning that they treated him unfairly in comparison to Antonio; who was helped in every way so that he could win the trial and Shylock would not get his pound of flesh. Shakespeare
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& Juliet have a problem from the start -parents are in a feud Merchant of Venice -Bassanio & Portia also have a problem -she lives far away and he does not have money to woo her 1.1.___? 2) R& J -R & J’s relationship becomes worse when he kills Tybalt and banished from Verona MoV -B & P’s relationship gets better when he wins the lottery and 3.1? can marry Portia 3) R& J -tragedy occurs in this relationship when J’s potion makes it seem that she is dead
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or unjust ways at one point in the story‚ whether it is predominantly as selfishness‚ cruelty‚ or vindictiveness. But does this pronounce them villains? Whilst Shylock is portrayed as a villain in more than one aspect‚ does this not warrant that Portia‚ being unjustly biased and unlawful‚ also be given the title of villain? Should not Shylock’s daughter Jessica be labelled a villain for her deceptive and larcenist actions and Antonio for his bigotry and obstinacy? And what of Bassanio; does he not
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