Motifs in Psycho In the film Psycho there are many reoccurring motifs such as birds‚ mirrors‚ and voyeurism‚ which are implemented by Hitchcock and often may be unnoticed by the viewer. Mirrors frequently appear throughout the movie‚ for example when the bathroom mirror reflects on the money Marion has taken. Probably the most noticed use of mirror is when Marion’s sister sees her reflection in two mirrors and is startled because she thinks someone is behind her. Voyeurism is also a reoccurring
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Psycho-Cybernetics Dr. Maxwell Maltz Maxwell Maltz Was an American cosmetic surgeon and author of Psycho-Cybernetics (1960)‚ which was a system of ideas that he claimed could improve one’s self-image. In turn‚ the person would lead a more successful and fulfilling life. He wrote several books‚ among which Psycho-Cybernetics was a long-time bestseller — influencing many subsequent self-help teachers. His orientation towards a system of ideas that would provide self help is considered
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utilises the power of lens‚ especially in close-ups‚ point of view shots and framing shots of key events‚ using doors and windows to direct visual attention. Lighting is a crucial element in the establishment of atmosphere‚ mood and shape anticipation. Jarre’s soundtrack uses a recurring anthem motif at key scenes in the narrative.
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Show how the opening scene introduced ideas that were concluded in final scene. The movie Gattaca directed by Andrew Niccole‚ it a dystopian film a bout a man Called Vincent Freeman who is known to be a “God child” which in certain cases you would think to be a good thing but in this movie natural born children are considered the bottom of the heap. In this film discrimination exists not based on skin color‚ socio-economic class‚ culture or religion‚ but on whether or not you were genetically
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Sophia Grzeskiewicz Understanding Film Reflection #1 Psycho In the movie Psycho‚ we see a character that is the one at fault but is so sweet she is obviously the victim here. When the $40‚000 is no longer what we see from Marion Crane‚ it is because she was murdered‚ she is now the victim. Robert Ebert‚ from the Chicago Sun Times states “Marion Crane does steal $40‚000‚ but still she fits the Hitchcock mold of an innocent to crime.” She was originally at fault here‚ and then she is brutally
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The famous films‚ Psycho and Rear Window‚ by Alfred Hitchcock use editing and color differently‚ yet have similar base plots. While both films are justly considered suspenseful masterpieces‚ they each achieve this differently. In the film Rear Window‚ the point of view was always set as the main character‚ Jeff. Jeff was stuck in his apartment room due to a broken leg; therefore the camera only showed shots from looking out of his window or in his own room. Hitchcock chose to do this as a way to
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acknowledged that what he was doing was wrong. He noted that he had been depersonalized and that he had lost the ability to feel compassion for others‚ but he was unable to understand why; he was also unable or unwilling to do anything about it. Analysis: Psychosexual Stages of Development Freud would likely say that Patrick Bateman had a normal Oral Stage of psychosexual development because he did not seem to have any of the "symptoms" that would result in having problems in this area such as smoking
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“They tell you to be yourself‚ and then they judge you.” A person getting bullied is not something unheard of. Most of us have gotten bullied at least once in our lifetime. I get bullied all the time‚ because I’m not afraid to show that I’m different. Bullying can be physical‚ verbal‚ or even online. Whatever the case‚ bullying is something that cannot be ignored. Being different can cause many problems. One of those problems is being bullied. If you seem to be an outcast of a group‚ you will
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Analysis of the Final Scenes of Alfred Hitchcock’s Notorious After viewing Alfred Hitchcock’s Notorious for the first time‚ the film did not strike me as particularly complex. Nothing specific about the film lodged itself in my brain screaming for an answeror‚ at least‚ an attempted answer. Yet‚ upon subsequent viewings‚ subtle things became more noticeable. (Perhaps Hitchcock’s subtlety is what makes him so enormously popular!) Hitchcock uses motifs and objects‚ shot styles and shifting points
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order to coincide with the time period. With this being said‚ two films particularly enforce this post-modern “horror” and yet both contain an array of sub-genres‚ mutating “genre” into a more complex idea. Alfred Hitchcock’s Psycho along with Mary Harron’s American Psycho are both post-modern “horrors” with a collection of sub-genre’s attached to them‚ leading the audience to question the originally believed “horror” genre. Horror-fiction generally manipulate the emotions of their
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