Pulp Fiction is a controversial film‚ written and directed by Quentin Tarantino‚ in 1994. It has almost everything you could wish for in a movie; drama‚ hilarity‚ intensity‚ action‚ thrills‚ fun‚ intelligence‚ romance‚ intimacy‚ over-the-top bravado‚ vulgarity‚ sweetness‚ humor‚ and soul-searching. The film is very raw and brutal‚ but has a unique sense of style that keeps the viewers entertained. It will build its way up gradually to an incredibly intense scene‚ before dropping down to a relatively
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well-received movie Pulp Fiction. Both Movies are similar plot-wise; they deal with gangsters coping with unexpected events. Quentin Tarantino uses camera placement and editing‚ themes‚ dialogue‚ and different movie genres to tell the story literally and cinematically in Pulp Fiction and Reservoir Dogs. Although both films deal with gangsters and criminals‚ they have different themes. In Reservoir Dogs‚ the central theme is the juxtaposition of lawbreakers and “normal people”. In the bathroom scene‚ Mr. Pink
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thought out response‚ for instance‚ the bar scene. This scene uses deliberately filmed shots and carefully written dialogue to highlight certain things to the audience. In the beginning of this
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Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about his trip to Europe. Vincent uses something that most
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One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing
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Yanni Thomas 4 December 2013 Professor Stanley COMM 1375-60 Mis-en-scene and Cinematography in The Breakfast Club This film written and directed by John Hughes follows five students at Shermer High School in Shermer‚ Illinois as they report for Saturday detention in 1984. While not complete strangers‚ the five are all from different cliques‚ there’s John Bender "The Criminal‚" Claire "The Princess‚" Brian "The Brain‚" Andy "The Athlete‚" and Allison "The Basket Case." The school’s disciplinary
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Quentin Tarantino has established himself as the quintessential neo-noir film maker since the passing of Stanley Kubrick. Kubrick’s specialty was creating surrealist imagery through limited dialogue and scenes filmed in “real time”. Tarantino has transposed the film making ideologies of Kubrick by adding complex dialogue and grotesque violence. Both men captured the film making styles of their era’s with postmodern neo-noir visuals as well as dialogue that spoke to the culture of their audience.
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Due date: 16 August 2013 Topic: Write a critical analysis of the significance of the non-linear narrative of Pulp Fiction. English 3004: Post Modernism Pulp Fiction This essay will discuss the many original and revolutionary themes as well as cinematic techniques employed by Quentin Tarantino in his film Pulp Fiction‚ with particular emphasis on the use of non-linear narrative and its significance. I will further elucidate the
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on how Kazan implemented various visual elements to add depth to the characters. This is achieved through elements of mis en scene giving a visual representation for the theme of control‚ that others fight to hold over Terry. Terry’s brother Charley‚ and his boss Johnny Friendly are the two most influential characters who have charted the course of Terry’s life. In a key early scene after Joey has been murdered Terry walks into a billiard room where Johnny is meeting with his men. Johnny is fun loving
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(Tim Roth) are intertwined in Quentin Tarantino’s three fables of crime and redemption (Pulp Fiction). Pulp Fiction is a movie of immorality and wit. The hitmen’s boss‚ Marsellus Wallace‚ is a king of crime‚ however continuously gets played by those doing business with him‚ leaving Vincent and Jules to clean up the mess. Which in turn causes these unrelated lives to weave together. During the film‚ Pulp Fiction‚ many situations may be deemed unrealistic‚ though through Quentin Tarantino’s
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