SPE 480 Self-Reflection and Learning Agenda Paper BACKGROUND: Describe your professional Identity: I am a dedicated person to the game of many sports and teaching. I have taught several different sports and also have been well trained in a classroom setting. Working with children of all ages‚ I have 8 years of coaching football‚ 4 years of basketball‚ 12 years of softball with private lessons as well and 3 years’ experience working with special needs students in a classroom. I have a bachelor’s
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Theology 104 September 15‚ 2014 Reflection Paper #1 Introduction: I started attending church when I first came to the United States at age of 13. Many Korean immigrants choose religion just for relationship within Korean community and for to earn information on their children’s education. This was the same reason why my dad took my brother and I to church. I was a Sunday Christian for 10 years. I knew knowledge on the Bible but always questioned inside if I am a true Christian. With grace of
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The film Koyannisqatsi (1983) had opened the public’s eyes to the possibility of extensive time-lapse cinematography and the non- verbal style of filmmaking. Filmmakers such as Frances’ Jean Painleve made similar films before but nothing had been made such as Koyannisqatsi (1983). The other films where similar but made more towards the experimental film audiences. Godfrey Reggio the director of Koyannisqatsi (1983) and Ron Fricke the cinematographer showed how the modern world was moving from a
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There were many changes in marketing and distribution of films from end of the silent period to the modern digital period. There was a studio system that existed at the end of the silent period and collapsed in 1949 with a court ruling. During this same time a sales era of marketing existed. After the Second World War the sales era was replaced with a new way of thinking and sales and marketing were not synonymous anymore. Marketing after World War II meant finding out what consumers’ needs and wants
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Existentialism Philosophy 1. Some existentialist do believe in God and some do not. Being an existentialist does not necessarily involve denying the possibility of a higher power. Existentialism is a philosophical position that advocates 1) the individual’s absolute freedom and full capacity to determine its place in the world; 2) the individual as indefinable‚ as outside of all systems and totalities. The individual is only defined on the basis of what they do‚ and with each action they change
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Exploitation films have been produced since the beginning of film‚ but once the Production Code was no longer in effect‚ more these films could be produced and at a faster rate. One genre of exploitation cinema is the drug crime film. Starting as early as the 1930s‚ filmmakers made movies about the dangers of doing drugs. These films were often cheaply made and aimed at a small audience (Clark 4). They were theatrically simple‚ with an uncomplicated narrative: “these are films whose entire function
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FINAL REFLECTION Watching all the Asian films this semester has greatly changed my view of Asian directors‚ actors‚ and Asian films in general. It has opened my eyes and it let me see the creativity and the kind of quality that Asian Cinema has to offer. I used to think that Asian Film was corny and boring. Also‚ I used to think that it was just trying hard to follow its western counterparts. I was wrong. Asian film has its own identity and is unique in its own fascinating way. In Asian film‚ or
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head Personal Film Evaluation Criteria Paper Personal Film Evaluation Criteria Paper Elizabeth Bryant University of Phoenix Personal Film Evaluation Criteria Flashing back on all the films I have watched over the years I never taken notice to analyze not one of them the way that I have learned in this film study course. My techniques used as of the present time for evaluation the qualities of films has just began because I have started this course. The way how I view films back then is totally
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coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words‚ much like one can look at a painting and tell if it is a Monet‚ a Renoir‚ or a Degas‚ if a film director is an auteur‚ one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films‚ the director is many times what brings an audience
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multiracial has existed within the film for decades‚ starting back to the gangster movies in the 1920 and 1930’s. Beltran (2005) illustrates on page 3 that the intent of these films was to reinforced dominance of race‚ ethnicity‚ and class tied to housing and apparent safety. The race is a social assembly and can create real consequences and effects on certain groups within society and how we depict them. Depending upon the setting of the film and the films intent‚ the film can illustrate
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