A mobile operating system (mobile OS) is an OS built exclusively for a mobile device‚ such as a smartphone‚ personal digital assistant (PDA)‚ tablet or other embedded mobile OS. Popular mobile operating systems are Android‚ iOS and Windows Phone. A mobile OS is responsible for identifying and defining mobile device features and functions‚ including keypads‚ application synchronization‚ email and text messaging. Android OS is owned by Google and powered by the Linux kernel‚ it debuted in 2007.
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History of Operating Systems Early computers lacked any form of operating system. The user had sole use of the machine; he would arrive at the machine armed with his program and data‚ often on punched paper tape. The program would be loaded into the machine‚ and the machine set to work‚ until the program stopped‚ or maybe more likely‚ crashed. Programs could generally be debugged via a front panel using switches and lights; it is said that Alan Turing was a master of this on the early Manchester
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case This case is given an overview from the history from Sheffield Theatres Trust. The case will explain what kind of strategies and resources the organisation have and through what kind of changes and development STT have been. The main idea of this case is to see how an organisation can develop and how they use their strategies and resources. 1.1 Summary of the Sheffield Theatres Trust Case There are two theatres in Sheffield (UK) called the Crucible and the Lyceum. The Crucible has been
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Herron English Honors G 2 March 2014 Globe Theatre The Globe Theatre was an extraordinary place that was used in one of Shakespeare ’s plays. The Globe Theatre was where all the magnificent plays‚ speeches and events could happen. The Globe Theatre was “ built as a large‚ round‚ open air theatre. There was a roof around the circumference which covered the seating area‚ leaving the theatre looking like a doughnut from above.” The theatre was built as a giant circle all the seats were built around the
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The Nickelodeon Era This development of theatre was in conjunction with improved transportation and communication technologies. It was now easier to manage a network of theatres. After the vaudeville era‚ around the turn of the 19th century‚ came the so-called ‘Nickelodeon Era’. The name “Nickelodeon” originated from the American word for five cents‚ a nickel‚ which was also the price of admission and the greek word odeion‚ which is a roofed theater‚ (Musser‚ 1994). From my research‚ I have conflicting
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Religion in Asian Theatre From 350-1350 c.e. theatre began to die off in the western countries due to Christianity and the fall of Rome. At about this time‚ the performing arts began to emerge on the Eastern hemisphere. The creators of Asian theatre new nothing of the theatre in Rome or Greece so there was no influence during the fabrication of this new form of theatre. Eastern theatre is much more stylized in that they believe in “total theatre‚” which is using every element of theatre be it music
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INTRODUCTION. Theatre in Ghana predates ancient times although there is no document to support that‚ it is not farfetched because Ghanaian way of life has been theatrical and performance based; from child birth to naming ceremony through to puberty rites to marriage ceremonies and funeral rites. All these ceremonies are imbued with theatrical performances. It must also be noted that instoolment of Chiefs‚ festivals‚ enstoolment of Chiefs‚ grand durbars‚ victories at war‚ ritual ceremonies are all
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AP / Library of Congress LeRoi Jones / Amiri Baraka THE REVOLUTIONARY THEATRE Liberator‚ July 1965 * LeRoi Jones / Amiri Baraka‚ 1965 This essay was originally commissioned by the New York Times in December 1964‚ but was refused‚ with the statement that the editors could not understand it. The Village Voice also refused to run this essay. It was first published in Black Dialogue. LeRoi Jones The Revolutionary Theatre should force change‚ it should be change. (All their faces turned into the
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Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live‚ and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time. The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing
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research‚ the Lincoln Theatre caught my interest‚ and sparked my imagination. I immediately began to wonder what brought the theatre to fruition‚ and why the theatre became so widely known to many of the people around the Columbus area. With more research as time went on‚ I realized just how interesting the Lincoln Theatre was‚ and still is today‚ with its many significant impacts it has had on just the role of theatre alone. With its marvelous structures and designs‚ the Lincoln Theatre has made many contributions
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