Athens‚ Greece‚ ca. 530 BCE. Marble‚ 4’ high. Zeus (or Poseidon?)‚ from the sea off Cape Artemision‚ Greece‚ ca. 460–450 BCE. Bronze‚ 6’ 10” high. POLYKLEITOS‚ Doryphoros (Spear Bearer). Roman marble copy from Pompeii‚ Italy‚ after a bronze original of ca. 450–440 BCE‚ 6’ 11” high. Seated boxer‚ from Rome‚ Italy‚ ca. 100–50 BCE. Bronze‚ 4’ 2” high. Hermes and the infant Dionysus •By follower of Praxiteles (son or grandson possibly)•Contrapposto•New standard of
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15th century.In fact‚ the trumpet is a part of world history. For thousands of years‚ the trumpet has played an essential role in almost every civilization on the planet. The first known metal trumpets can be traced back to around 1500 BC. Silver and bronze trumpets were discovered in the grave of King Tut in Egypt‚ and other ancient versions of the instrument were found in China‚ South America‚ Scandinavia‚ and Asia. Since most inventions spawn from earlier forms‚ there’s also good reason to assume
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for all subsequent redemption and liberation experiences‚ it has become a powerful symbol in Western political thought." [3] This essay chronologically considers the Exodus with its theological meaning. Historical Background of the Exodus: the Late Bronze Age In Western AsiaSeveral hundred years of relative silence separate the end of the story of Joseph in Genesis 37-50 from the beginning of the Book of Exodus where the story is picked up once again.[4] After Jacob had settled down in Egypt with
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Giotto’s Campanile‚ and Ghiberti’s bronze doors to the baptistery; the Italian Renaissance was born. The architecture and artwork portrayed in il Duomo di Firenze represents the unity of the faith and
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The Peloponnesian League: an alliance of Peloponnesian cities with Sparta as the leading city. Sparta had a separate alliance with each city. ‘…we believe that the allies met as a council and could in fact overrule Sparta in a military decision. Thus Sparta‚ it would appear‚ relied on it command of influence and respect rather than outright military power in order to have its voice heard within its own band of most important allies.’ Welch‚ p. 169 Paul Cartledge: his work in the 1970s involved
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detailed bronze doors which were commissioned by Bishop Bernward for St. Michael’s Church at Hildesheim‚ these doors were finished in 1015. In Bernward’s biography written by Thangmar of Heidesheim‚ Bernward excelled in the arts and was especially known for his great ability with metalwork and the entire art of building. Since he was so skilled in this field he was probably very involved with these doors He may have been inspired when he visited Rome and saw extensive doors built in bronze and wood
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They used these collection of fairy tales to create a German identity‚ by saying these were the tales passed on from generation to generation in German culture. Another writer that shows nationalism is Aleksandr Pushkin in his work The Bronze Horseman. The Bronze Horseman tells the tale of Evgenii and how he ends up going mad and getting killed by the statue of Peter. This shows nationalism in the fact that in the introduction of the poem‚ he talks about the founding of St. Petersburg and how great
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Emily Wilson October 10th‚ 2014 Professor Cruz Art into History Greek and Roman Art The Metropolitan Museum of Art has many different exhibits with ancient portraits‚ sculptures‚ steles‚ freezes‚ paintings and many more. The Greek and Roman exhibit was very interesting. The way the Greeks and Romans portrayed their feelings and life experiences through art is very diverse. During my visit to Metropolitan‚ I had gone for a tour of this exhibit and was amazed by the works of art I was seeing. Just
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The year 1913 a wonderful bronze sculpture of a mermaid was created in Langeline‚ Copenhagen. Edvard Eriksen made this magnificent sculpture as a request to Carl Jacobsen‚ because he wanted to give something to the people of Copenhagen. Edvard made the statue renaissance. In 1909‚ Carl Jacobsen founder of Carl’s berg beer attended Hans Becks and Fini He4nriques ballet The Little Mermaid. Which is based on Hans Christian fairy tale by the same name. Deeply impressed‚ Carl Jacobsen asked Danish
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positioned up and the man has his knee positioned down and the and the mans head is on the woman’s shoulder‚ they are both comforting one another and their minds to be at ease as long as they are near each other. Fig 3 1909 La Serpentine Henri Matisse Bronze Sculpture New York‚ Museum of Modern Art This sculpture is an example of Early 20th century Modern art and the
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