many artworks between the cultures of Ancient Near East through the Medieval Era that demonstrate ways political leaders constructed powerful identities‚ including the Emperor Justinian and His Attendants‚ The Maquamat of Al-Hariri‚ and the Stele of Naram-Sin. The Emperor Justinian and His Attendants artwork is from San Vitale‚ Ravenna‚ 547 BCE and is a perfect example to show how political leaders has powerful identities. This mosaic shows power through the style and context of the art piece. The
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There are two registers‚ the one closest to the top being the main focus of this piece; the scribe Senu. (“Stele of Senu”) The figure standing at the right end of the piece was a royal scribe named Senu. He is portrayed as honoring the gods Imsety (middle) and Hapi (left) We can tell he is honoring them‚ because he shows a formal frontility‚ facing the gods.
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White Temple and Ziggurat Ziggurats are pyramidal structures with flat tops‚ usually constructed as portions of a temple complex by many groups within the cradle of civilization. While we only have the stone remains today‚ they were more than just architectural sights to be seen. The bricks were glazed with different colors according to their level and many of the walls sported astrological artwork. At the top of ziggurats were the actual temples. This positioning was advantageous for the priests
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One of the prime example is the Stele of Naram-sin. Over six feet tall‚ it was carved in pink limestone with bas relief technique. Instead of both sides like the Palette of Narmer‚ the Stele of Naram-sin was carved on one side. This stele shows Naram-sin‚ the king‚ leads a victorious army defeating an enemy on the mountain side. The soldiers are shown very structured and aligned‚ which indicated a strong and strict military base. King Naram-sin is shown as the biggest figure‚ which tells
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power and authority many times in history. Different cultures have different ways of portraying the image to have power and authority. One example of using art to portray images of power and authority is the Victory Stele of Naram-Sin. This was made to commemorate King Naram-Sin for his defeat of Lullubi. The King stands alone at the top‚ taller than everyone else. This shows that he is more powerful than anyone else. The King also wears a horned helmet that shows godliness. Celestial bodies
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differences between them are noticeable. For instance‚ the Akkadian empire implied their power over human - Figure 2.12-; however‚ The Assyrian‚ implied their power over animals -Figure 2.20- (Janson‚ Hofrichter and Janson). First‚ the victory stele of Naram-Sin or the King’s Victory - Figure 2.12- is an old relief sculpture from the Akkadian era. Its age estimated to be 4‚200 years old‚
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Define or identify the following terms or individuals and make sure you understand their importance to the discussion of the Art of Ancient Near East: Citadel Hammurabi Sargon Ziggurat Cuneiform Cylinder seal Mesopotamia Hierarchical scale Stele Glyptic art 2. List two important Neolithic sites in the ancient Near East: a. b. 2. What might be the meaning of the animals represented on the Lyre sound box (fig. 2.14a)? 3. The land known as Mesopotamia lay between what two
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The Art of the Ancient Near East HIS 2100.01 April 6‚ 2012 The Art of the Ancient Near East Ancient sources are key to researchers and archeologists today to discovery the history of the ancient world. Such artistic resources include architecture‚ sculptures‚ writing‚ pictures‚ reliefs‚ pottery‚ and much more. The source that will be focused on in this topic of art in the ancient Near East are reliefs found within the region. There are many forms and styles in which reliefs were made. Though
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sizes of the characters‚ it is obvious Mentuwoser is the central focus of the stela. This style of using size to portray hierarchy is typical of Egyptian art of the period‚ and can be seen in other Egyptian art in the Tomb of Ti and the Victory Stele of Naram Sin. The portrayal of Mentuwoser in composite view compared to the other characters in side view adds to his significance. The vertical arrangement of foods such as loaves of bread‚ squashes of onions and beef‚ which were primarily considered
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translated from Sumerian originals that was inscribed on cuneiform tablets. Most of what is left from Babylonians was inscribed in cuneiform with a metal stylus on tablets of clay (web).” The most popular piece from the Akkadians was the Victory Stele of Naram-Sin. A stele being a vertical slab of stone that serves as a marker. To one it almost resembles a gravestone marker. The Assyrian culture and literature originated from Babylonia‚ however
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