"Lovin’ is what I got." Simple words written by a simple man. A simple man who was not a poet‚ or a master lyricist for that matter. The front man for Sublime. Brad Nowell was a happy go lucky soul with a rock star attitude. He first laid his fingers on the wood and wire at the age of thirteen and immediately began to develop his own niche in the music world. Inspired by reggae and his Southern Californian upbringing‚ his unique guitar playing burnt up auditions and shows alike and would eventually
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Romantic poetry is a type of poetry in which one unifies himself with humanity and nature. The era of the romantic poets (1790-1830) produced the substantial characteristics of ideal romantic poetry that still ring true today: nature‚ humanity‚ sublime‚ grotesque‚ and other aspects as well. Henceforth‚ when further poets began writing poetry‚ inspiration and ideas were pulled from the numerous aspects of romantic poetry. One inspired poet‚ Mary Shelly‚ took inspiration from her previous romantic
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Do you know what is the strongest and the oldest emotion known to the mankind? That is fear. And gothic literature can be explained as fear-literature. But the true gothic tale has something more than secret murder‚ bloody bones‚ or clanking chains . So‚ let me explain how to know what is the real gothic book. First of all‚ i will give you some backround. Gothic fiction began as a joke.In 1764 author Horace Walpole first applied the word ‘Gothic’ to a novel in the subtitle – ‘A Gothic Story’ – of
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terror and horror are gendered in order to express existing worries regarding virtue. Edmund Burke‚ a Philosopher of gothic novels is often contrasted with no emotion and is portrayed stronger than fear and terror‚ which is the true inspiration of the sublime. Terror is a sense of uneasiness and is produced by fear. Horror is physical‚ accompanied by shock‚ the realization of fear. In the novel‚ The Monk‚ women are more likely to experience terror‚ while men were more likely to experience horror. An
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poetry that elevates the common mans experience to the sublime. (6) The relevance produced by this poetry‚ whether it is an abundance of emotion expressed by Wordsworth‚ a philosophical initiative presented by Coleridge‚ or a spiritual awakening depicted by Shelley‚ is sparked by the tenor of social and political circumstances at the time. A few of the characteristics of the Romantic period are 1.) Emphasis on the individual‚ 2.) Belief in the sublime‚ 3.) Emphasis on nature‚ 4.) Organicism‚ 5.) Supernaturalism
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been removed. Some substances can pass directly from the solid to the gaseous stage without first melting and becoming liquid. These substances are said to be able to sublime. Substances that sublime‚ when mixed with substances that do not sublime‚ can be separated by heating the mixture until the substance that can sublime is completely gone. Another method of separation is called filtration. This is the process of separating a solid from a liquid by means of a porous filter which allows
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Over the centuries theorists have tried to develop different kinds of approaches to what should and should not be in terms of literary theory and criticism. In here we will discuss three different theorists (Aristotle‚ Longinus‚ and Wordsworth) from three different theories (mimetic‚ pragmatic and expressive) and explain their rules and thoughts to what is "good" literature. Later on‚ we will apply each theorist’s theory to William Blake’s "London"‚ and whether it works well with the theory or not
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are capable of receiving the doctrines of the faith because the sublime God endowed him with capacity to attainto the inaccesible and invisible Supreme Good. We can find other secondary ideas in the text: 1. The sublime God created a man with the capacity to reach the Supreme Good‚ in order to do that‚ men should possess the faculties that enable them to have faith in Lord Jesus Christ. We can find it in the lines 3-8: “The Sublime God so loved the human race that (…) endowed him with the capacity
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power so great that it successfully takes him away from all the things he has once held dear in his life‚ such as his family‚ Elizabeth and the beautiful familiar landscapes. From that point‚ Frankenstein can only identify himself with big‚ immense‚ sublime landscapes because these are the only landscapes extreme enough to describe what Frankenstein feels inside. “Dear mountains! My own beautiful lake! How do you welcome your wanderer? Your summits are clear; the sky and lake are blue and placid. Is
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For the early romantic writers and artists who first began to celebrate it‚ the sublime was far from being a pleasurable experience. The classic description is that of William Wordsworth as he recounted climbing the Alps and crossing the Simplon Pass in his autobiographical poem “The Prelude.” There‚ surrounded by crags and waterfalls
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