Frida Kahlo de Rivera is one of Mexico’s most famous painters. She grew up during the Mexican revolution and belongs to the Surrealist art movement. Encouraged by her husband Diego Rivera‚ Frida documented major events in her life. She was a great painter and expressed her feelings through her expressive colors and symbolic imagery. Frida also showed her love for animals‚ she had a few pet monkeys and a pet fawn in which she painted. She has inspired many people throughout the years with her political
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Rizal course is mandated by ou law under R.A. 1425. It says here the 3 provisions of rizal law. First‚ Rizal course must be part of the curriculum of our schools‚ colleges‚ universities‚ public or private. Our study must give emphasis regarding our national hero nad his vision of the noli mitangere and elfilibustirismo ( touch me not). Second is taht all libraries and schools must have a lot of numbers of copies of our national hero’’s two novels and also other materials close to him. And lastly
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The Decades Old Battle of the Court Reporter vs. The Tape Recorder Allow me please to define court reporter: The court reporter is the person who uses a stenograph machine to take down every word in a proceeding. The machines have fewer keys than a standard keyboard‚ and several keys can be pressed simultaneously to represent certain sounds. The word “no‚” for example‚ is written “tpho‚” with all four keys hit at the same time. Tph is the “n.” The goal in court reporting school is
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Diego Rivera artwork depicts the struggle of Mexican ‚ indigenous Mexicans life ‚ and mixed-race people. Both made a great impact during the Mexican revolution movement. Both Rivera and Orozco mural painting motif was to show human suffering within their art. Nowadays artist have been very inspire to be involve in politics; they are supporting humanities within their roles . The protest sign are combine with image and slogan. Protester poster used strong proverbs such as” The Power of people
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lines of the beautiful poem above. The personal touch of the displays in the 2nd floor gallery brought an intimate ambience to the whole exhibit‚ and it brought to light another aspect of a renowned writer apart from his professional excellence. Jose Garcia Villa is one of the most eminent Filipino writers of all times‚ and the Rizal Library and the Department of Interdisciplinary Studies collaborated to bring to the Ateneo de Manila University a collection of Villa’s books and papers from his
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Movie Analysis “Jose Rizal” By: Marilou Diaz-Abaya Submitted by: Elvin James N. Plata III-Grasslands Submitted to: Mrs. Yoly Alejandre JOSE RIZAL José Rizal is a movie of Tatay Jerico Romero 1998 Filipino biographical film of the Filipino national hero José Rizal directed by Marilou Diaz-Abaya and starringCesar Montano as José Rizal. At the time of its release‚ it was the most expensive film in the history of Filipino cinema with a budget of over PhP.80 million
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Tomas Rivera is a has created a story which challenges us with an obstacle‚ what hurts? “Its that it Hurts” Is about a nameless Mexican boy that faces many troubles throughout his everyday life. Being embarrassed‚ abused and discriminated against at school and submerged in the expectations his parents have for him. Because of a unwanted fight he now faces expulsion‚ and feels “that it hurts”. This first person story is about a young man dueling racism‚ bullying‚and parent pressure‚ and has been emotionally
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Rizal in the Big Screen: A Summary Paper on Jose Rizal the Movie It was finished. Jose Rizal’s life‚ works‚ and writings finally culminated in the vast expanse of land facing the Manila Bay where he stood in front of the firing squad and the teeming crowd of Filipinos and Spaniards all under the morning sun of December 30‚ 1896. This is just one of the memorable scenes in the film based on his life‚ not only for its historical significance‚ but for its cinematography and focus on production
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The book by Jose Muñoz starts off by explaining the concept of Disidentification – illustrated by the play of Marga Gomez‚ who is a female playwright and a queer of color person. (Muñoz‚ 1999‚ p. 3). The author also talks of identity as something that does not exist easily – at least not for the sexual minority‚ but‚ on the contrary‚ is easily accessible for heterosexual individuals since even identity is largely rooted in stereotype. In fact‚ a large aspect of the discussion revolves around identity
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Laguna: Francisco Rizal-Mercado y Alejandra (born in Biñan‚ April 18‚ 1818) and Teodora Morales Alonso-Realonda y Quintos (born in Sta. Cruz‚ Manila‚ Nov. 14‚ 1827). 1861‚ June 19 -- Rizal born‚ their seventh child. 1861‚ June 22 -- Christened as José Protasio Rizal-Mercado y Alonso-Realonda 1870‚ age 9 -- In school at Biñan under Master Justiniano Aquin Cruz. 1871‚ age 10 -- In Kalamba public school under Master Lucas Padua. 1872‚ June 10‚ age 11 -- Examined in San Juan de Letran college
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