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Different artwork show anger, violence, abusive remarks, and even injustice taking place.
People have been protesting for equal pay,racial, immigration ,inaugurated President and even anti-war protest
Mirkin’s article, “Aurora Reyes: ataque a la maestra rural,” was about one of the most iconic women in Mexican history. She was a very inspiring woman, she still found time to create her murals and fight for what she believed in all while being a single mother of two and having a job. Reyes was someone who fought for things that were dear to her such as education, children, and equality for women. I found it interesting but not surprising that her murals reflected her beliefs and illustrated the essence of their importance. Unlike the other artists who depicted the revolution, Reyes’ murals showed the unfortunate but somewhat inevitable side of the revolution.…
The notorious drug war and wanton violence is taking over Mexico. The government and police seem to have no control over the situation as the drug cartels have the most power out of anyone in the country. However, there are a few who attempt to denounce the violence of the drug cartels that spreads across the country like a bloody wildfire through poetry, music, and painting. Javier Sicilia, a poet, denounces the drug violence that killed his son through his last poem and Marcos Castro painted a picture of the destruction of the Mexican culture and people, influenced by the lyrics from singer Lila Downs, who sang about death because of the drug trade in Mexico. Marcos Castro’s “La Reyna del Inframundo”, taken directly from Lila Downs’s lyrics, illustrates the control of violence over Mexico and its culture through the contrast between light and dark, referencing the battle between destruction and hope, shape, the spiral in the middle of the painting suggests a tornado of extermination, and scale and position of objects, namely the gun which exemplifies the emphasis on violence and death.…
1. In this picture the group responsible for it is called ASCO, their intended message was that they were trying to break away from the mold of Chicano muralist that just because they were Chicanos why did they have to paint murals, this action took place at LACMA.…
Jose Clemente Orozco was a famous Mexican Social Realist who specialized in bold murals that established Mexican Mural Renaissance together with murals by Diego Rivera and David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, and realist. Mostly influenced by symbolism, he was also a genre painter between 1922 and 1948.…
I think Rivera wanted to show a normal day for the Aztecs in Tenochtitlan. Which is, work, and sacrifice. But I think his main goal was to show the Aztec sacrifices, since there is that one pyramid sticking out with blood on the stairs. During the Aztecs time , the sacrifices were taken to the tops of the Aztec pyramids and laid upon a flat stone. There, their chests were cut open and their hearts were ripped out. The bodies were then thrown down the steps of the pyramid.While human sacrifice was practiced throughout Mesoamerica, the Aztecs, if their own accounts are to be believed, brought this practice to an unprecedented level. For example, for the reconsecration of Great Pyramid of Tetnochtitlan in 1487, the Aztecs reported that they sacrificed 84,400 prisoners over the course of four days. I think that this mural depictsTenochtitlan during the late 15th century, early 16th century.…
José Chávez Morado, born in 1909, was one of the greatest 20th century Mexican muralists, focused on political and social factors of the Mexican revolution and embraced his heritage much like Dr. Atl had wanted for all Mexican artists. He was the last of one of the greatest 20th century muralists, who greatly influenced Mexican styled art. This paper will discuss his life journey, accomplishments, and two of his great works/murals. The purpose of this is to gain insight on one of the 20th centuries greatest artists, and examine his work from multiple perspectives to give us understanding and view his work in a different light. Jose, was a painter, printmaker, muralist, promoter and cultural advisor, he also made a valuable contribution in…
Frida Kahlo De Rivera (1907- 1954), was a Mexican artist whose works “were strongly linked with her own life experiences, whilst also relating to world events, politics and the wider art world.” Kahlo is best known for her self-portraits, they demonstrate her need for self-expression and her exploration of identity. Although her physical features and eccentric costumes are striking and eye-catching, it is her internal life that explodes beyond the canvas. Kahlo’s unique portrait style jumps straight to the art of profoundly felt passions and sorrows. “Juxtaposing the familiar with the strange, marrying naturalistic depiction with bizarre symbolism, Kahlo is able to convince us…
The piece by Castillo is a personal reflection that offers a peculiar and particular point of view from one person, and that represents how people permeates their surrounding reality, in this case the Mexican Revolution. These kinds of sources are extremely valuable in order to listen to the average voices. Especially in the case of underprivileged groups, such as indigenous populations and women, sometimes this is the only opportunity to grasp intimate daily moments, practices, and customs.…
1. From this film I learned that it is very hard and unfair for individuals involved with a protest. In order to discourage protesters they would take photographs of the individuals protesting for immigration reasons. The owner of Forever 21 also told them that they “never actually worked for him.” The protesters received little to no help from outsiders and they did not have faith in their protests.…
In the Cosmic Race written by Jose Vasconcelo, Vasconcelo writes about the definition of Latin American people and their divine mission in America, while also briefly comparing them to other races such as the Europeans. Vasconcelo states that there are 4 racial trunks, the Blacks, the Indians, the Mongols, and the Whites, while expanding detail with the Whites who he described as organizing themselves in Europe, and becoming invaders of the rest of the world. Vasconcelo gives an example as the Spaniards conquered Latin American, however he believes that their role was just to reintegrate the red world, which he describes as a bridge which has brought the world to a state at which all human types and cultures can fuse together. According to Vasconcelo the faithful Latin-people are those called upon to this divine mission after they have gained freedom. It is safe to say Vasconcelo easily inspired and influenced several aspects of Diego Rivera’s artwork. While Mexico was under similar circumstances after the Mexican Revolution as Latin America, Deigo Rivera used some of Jose Vasconcelo’s ideas to impart social and political messages. In Diego Rivera’s “El Hombre en Cruco de Caminos” located in Palacio de Bellas Artes in Mexico City, one can see a man who appears to be in control of the Universe with a variety of people in the backgrounds. At one point Vasconcelo states that every ascending race needs to constitute its own philosophy to get to its own success, rather than just learn and copy from the others. This idea is expressed in Rivera’s Mural by the man in the middle who is controlling what seems to be the entire universe. It seems that both of these men understood the ideathat it was time to control themselves. Although Diego was focused on the “spiritual” liberation of Mexico from its Colonial obsession, the idea of creating and controlling your own ideology and destiny is shared by Rivera’s painting and Vasconcelo’s,…
Cubist painter Diego Rivera had become a great success at this time in Europe, but the happenings in the world at the time would strongly change his work style. With the inspiration of political ideals in the Mexican Revolution (1914-15) and the Russian Revolution (1917), Diego Rivera had a mission to make art that reflected the lives of the working class as well as the native peoples of Mexico. Rivera soon developed an interest in designing murals during a trip to Italy. He found inspiration in the Renaissance frescos that were in Italy that he saw during his trip…
Mexican muralism began in the 1920s. It was led by los tres grandes " the big three" José Clemente Orozco, David Alfaro Siqueiros and Diego Rivera. These three painters had a tremendous influence on Mexican art from the 1920s through the 1940s. The Mexican mural movement was a "vehicle to represent the government's ideology and its vision of history." The plan was for murals to be painted on public buildings to help spread the campaign messages for the government.…
“They were Chicano looked and at the world though Chicano eyes” , during a reading came across this appealing quote. Hence it correlates with the book of this title. The book has come up with so many flaws and positive aspects. One issue was struggled to gain acceptance in the gallery world, as stated in the book. Rather than waiting around, the artists would go and display their works anywhere that has people, example the book said “in public places wall” this has grab viewers attention because most people think of tagging or graffiti. However that is not the reason, artists have reason to put such a mural or scene on the wall. They wanted to tell a story, and expressing how they felt. Wondering what types of influences did artists have? Music, expressionism, impressionism, and photorealism were the reasons as mentioned in the book. Glugio”Gronk”Nicandro one influence was listening to the Beatles; Carlos Almarez has painting style similarity as an expressionism. John Valdez has an excellent photorealism painting, called Car show; that painting could easily be mistaken as a photo, if the artist did not explain what medium was used. In the late 1960’s and 1970’s formed social and political literacy, according to the book; therefore 1965 there was a popluar civil right activist, Cesar E Chavez. Who is known to fight with the famers to gain respect and…
It was not only the United States and Europe that were touched by Modernism; Latin America was also feeling the effect of this shift in the art world during the beginning of the 20th century. While beginning to achieve some level of independence from its European occupiers, Latin American and its artists were embracing Modernism which fit well with the mixed race cultures of this region. The indigenous peoples of Mexico, for instance, endured a brutal occupation by the Spanish starting in 1521 by Hernán Cortés(1485 - 1547) until the Mexican revolution(1910-1920) after which the indigenous peoples were honored and encourage to become educated. One of the artists discussed in this paper is Diego Rivera(1886-1957) who was a champion of these native peoples. This paper will compare Zapatista Landscape (1915) by Diego Rivera and Three Musicians (1921) by Pablo Picasso(1881-1973).…
“All literature is protest. You can’t name a single literary work that isn’t protest” was a quote said by Richard Wright. My interpretation of this quote is that through all of literature, there is protest. There is protest from the protagonists and even the antagonists. I agree with this quote because in every piece of literature there is a conflict that one faces, and characters show their dislike towards something in different forms of protest. This quote is proven to be true in “Screeno” and “In Dreams Begin Responsibilities”, both of which are short stories written by Delmore Schwartz.…