MICHEL FOUCAULT Foucault’s major work analyses the emergence of modern institutions (asylums‚ hospitals‚ prisons) and the forms of governance associated with them. However‚ instead of stories of continuity‚ he focuses on discontinuities – for instance‚ the move from violent torture and execution to imprisonment as a form of punishment. According to Foucault this is not a question of new discovered humanity since power is still present in changing forms. Humanism does not remove power but reinscribes
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Discourse: based on ideas of Michel Foucault‚ discourse theory refers to the idea that the terms in which we speak‚ write and think about the world are a reflection of wider relations of power‚ and since they are also linked to practise‚ are themselves important in maintaining that power structure In the Order of Things (1970) Foucault focuses on fields of knowledge‚ such as economics‚ or natural history and the conventions according to which they were classified and represented in particular
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"Our society is not one of spectacle‚ but of surveillance; under the surface of images‚ one invests bodies in depth; behind the great abstraction of exchange‚ there continues the meticulous concrete training of useful forces; the circuits of communication are the supports of an accumulation and a centralization of knowledge; the play of signs defines the anchorages of power; it is not that the beautiful totality of the individual is amputated‚ repressed‚ altered by our social order‚ it is rather
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Michel Foucault (1926– 1984)‚ A Biography & Examination of His Theories “Anyway‚ my personal life is not at all interesting. If somebody thinks that my work cannot be understood without reference to such and such a part of my life‚ I accept to consider the question. I am ready to answer if I agree. As far as my personal life is uninteresting‚ it is not worthwhile making a secret of it. By the same token‚ it may not be worthwhile publicizing it.” Michel Foucault
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aren’t quarantining people with diseases by putting them “away”. We use the system to keep a balance in the society. And in a way it keeps a lot of people in line by knowing what the consequences are of committing a crime. And I think that is what Foucault is essentially describing when he talks about the
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Modern Architecture‚ London: Thames & Hudson‚ pp. 256-75. 720.108 FOR Koolhaas‚ R. (2001) Junk space: The Debris of Modernization’‚ in C.J. Chung et al. (eds)‚ The Harvard Design School Guide to Shopping‚ Köln: Taschen‚ 408-21 POWER / POLITICS Foucault‚ M. (1995) ‘Panopticism’‚ in Discipline and Punish‚ New York: Vintage‚ pp. 195-228. Forty‚ A. (1995) 364.60944 FOU Being or Nothingness: Private Experience and Public Architecture in Post War Britain’‚ Architectural History‚ vol. 38‚ pp. 25-35
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Discipline and Punish Michel Foucault (trans. Robert Hurley) Part One: Torture 1. The body of the condemned This first section of Part One serves as an introduction to the entire book. Examples of eighteenth-century torture provide Foucault with many colorful episodes to relate in his account of how penality changed in modernity. Foucault relates an explicit account of Damien’s torture to introduce his subject (3-5) and compares that account of penality to Faucher’s timetable for prisoners published
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DISCIPLINE AD PUNISH- MICHEAL FOUCAULT The chapter on discipline begins with the seventeenth century image of the soldier. A soldier bore certain natural signs of strength and courage and marks of his pride and honor. These were characteristics which were already inherent in a soldier. By the late eighteenth century‚ a soldier became someone or rather something that can be made‚ like a required machine which can be constructed. The Classical Age discovered the body as a target and object of power
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Alvarez English 1A 17 March 2013 Essay #2 “Both John Berger in “Ways of Seeing” and Michel Foucault in “Panopticism” discuss what Foucault calls “power relations.” Berger claims that “the entire art of the past has now become a political issue‚” and he makes a case for the evolution of “ new language of images” which could “confer a new kind of power” if people were to understand history in art. Foucault argues that the Panopticon signals an “inspired” change in power relations. “It is‚” he says
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Question 1- Panopticism In regards to Panopticism‚ Michel Foucault theorizes‚ “The exile of the leper and the arrest of the plague do not bring with them the same political dream.” I conclude that the term‚ “political dream”‚ is an idea where people use power and knowledge in an attempt to achieve a perfectly governed society. Gradually‚ social reforms transformed how the political dream was viewed. Over the past few hundred years‚ techniques for social reform have improved‚ leading up to where
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