"The cinematic auteurist" Essays and Research Papers

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    to be challenged and allows for new possibilities of what masculinity might come to mean" (Allbritton 232). In Paternity and Pathogens‚ the author emphasizes the relationship between masculinity and death through an analysis of two of Almodóvar’s cinematic productions ‚ Todo Sobre Mi Madre and Hable Con Ella. Allbritton also argues that Almodóvar takes an active role in challenging normative masculinity in both films; his characters represent the fluidity that exists within the male spectrum and in

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    Oscar Micheaux

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    good director (including the bad ones)‚ exhibits such a distinctive style if not promotes a consistent theme that his or her influence is unmistakable in the body of his or her work. Like Truffaut‚ Andrew Sarris believed through analyzing film‚ an ‘auteurist” becomes appreciative of directors whose works detail a marked visual style as well as those whose visual style was less noticeable but whose movies reflected a consistent theme. As a result of this influence by critics like Truffaut‚ the auteur

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    employs a multiplicity of literary techniques to convey universal ideas exemplified throughout the course of Othello’s decline. However‚ Oliver Parker reinvigorates the play’s timeless ideas in a cinematic medium‚ sexualising the play for modern sensibilities. Parker utilises visual motifs and cinematic devices to place an emphasis on the idea of power and its intrinsic relationship with language in the original play. Hence whilst retaining the authenticity of Shakespeare’s expression in creating

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    Citizen Kane

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    Discuss the ways in which Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema. Give specific examples using appropriate cinematic terminology. Citizen Kane is a 1941 American drama film directed‚ co-written‚ produced by‚ and starring Orson Welles. This was Welles’s first feature film. With this film‚ Welles introduced many new filmmaking innovations. Some of the innovations were in cinematography‚ storytelling techniques‚ and special effects‚ lighting

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    Both texts possess a specific structure that allows the audience to interpret the story and their respective purposes of conveying a message through a certain perspective. It can be clearly perceived how both Extremely Loud and Incredibly Close and The Curious Incident of The Dog in the Nighttime follow the same writing conventions of a journal to deliver a story from the first person perspective‚ and through the eyes of an autistic individual. Both texts deliver the story in the following order;

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    ‘Citizen Kane’ reinforces the significance of perseverance. To what extent does your interpretation of ‘Citizen Kane’ support this view? Orsen Welles’ ‘Citizen Kane’ depicts an accurate portrayal of the human experience through its revolutionary cinematic techniques that continue to resonate even with a modern audience. It is through these techniques that the significance of perseverance is given its true value‚ as they highlight the search of Charles Foster Kane‚ newspaper and business tycoon‚ to

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    In the cinematic adaptation of Shawshank Redemption by Rita Hayworth there are several significant changes seen in moments by Stephen King’s story and Darabont’s film version. The first moment that captured the difference between the story and film is when a young convict named Tommy comes to Shawshank prison who later expresses to Andy that he knows what really happen to Andy’s wife and lover is suddenly killed by the warren in the movie. However‚ in the story it says "Tommy Williams is no longer

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    Realism Essay

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    MAJOR THEATRICAL FEATURES OF THE TEATRICAL TRADITION AND PERFORMANCE STYLE AND COMMENT ON HOW THIS STYLE INFLUENCED LATER THEATRE PRACTISES AND WHAT ELEMENTS OF THE STYLE STILL REMAIN IN COMTEMPORARY THEATRE PRACTISES. Before realism‚ theatre was bound up in melodramas‚ spectacle plays (disasters‚ etc.)‚ comic operas‚ and vaudevilles (acrobats‚ musicians‚ ect.).Realism began in the late 1800s as a trial‚ in hope of making theatre more relevant to life and society. Today‚ many aspects of realism

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    Mamma Mia!

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    Mamma Mia! Mamma Mia! is a stage musical written by Catherine Johnson that was adapted for the screen as a film by Phyllida Lloyd. The musical features the music of ABBA‚ although the entire plot is fictional. What is great about the musical that it has so much energy due to the song and dance numbers‚ with elements of comedy and romance added. In addition‚ it contains numerous catchy‚ well-known songs that grab the audience’s attraction. The songs fit into the story naturally‚ any interruption

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    The Power of One

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    The power of one which is directed by John G. Avildsen‚ achieves a purpose and perspective by attaching social messages through the use of cinematic techniques‚ setting and most importantly characters. Avildsen flaunts his director skills through technique‚ however loses the ability to engage the target audience to believe beyond the South African reality in the 1930’s through cliché perspectives of racism and prejudice. The power of one is a story about a young English boy by the name of P.K born

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