addition to slouching further and adopting Craig’s careless mannerisms. The fusing of Malkovich and Craig’s identities can symbolise the way that spectator‚ represented by Craig‚ and actor‚ obviously represented by Malkovich‚ are joined together in the cinematic experience of the
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Commercialism and materialism are major flaws inherent within modern society. Consequently‚ as satirical texts‚ Nick Hornby’s 1998 novel “About a Boy” and Bill Oakley and Josh Weinstein’s episode of “The Simpsons: Lisa vs. Malibu Stacy” written in 1994 critique this. Both texts are used as vehicles to demonstrate to the audience the detrimental impacts that commercialism and materialism have on society‚ through the use of a range of textual and satirical techniques. Through the juxtaposition of
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Tell Tale heart is a classic story written by Edward Allen Poe about how people’s appearances can create an unbearable disliking to one another. It feeds our cruelty to get along with anyone who isn’t like us. In the story‚ Edgar Allen Poe dramatize this‚ and concludes story by having the servant kill the master because of his appearance of his eye. Edgar Allan Poe is known for his creativity and his way of telling a story. It is very hard to really know what Poe means because he so translucent
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MACBETH BY WILLIAM SHAKESPEARE (THE FILM VS. THE PLAY) For cinematic purposes‚ passages from the original play were cut for time and some soliloquies changed to inner monologues for the sake of psychologic realism. In Polanski’s version‚ Macbeth and Lady Macbeth are played by actors younger than has been tradition. In the person of twenty-six-year-old Francesca Annis‚ Lady Macbeth is a softer‚ tamer woman than is usual. Her strength and sanity crumble at a horrific pace when she‚ at
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Christopher Guerrero MCA 101 Prof. Harris 01 May 2013 Final Homework Assignment: The Birth of a Nation The famed filmmaker D.W. Griffith helped make an enormous stride in 20th century cinematic history with the 1915 release of his creation‚ the Birth of a Nation. This film in known for its use of breakthrough cinematic techniques Within the process of making this groundbreaking film‚ the technologically innovative filmmaking techniques really blew the minds of people in the early 20th century. According
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this commercial to emotionally appeal to its audience by representing the loyalty of playing basketball in the most unbiased way possible to a paraplegic friend. The music in the background plays an important role in this commercial. The Cinematic Orchestra - To Build a Home is very inspirational to the
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Alfred Hitchcock was and still is considered one of the best horror directors of all time. He is considered the "Master of Suspense" for his very well written and directed horror films‚ which have left his mark on the movie-making industry. Hitchcock told his stories through intelligent plots‚ witty dialogue and just the right amount of mystery and murder with his works Vertigo‚ Psycho‚ The Birds and Rear Window .The films revolutionized the Horror/Thriller genre‚ other filmmakers began mimicking
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dialogue a straight adaptation would not be very cinematic. Other times there are plays with content that may be challenging to translate to film. At the time of its production in 1966‚ Ernest Lehman’s adaptation of Who’s Afraid of the Virginia Woolf faced both the challenges of translating the talky stage play to screen and also having to battle again the strict content regulations placed on Hollywood at the time. Director Mike Nichols make his cinematic directorial debut with this film‚ with his stage
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its product. Likewise‚ the demise of Denmark’s film industry is owed in part to Nordisk and its inability to deviate from its profitable formula for successful film among an ever-evolving industry. This paper will examine Denmark’s quick rise to cinematic influence during its Golden Age‚ detail the changes Nordisk and other Danish filmmakers made and the subsequent impact on cinema internationally‚ as well as investigate possible reasons for the fall of both Nordisk and Denmark. Danish film had a
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notice some subtle focuses where Hitchcock shot a frame through close-ups. This made me think that he wanted the audience to pay attention to that. The majority of the close-ups Hitchcock focused on can all be referred through cinematic symbolism. Some examples of the cinematic symbolism that Hitchcock used throughout Shadow of a Doubt can be seen in the following scenes: • Scene 1: In the opening scene‚ dancers are waltz dancing to the “Merry Widow” waltz. • Scene 2: Camera moves in sequence from
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