I think that Hamlet was more tragic in comparison to Agamemnon. The reason being is because in Hamlet Claudius is driven to kill his own brother‚ King Hamlet‚ just so he can marry his own sister-in-law. Hamlet is plotting to kill his own uncle and is speaks of his own mother in a hateful manner e:g Within a month‚ Ere yet the salt of most unrighteous tears Had left the flushing in her gallèd eyes‚ She married. O most wicked speed‚ to post With such dexterity to incestuous sheets! A son
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Hamlet and Agamemnon are two extraordinary and timeless plays. Both plays deal with the big themes of love‚ loss‚ pride‚ the abuse of power and the fraught relationships between men and gods. Hamlet and Agamemnon‚ the protagonist of the plays that were named after them‚ are two tragic heroes that commit some terrible crime without realizing how foolish and arrogant they have been. Both protagonist are of higher status‚ and have power. However‚ Hamlet is more tragic than Agamemnon‚ for several reasons
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overwhelming‚ as immediate emotions all come together. In the play‚ Agamemnon‚ Agamemnon makes this experience a reality. He has two options and he had to choose one: he either had to sacrifice his daughter‚ Iphigenia and if he didn’t do this‚ all his troops on board would die. In order to save the life of his troops on board‚ “he dared to sacrifice his daughter‚ a first offering to bless the fleet‚ to fight that woman-revenging war” (Agamemnon 225-7). Although Iphigenia pleaded to his father not to harm
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natures. Agamemnon‚ Achilles‚ and Job react to and deal with adverse circumstances in the same way their gods do‚ either leading them to blessings or destruction. When
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generally based around war heroes. In it‚ Homer expresses to us that these war heroes are no different than us‚ as they also make mistakes‚ are stubborn and often need to apologize as shown by the example of Agamemnon and Achilles. During the progression of the plot of this well-known epic‚ Agamemnon attempts to apologize to Achilles by a rather “low” method. He hopes to guilt trip Achilles by sending three of his closest friends and most well respected comrades to convince him to return to the battlefield
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Parties have been around for hundreds of years‚ as a way celebration and social gathering. Masks at parties and celebrations were most popular during the renaissance period. More specifically in Italy‚ during carnevale season when the streets became filled with people dressed in elaborate costume. Summary of culture In 15th Century Italy when Carnevale and masquerade balls were at their peak‚ the culture and religious beliefs of the majority was Roman Catholic. In Roman Catholic‚ they belief in
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different. “This Mask” theme‚ the way that all of the characters portray themselves as one person on the outside and one different one on the inside‚ is not in the least disguised by Shakespeare. Claudius‚ the murdering king‚ appears to be a somewhat kind‚ caring‚ and friendly person. But inside he is different. He is cold‚ calculating‚ and self-serving. But this might also be a mask. The women in the play‚ Ophelia and Gertrude‚ both use a type of mask to cover what is obvious
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A mask is a ‘false face’. It can have several functions. First‚ it is used to hide the identity of the person wearing it. Criminals often wear it for this reason. Masks may also be worn for having fun. At one time‚ masked balls were very popular in Europe. People who attended these dances wore masks and only removed them at the end of the night. Another function is to change the wearer into another person or being. This is based on the old belief in some cultures that the person wearing the mask
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representations of the earth and the sky. There is the Gelede mask created by the Yoruba tribe in 1950 that depicts this theme. The Gelede mask is used in the ceremony celebrating women during the Gelede festival. Above the mask you see these figures that depict two snakes and three birds. Birds can be seen as being closer to the sky and snakes as being closer to the earth. Then there is the Kanaga mask created by the Dogon people in 1950. The Kanaga mask contains two beams above it. The upper beam represents
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Greek theatre‚ the masks are what defined the convention of performance. They had a limited power to express full emotional ranges. As we can see on the Pronomos vase‚ the actors study the features of their mask before becoming the person it represents. Contrary to Noh masks‚ they were not used all the time‚ however they were dedicated – as well as the performances – to Dionysus‚ known as the God of masks. According to David Wiles‚ " An influential essay of 1933 portrayed the mask as the symbol and
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